Judging The Book By Its Cover: America's Continuing Problem Of Acceptance
"They're targeting guys who dress like me -- guys who dress hip-hop. Put a murderer in a suit, and he's still a murderer. It sends a bad message to kids" (Iverson 1). Allen Iverson, the quote's author, often has to defend himself with comments like this one when being berated by the media. Being one of the world's best basketball players definitely puts him in the spotlight, but unfortunately, his talent is usually not the topic of conversation. Allen Iverson, an African American, is considered by America's dominant culture, white and middle-classed, to be a "thug." The media prefers to use the term "hip-hop icon" to describe the 6'1 guard of the Philadelphia 76'ers. Indeed, Iverson's tattooed body, excessive jewelry, baggy shorts, headband, arm bands, and corn rows do not fit America's idea of normal or middle-class. But does that make him a criminal, or bad person, or deserving of the extra criticism he receives because of his appearance and beliefs? Timothy J. Brown does not think so, nor do I after reading Mr. Brown's article Allen Iverson as America's Most Wanted: Black Masculinity as a Cultural Site of Struggle. Brown's article addresses a specific example of the broad, ongoing struggle that is still very much present in America: Racism. After reading the article one can see that people of different cultures and races are often discriminated against in America because of two factors: One, they do not meet the ideal standard of the dominant culture, which is predominantly white and middle class. And two, the media often wrongly portrays the words and actions of these people into a familiar perception that the dominant culture can identify ...
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... Iverson may dress different and have different beliefs and values, but that does not mean he should automatically be considered dangerous. The first step in eliminating our quick judgments about different people is to become aware of what our perceptions about those people are, and why we have those perceptions. When we eliminate our preconceived notions about people from different cultures and races, we will find that communicating across these cultural barriers will become not only much easier, but more effective too. Perhaps Iverson says it best, "Just because you put a guy in a tuxedo, it doesn't mean he's a good guy" (Iverson 1).
Works cited
Allan Iverson as America's Most Wanted: Black Masculinity as a Cultural Site of Struggle. By: Brown, Timothy J.. Journal of Intercultural Communication Research, Mar2005, Vol. 34 Issue 1, p65-87, 23p; (AN 17741008)
The book then shows different ways of how manhood has always played a part in black freedom struggles. Estes starts to explore the participation of black men in World War II, and where the beginning of the civil rights movement began. The World War II used a language of masculinity to increase different ranks of the military, “the notion that are men are more powerful than women, that they should have control over their own lives and the authority over others” (page 7). They were posters that said, “Man the guns”, or “What did you do during the war daddy?” these posters were used to say that man is a protector of the home. World War II also started man power shortages which opened up new advantages for women and minorities, there was less white men. Estes sees this challenge as a white man supremacy, which surfaced around the 1950’s and...
The main theme of the three writings is labeling within an Imperialist Patriarchy. Toby S. Jenkins in his piece “Mr. Nigger” is concerned with the social, political, economic, psychological and educational issues that face the Black man today. Hooks piece examines how a patriarchal society has led to the black male being stereotyped and how these myths have...
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
There is an astonishing lack of positive Anglo-American role models in the NBA. An overwhelming majority of celebrity basketball players are African-Americans. Such names as Michael Jordan, Shaquille O'Neal, Magic Johnston, Penny Hardaway, Grant Hill, Scotty Pippin, and Charles Barkley evoke visions of success and greatness in the minds of many young people, but can Anglo-American youngsters really be expected to identify with these African-American cultural icons? Similarly, almost all contemporary movies about basketball center around African-American rather than Anglo-American characters. Shockingly, many basketball themed movies which feature Anglo-Americans portray them in a negative light, perpetuating a derogatory stereotype of Anglo-American basketball players, and further reducing the likelihood of their success. Some films even have titles which mock the challenges faced by Anglo-Americans in the basketball industry; a popular film from the early nineteen nineties was titled White Men Can't Jump.
