Essay about Analyze how Arthur Miller creates dramatic tension at the end of Act 3

Essay about Analyze how Arthur Miller creates dramatic tension at the end of Act 3

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Analyze how Arthur Miller creates dramatic tension at the end of Act 3
of The Crucible.

During this essay, I will be explaining how Arthur Miller creates
dramatic tension at thee end of Act 3 of his novel, The Crucible. I
will be organizing this essay in paragraphs by points. Here are the
main points I will be analyzing:

- Setting

- Stage Directions

- Characters and Language

- Comparing thee witch trials to the McCarthyism

Proctor brings Mary to court and tells Judge Danforth that she will
testify that the girls are lying. Danforth is suspicious of Proctor’s
motives and tells Proctor, truthfully, that Elizabeth is pregnant and
will be spared for a time. Proctor persists in his charge, convincing
Danforth to allow Mary to testify. Mary tells the court that the girls
are lying. When the girls are brought in, they turn the tables by
accusing Mary of bewitching them. Furious, Proctor confesses his
affair with Abigail and accuses her of being motivated by jealousy of
his wife. To test Proctor’s claim, Danforth summons Elizabeth and asks
her if Proctor has been unfaithful to her. Despite her natural
honesty, she lies to protect Proctor’s honour, and Danforth denounces
Proctor as a liar. Meanwhile, Abigail and the girls again pretend that
Mary is bewitching them. Suddenly Mary breaks down and accuses Proctor
of being a witch. Proctor rages against her and against the court. He
is arrested, and Hale quits the proceedings. The most important part
of this plot has to be the changing of situation when Mary breaks down
and turns to the girl’s side.

Miller has few cases of verbal irony. He uses it in act 3 while
Elizabeth tell she court that Proctor did not sleep with Abigail she
knows that he did.
...


... middle of paper ...


...r depicts in The Crucible, including the
narrow-mindedness, excessive passion and disregard for the individuals
that characterize the government’s effort to stamp out a supposed
social ill. Further, as with the alleged witches of Salem, suspected
Communists were encouraged to confess their crimes and to “name
names,” identifying others sympathetic to their radical cause. Some
have criticized Miller for oversimplifying matters, in that while
there were (as far as we know) no actual witches in Salem, there were
certainly Communists in 1950s America. However, one can argue that
Miller’s concern in The Crucible is not with whether the accused
actually are witches, but rather with the refusal of the court
officials to believe that they are not. In light of McCarthyism
excesses, which wronged many innocents, this parallel was felt
strongly in Miller’s own time.

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