Siobhan Somerville’s essay “Passing through the Closet in Pauline E. Hopkins’s Contending Forces”
In Siobhan Somerville’s essay, “Passing through the Closet in Pauline E. Hopkins’s Contending Forces”, the tacit allusion to homosexuality within Hopkins’ story is argued to be a resource used to question the dominance or implicit strength of heterosexuality in the African-American community over Black women. While I do believe Hopkins may have intended for the novel to raise questions about the institution of marriage in relation to the African-American female, I do not believe the argument is as polarized as a difference between homosexual and heterosexual attraction in relation to politics between the sexes. Instead, I would argue that the very ambiguity of sexuality within the text serves to comment on a larger issue of what makes a woman female and the importance of intimate bonds between women in society.
The most important piece of textual evidence in Somerville’s argument is the attic scene between Dora and Sappho. In this scene Sappho begs Dora to spend the morning with her after a snowstorm from the previous night makes it impossible for her to go to work. The two lock themselves away in Sappho’s attic apartment and commence to have a tea party and “play ‘company’ like the children” (Hopkins 117). In her essay, Somerville describes this as a highly sexualized scene, in which the intimacy between the two women hints at a possible homosexual attraction between the two, given the homoerotic description of their affection towards one another (Somerville 149-152). While I do believe the scene does have a certain element of homoerotic tension, I would not go so far as to polarize the scene as clearly “homosexual” as “a pot...
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Hale, Grace Elizabeth. Making whiteness: the culture of segregation in the south, 1890-1940. New York, NY: Pantheon Books, 1998
Pauline Hopkins’ novel “Of One Blood” was originally published serially in a magazine called Colored American, from 1902-03. Within this novel Hopkins discusses some of the prominent racial and gender oppressions suffered by African Americans during this time. Following the Emancipation Proclamation of 1849 which resulted in African American freedom from slavery, but unfortunately not freedom from oppression and suffering. One of the minor characters, and the only dominant female role, within the novel is Dianthe Lusk. Within the novel Dianthe has many identifiers, which limits not only the readers but Dianthe’s understanding of her identity. Some of these identifiers include: women or ghost, black or white, sister or wife, princess or slave, and African or American. However, the most prominent of these juxtapositions in the novel is the racial identity. This paper will argue that the suffrage of Dianthe through her experiences with racial identity and rape serve to locate racial identity as an agent of politics, rather than of one’s color.
The novel showed a pivotal point prior to the Civil War and how these issues ultimately led to the fueling of quarrel between Americans. While such institutions of slavery no longer exist in the United States, the message resonates with the struggles many groups ostracized today who continue to face prejudice from those in higher
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Brown conducted a form of unorthodox anthropology fieldwork among southern ebony individuals within the 1920s and afterward engendered a series of dominant essays on ebony Folkways. Brown drew on his observations to engender a composed dialect literature that honored ebony individuals of the agricultural South rather than championing the early order of ebony life being engendered in cities and also the North. Brown's wanderings within the South portrayed not simply an exploration for literary material, however but an odyssey in search of roots more consequential than what appeared to be provided by college within the North and ebony materialistic culture in Washington. Both Brown’s poetry and criticism pursue the liberty referred to as Hughes. As a result of Browns in depth work in African American folk culture, he was well prepared to present his vision to a wider audience once the chance arose.
Analyzing the narrative of Harriet Jacobs through the lens of The Souls of Black Folk by W.E.B. Du bois provides an insight into two periods of 19th century American history--the peak of slavery in the South and Reconstruction--and how the former influenced the attitudes present in the latter. The Reconstruction period features Negro men and women desperately trying to distance themselves from a past of brutal hardships that tainted their souls and livelihoods. W.E.B. Du bois addresses the black man 's hesitating, powerless, and self-deprecating nature and the narrative of Harriet Jacobs demonstrates that the institution of slavery was instrumental in fostering this attitude.
“Sometimes it seems to me that I have never really been a Negro, that I have been only a privileged spectator of their inner life; at other times I feel that I have been a coward, a deserter, and I am possessed by a strange longing for my mother 's people.” Thus encapsulates the painful dilemma of being of mixed race in America of James Weldon Johnson in his Autobiography of an Ex-Colored Man. From thinking of himself as white because of the lightness of his skin, to finding that in fact he was colored, and the constant struggle to perhaps deny it, to the peculiar pride that sometimes reared its head and caused him to embrace his Negro blood, his narrative revealed his inner conflict and wavering ambivalence towards who
Based on historical events, Charles Chestnutt’s The Marrow of Tradition, gives human details to produce a vivid picture of life in the south after the failure of reconstruction. His work has many underlying themes among which are the use of the press to stir already volatile emotions through propaganda, class structure not only along color lines but within races, and the effects of the white supremacists’ agenda on the integrity of those who claimed to be morally advanced. Through this story, Chesnutt allows the reader to enter the minds of the characters to show how change will not take place until both whites and blacks detach themselves from traditions that seem to be engraved on their bones.
Marable, Manning. Race, reform, and rebellion: the second reconstruction and beyond in Black America, 1945-2006. 3rd ed. Jackson: University Press of Mississippi, 2007. Print
As the United States grew, the institution of slavery became a way of life in the southern states, while northern states began to abolish it. While the majority of free blacks lived in poverty, some were able to establish successful businesses that helped the Black community. Racial discrimination often meant that Blacks were not welcome or would be mistreated in White businesses and other establishments. A comparison of the narratives of Douglass and Jacobs demonstrates the full range of demands and situations that slaves experienced, and the mistreatment that they experienced as well. Jacobs experienced the ongoing sexual harassment from James Norcom, just like numerous slave women experienced sexual abuse or harassment during the slave era. Another issue that faced blacks was the incompetence of the white slave owners and people. In ...
the black man in the South in the early 1900's. This story deals partly with racial
In her life and in her writings, Zora Neale Hurston, with the South and its traditions as her backdrop, celebrated the culture of black Americans, Negro love and pride with a feminine perspective that was uncommon and untapped in her time. While Hurston can be considered one of the greats of African-American literature, it’s only recently that interest in her has been revived after decades of neglect (Peacock 335). Sadly, Hurston’s life and Hurston’s writing didn’t receive notoriety until after her death in 1960.
Franklin, John Hope. From slavery to freedom: a history of Negro Americans. 3rd ed. New
The transition of being a black man in a time just after slavery was a hard one. A black man had to prove himself at the same time had to come to terms with the fact that he would never amount to much in a white dominated country. Some young black men did actually make it but it was a long and bitter road. Most young men fell into the same trappings as the narrator’s brother. Times were hard and most young boys growing up in Harlem were swept off their feet by the onslaught of change. For American blacks in the middle of the twentieth century, racism is another of the dark forces of destruction and meaninglessness which must be endured. Beauty, joy, triumph, security, suffering, and sorrow are all creations of community, especially of family and family-like groups. They are temporary havens from the world''s trouble, and they are also the meanings of human life.