The Constitution of the United States as a Utopian Proposal
Few people would take issue with the statement that America faces monumental challenges both to its own well-being as well as to its self-imposed duty to become "a more perfect union". Over the years, many speakers, authors, and dreamers have used the dirty facts of this nation's (and its predecessors') seemingly unrepentant capitalism, paternalism, belligerence, and tendency toward cultural assimilation to declare the entire enterprise bankrupt and to focus, not on where, exactly, the USA went wrong, but instead on what the truly ideal civilization would look like. They have created, in speech or on paper, entire realms of happiness and harmony, free of injustice, crime, and any other negative social vice. They have failed, however, in most cases, to free themselves from the trap of the nature of the human animal and his uncanny ability to absolutely avoid accurate prediction or even adequate description. It is my suggestion that, out of the bulk of utopian proposals the world has seen, the Constitution of the United States does, in fact, come the closest to creating "no place" for the greatest number of people through its pragmatism, its admission to not knowing the nature of every man, and, most importantly, its allowal of alternate visions of Utopia.
Of course, all one needs to do to get a glimpse of the monumental challenges the USA faces is open the closest almanac. Nearly half (49%) of all American marriages end in divorce. Some 700,000 high school students end up dropping out of school each year. There are nearly one million cases of child neglect and/or abuse per year and 2,700,000 cases of violent crime. Around 8.5 million individuals...
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...ough a total change in the accepted social order. The framers of the Constitution were looking in the right direction; it is our legacy and responsibility to see that the essence of their vision is amended to accommodate the changes this nation has experienced since its founding and to provide the opportunity for every citizen to express, and possibly achieve, his or her own utopia.
Works Cited
Bellamy, Edward. Looking Backward: 2000 to 1887. Internet text version copyright 1996 by Geoffrey
Sauer. http://english-server.hss.cmu.edu/fiction/bellamy/contents.html
Brunner, Borgna, ed. 1997 Information Please Almanac. Boston: Information Please, LLC.
Constitution of the United States of America.
http://www.law.cornell.edu/constitution/constitution.overview.html.
Democratic Socialists of America. (1998). http://www.dsausa.org/dsa.html
The chosen art work is "Miracle of St. Dominic." This painting is a tempera on panel, painted by the Renaissance artist Taddeo di Bartolo, in the year thirteen sixty three. The painting is currently housed at the McNay Art Museum, measuring approximately 10" high by 10" wide. In this particular painting we are witnessing a miracle by St. Dominical. There are spectators and a horse that lays above the man in red, who St. Dominical has brought back to life.
For as long as humans have roamed the Earth, misogyny has been an everyday part of life. Some countries have handled it better than others, but misogyny faces every community. In Euripides tragedy Medea, the main character Medea struggles with the misogynistic views constantly facing the society in which she resides. Euripides uses Medea to convey misogyny.
The artists of the Baroque had a remarkably different style than artists of the Renaissance due to their different approach to form, space, and composition. This extreme differentiation in style resulted in a very different treatment of narrative. Perhaps this drastic stylistic difference between the Renaissance and Baroque in their treatment of form, space, and composition and how these characteristics effect the narrative of a painting cannot be seen more than in comparing Perugino’s Christ Delivering the Keys of the Kingdom to St. Peter from the Early Renaissance to Caravaggio’s Conversion of St. Paul from the Baroque.Perugino was one of the greatest masters of the Early Renaissance whose style ischaracterized by the Renaissance ideals of purity, simplicity, and exceptional symmetry of composition. His approach to form in Christ Delivering the Keys of the Kingdom to St.Peter was very linear. He outlined all the figures with a black line giving them a sense of stability, permanence, and power in their environment, but restricting the figures’ sense of movement. In fact, the figures seem to not move at all, but rather are merely locked at a specific moment in time by their rigid outline. Perugino’s approach to the figures’themselves is extremely humanistic and classical. He shines light on the figures in a clear, even way, keeping with the rational and uncluttered meaning of the work. His figures are all locked in a contrapposto pose engaging in intellectual conversation with their neighbor, giving a strong sense of classical rationality. The figures are repeated over and over such as this to convey a rational response and to show the viewer clarity. Perugino’s approach to space was also very rational and simple. He organizes space along three simple planes: foreground, middle ground, and background. Christ and Saint Peter occupy the center foreground and solemn choruses of saints and citizens occupy the rest of the foreground. The middle distance is filled with miscellaneous figures, which complement the front group, emphasizing its density and order, by their scattered arrangement. Buildings from the Renaissance and triumphal arches from Roman antiquity occupy the background, reinforcing the overall classical message to the
Searle's argument delineates what he believes to be the invalidity of the computational paradigm's and artificial intelligence's (AI) view of the human mind. He first distinguishes between strong and weak AI. Searle finds weak AI as a perfectly acceptable investigation in that it uses the computer as a strong tool for studying the mind. This in effect does not observe or formulate any contentions as to the operation of the mind, but is used as another psychological, investigative mechanism. In contrast, strong AI states that the computer can be created so that it actually is the mind. We must first describe what exactly this entails. In order to be the mind, the computer must be able to not only understand, but to have cognitive states. Also, the programs by which the computer operates are the focus of the computational paradigm, and these are the explanations of the mental states. Searle's argument is against the claims of Shank and other computationalists who have created SHRDLU and ELIZA, that their computer programs can (1) be ascribe...
