The play is a story of a man’s life. This man is Arthur Kipps; he
hires an actor to portray the story he has to tell. The story is
apparently a horrific and terrifying story. The actor then begins to
tell the old man’s story. This type of story telling is known as a
“play within a play”
The story within the play is about an old house who is recently
dis0owned by a women who just died, as is the way I these
circumstances, a lawyer is sent up to the old house to tie up any lose
ends and sort out the legal material involved in such a circumstance.
It soon arises that all is not as it seems in this house; in fact the
house appears to be haunted by a women who is dressed all in black and
has a drawn, ill looking face. It later becomes clear that the women
is lingering on at this house because her son was taken away by her
sister, and the women then witnesses a horrific accident in which her
son and the nanny both die in a horrific hors and trap accident.
Since then the “women in black” has haunted the mansion. And so with
the arrival of Mr Kipps to the old house, the scene is set to provide
a thrilling ninety minutes of edge of your seat entertainment.
So how do the director and actors create such a tense and thrilling
atmosphere? The techniques are in some ways very complicated, but on
the most part, were very simple.
The most predominant technique was in the use of sound. And in some
cases the lack of it. For the first, probably, three minutes of the
play, absolutely nothing is said, no sound at all is made from the
stage. This is a very effective manipulative technique because it
utilises the reputation of the play as a very scary play, this makes
the audience immediately on ...
... middle of paper ...
...y reveals a very creepy
children’s nursery, so this makes the audience assume that what
appears to be there probably isn’t what it seems, so you are
permanently expecting something to jump out from the shadows making
the most mundane of accidents, kicking a bucket (could b symbolic),
for example, seem like the trap door being let down on the gallows of
Appropriately, the last technique used is retrospect. For days after
everyone who had seen the play were continually realising what had
actually happened in the play. This prolonged the scary effects of the
play, and actually prevented me from sleeping.
In conclusion the “women in Black” was a play which reduced the
audience to dribbling puddles of wobbling, terrified children. It
affected me for days after and the affects are still with me. And best
of all, it made David Wynter scream.
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