end of Act One?
So far in the play Marco and Rodolfo have illegally immigrated to
America, seeking shelter with their cousin Beatrice and her husband
Eddie. Living with them is Catherine, their niece, who falls head over
heels in love with Rodolfo. Eddie is not happy, as he is incredibly
overprotective of Catherine. This overprotectiveness turns to
jealousy, which turns into an obsession. At the end of Act One all
five characters are in the living room, sharing a cosy after dinner
At this point of “A View From The Bridge” Eddie is feeling intensely
jealous of Rodolfo and he doesn’t really understand why. He talks to
Alfieri about it, yet Alfieri seems to immediately understand what is
going on and just before this scene hints at the bloody outcome of
this tale. Marco, too, recognizes Eddie’s feelings for Catherine,
though he appears to be the only one in the family who sees it.
The premonition in Alfieri’s soliloquy make the audience think. It
makes them ask question like who’s going to die? How are they going to
die? Why are they going to die? The audience want to know the answers
to all of these questions right at the beginning of the play and will
start to guess what will happen, yet they have to pay attention to
understand what is going on and make predictions.
The personalities of the characters greatly affect the tension of this
part of the play. For example, if Marco were not so silent and still,
his threat would not be so obvious. When he “takes a chair, places it
in front of Eddie, and looks down at it” it is a contrast to his
natural behaviour. Eddie, however, still does not get it, as he
believes that the worl...
... middle of paper ...
...gland, for example, where the sense of community is much
less, the dramatic tension would not exist. In fact the situation
would probably not have arisen at all. Catherine would have had more
freedom, Eddie and Beatrice would have attended marriage counselling
and most likely Marco and Rodolfo could have immigrated legally. The
play would be quite boring.
In conclusion, many things contribute to the tension at the end of Act
One. It would be nearly impossible to have the same sort of tension if
just one aspect of the play was changed. The tension would probably
remain but it would be utterly different. It could be more or less
effective than the way it is now, but I feel it would be more likely
that a master playwright like Arthur Miller would understand what he
was doing, and would try and make the play as dramatic as he could, to
get his point across.
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