I will begin by providing a brief overview of the thought experiment and how Searle derives his argument. Imagine there is someone in a room, say Searle himself, and he has a rulebook that explains what to write when he sees certain Chinese symbols. On the other side of the room is a Chinese speaker who writes Searle a note. After Searle receives the message, he must respond—he uses the rulebook to write a perfectly coherent response back to the actual Chinese speaker. From an objective perspective, you would not say that Searle is actually able to write in Chinese fluently—he does not understand Chinese, he only knows how to compute symbols. Searle argues that this is exactly what happens if a computer where to respond to the note in Chinese. He claims that computers are only able to compute information without actually being able to understand the information they are computing. This fails the first premise of strong AI. It also fails the second premise of strong AI because even if a computer were capable of understanding the communication it is having in Chinese, it would not be able to explain how this understanding occurs.
In Greek society, the role of women was considered to be insignificant compared to the Greek men. The women had very few rights, no room to voice personal opinions, and a very bleak future with few options for a better life. According to Moses Hades, professor of Greek studies, women in ancient Greek plays are known to be the main characters and take the role of the villain, victim, or the heroine. In Euripides’ play Medea, Medea, the main character, plays all these roles. She represents the heroine by helping her husband secure the Golden Fleece prior to their marriage, and then portrays the victim by being betrayed by her husband, and finally the villain by murdering her loved ones. Therefore, Euripides follows the standard format for a Greek tragedy.
...tism. The dove which has been tactfully placed above the Christ’s head, symbolizes the Holy Spirit. The other characters are angels who believed to be witnessing the baptism. The nakedness of the Christ on the other hand symbolizes humility. The general landscape in this picture displays an extraordinary naturalism. The Francesca’s work also marked the era of excessive antiquarian style of sculpturing and tactful use of oil in painting (Prescott, 2005).
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
He would say that it is still impossible for a computer to derive semantic information from merely syntax because the two things, according to him, are mutually exclusive when separate. It is impossible to gain any semantic information from syntax alone, which would mean that even if a robot was interacting with the world, the computer inside the robot is only getting syntactical information and processes it in syntactical terms only. It is also important to note, in the words of Searle, that a computer’s “operations have to be defined syntactically, whereas consciousness, thoughts, feelings, emotions, and all the rest of it involve more than syntax.” (Searle, p.681) Therefore, even though a robot would be able to simulate being a human, it cannot actually be a human. I then believe, with that evidence, Searle would conclude that the Robot reply would not satisfy the conditions needed for a computer to be able to
Given this new judging criterion, Turing’s answer is ultimately correct, and Amy should punish her Son because Siri* is a "thinking, intelligent being." Because Siri* would possess a physical, human brain, Searle could not refute its personhood since his own requirements for personhood have been satisfied by our criteria. However, if Siri* is recognized as a "thinking, intelligent being," it brings into question what exactly is a “person.” Indeed, Amy should punish her Son not simply because Siri* is a "thinking, intelligent being," but because Siri* has a physical, human brain and could very well be a human in "her" own right.
Ben Franklin himself said, "They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety."
Euripides, one of Ancient Greece’s most famous playwrights, could be considered as one of the earliest supporters of women’s rights. With plays such as Alcestis and Medea, he clearly puts an emphasis on the condition of women, and even integrates them in the Chorus of the latter play, a feat that was not often done in Ancient Greece. Throughout the years, it has been argued that the two central characters in each of those plays offer conflicting representations of women in those times, and I can safely say that I agree with that argument. I will expand on my view by pointing out an important similarity between Alcestis and Medea, followed by a key difference, and will finish it off by contrasting them with the Ancient Greek depiction of an “ideal woman.”
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.
...lligent, intentional activity taking place inside the room and the digital computer. The proponents of Searle’s argument, however, would counter that if there is an entity which does computation, such as human being or computer, it cannot understand the meanings of the symbols it uses. They maintain that digital computers do not understand the input given in or the output given out. But it cannot be claimed that the digital computers as whole cannot understand. Someone who only inputs data, being only a part of the system, cannot know about the system as whole. If there is a person inside the Chinese room manipulating the symbols, the person is already intentional and has a mental state, thus, due to the seamless integration of their systems of hardware and software that understand the inputs and outputs as whole systems, digital computers too have states of mind.