The article discusses the fact that hip hop “provides a lens [through which white students and faculty at institutions] interpret Black culture” and that because of this not only is the Black female’s view of herself being manipulated, but black males expect what is being promoted by hip hop culture from them, and so does every other person (Henry, West, & Jackson 238). A professor at North Carolina Central University spoke about how he dislikes how hip-hop has influenced the way his students dress, he said “ They look like hoochie mamas, not like they’re coming to class” (as cited in Evelyn
Throughout the years, the black community has been looked down upon as community of criminals and community lesser educated and poor and have a lesser purpose in life. Journalist Brent Staples the author of Black Men And Public Spaces takes us into his own thoughts as a young black man growing up in Chester, Pennsylvania to becoming a journalist in New York City. He tells us his own challenge that he face on a daily basis along with challenges that many black men his own age faced and the way he changed in order to minimize the tension between himself and the common white person.
Richardson, Riche. Black Masculinity and the U.S. South: From Uncle Tom to Gangsta. University of Georgia Press, 2010. Print.
...ck males may have been their own worst enemy in trying to succeed and create opportunities for themselves. Allowing themselves to be pit against each other, there was no hope of propelling their status while they did not support one another as a whole race. Turning their anger toward each other rather than the white men who had put them in these situations, the struggle of black men transitioned from the fight for justice as a people to a war with other black men, so as to boost themselves in the eyes of the white man. They furthermore allowed themselves to be manipulated, mocked, scorned, and beaten, yet still stood up afterward to do what they were told. As inner-conflict combined with complete oblivion to the racial situation grew, Ellison criticizes African Americans of the time for not banding together and recognizing the problem that was social inequality.
The above-mentioned essays are: Nihilism in Black America, The Pitfalls of Racial Reasoning, The Crisis of Black Leadership, Demystifying the Black Conservatism, Beyond Affirmative Action: Equality and Identity, On Black-Jewish Relations, Black Sexuality: T...
“The history of the American Negro is the history of this strife, – this longing to attain self-consciousness, manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He would not Africanize America, for America has too much to teach the world and Africa. He would not bleach his Negro soul in a flood of white Americanism, for he knows that Negro blood has a message f...
Summers, Martin. The Black Middle Class and the Transformation of Masculinity. Chapel Hill: University of Carolina Press, 2004.
It is often the case that media and more specifically, film, perpetuates the stereotypes of black men. These stereotypes include not showing emotion, being physically aggressive, embrace violence, supposed criminality, associated with drug use, lack a father figure, sexually exploit women, and others. In the film, Boyz n the Hood, Tre’s father, Furious Styles, encourages Tre to demonstrate loyalty to other people in relationships, resist aggressive behavior, and foster and exhibit sexual responsibility. Thus, throughout the film, Tre challenges the society’s stereotyped norms of black masculinity and what it means to be a black man.
He creates this tone to convey his purpose to the reader which is that prejudice is still an ongoing problem in American society, and that it will never be a thing of the past. Staples gives many personal anecdotes that are very somber; the readers are affected by this because they can emphasize and feel the prejudice that the victim, Brent Staples, faces. Although Staples is never delighted with the positions he is in, he never shows his resentment. In one part of the article, Staples said, “It is not altogether clear to me how I reached the ripe old age of twenty-two without being conscious of the lethality nighttime pedestrians attributed to me.” (Staples, 2). Staples attributes that he knows many people in American society automatically assume that he is a threat to “their” society because of
As hip hop culture became prevalent in pop culture, so did black culture. Hip hop stems from black struggle. Their vernacular, songs, and spiritual ways were different from what whites were used to. Their different lifestyle of “living on the edge” was intriguing yet inaccessible for the whites living among them. Thus, this initiated America’s fascination with the culture. It became about what people assume and perceive about black people rather than what they actually are. In essence, an essential to cool is being on the outside, looking in. In the media and celebrities today,
In this narrative essay, Brent Staples provides a personal account of his experiences as a black man in modern society. “Black Men and Public Space” acts as a journey for the readers to follow as Staples discovers the many societal biases against him, simply because of his skin color. The essay begins when Staples was twenty-two years old, walking the streets of Chicago late in the evening, and a woman responds to his presence with fear. Being a larger black man, he learned that he would be stereotyped by others around him as a “mugger, rapist, or worse” (135).