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T.S. Eliot’s “The Love Song of J. Alfred Prufrock”
treatment of love in the love song of j alfred prufrock
“the love song of j. alfred prufrock” by t.s eliot analyze
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J. Alfred Prufrock is He Gay
When we read T. S. Eliot’s “The Love Song of J. Alfred Prufrock” you almost get the feeling that Prufrock is gay. In fact, when the story is read a bit more in depth you can conclude that he is gay.
The first flag that is raised to our attention of prufrock being gay is the fact that not once do we hear the name of his so called lover or even him calling her a lady. Therefore we might be able to conclude that this lady is in fact a guy. This would in turn bring up many situations in the story that are not brought to light if this story was read in different text.
Prufrock is very insecure about himself. This is especially seen in the first ten lines. He is insecure when he talks of his “overwhelming question….” He wants to answer this question but he does not feel that society would be so open if he did. His insecurities do not allow him to ask this question and continue to live the way he is at the moment. This question that prufrock wants to ask himself can be seen as a question of his sexuality.
When Prufrock talks of women in lines thirteen and fourteen and then again in lines thirty-five and thirty-six, he talks of them in a tone that is almost boring. This situation almost seems to tell us that he does not think of women as intelectual beings. Especially when they are of the upper class. Therefore, he does not think of them as good partners. In a round about way Prufrock just does not care for them. In lines ninety-six through ninety-eight he even comes out and says that a girl is not what he needed at all. This only gives more concrete evidence to Prufrock’s homosexuality.
Prufrock talks of putting on a mask, and disguising himself to the world around him. Then, right af...
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...nt to be disturbed.
Because of his insecurities and lack of courage Prufrock realizes that he is “not Prince Hamlet”. He realizes that he does not have the courage to come out and tell every one that he is gay. He realizes that “they” being the people around him will not sing his praises when he does pass on. This is what ultimately destroys his world without even touching anyone around him. This realization all but drowns Prufrock. Furthermore, because he is drowning the people around him eventually find out, he then truly lives a life by himself and his world is detsroyed.
The dramatic monologue gives conclusive proof that J. Alfred Prufrock was not a man trying to pop the question to a girlfriend. But, He was a man who was fighting with the realization that he was gay and did not know whether to come out with it or to keep it inside himself.
Francis Macomber is a middle age man that is good at court games such as: tennis or squash, competitions where there are set standards and rules for play. Also, there are confined areas of play for his games. He is quite wealthy and some say handsome which add to Francis masculinity. His wife on the other hand does not think that much of him and thinks of him as a coward. Margot on the other hand his “beautiful wife”, whom really does not like Francis but stays with him anyway. She cheats on him and despises, basically because he married her only for her looks. Margot on the other hand is part responsible for the same thing because she only married him for his money. They are both stuck in a situation because they both married for the wrong reasons. Their gender roles are sort of fighting against each other because she doesn’t care about the relationship and cheats; and he tries to prove that he is a man and yet fails because he tries too hard. Masculinity is something that Margot and others at the Safari think it is an aspect of manhood that Francis lacks.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” tells the speaker’s story through several literary devices, allowing the reader to analyze the poem through symbolism, character qualities, and allusions that the work displays. In this way, the reader clearly sees the hopelessness and apathy that the speaker has towards his future. John Steven Childs sums it up well in saying Prufrock’s “chronic indecision blocks him from some important action” (Childs). Each literary device- symbolism, character, and allusion- supports this description. Ultimately, the premise of the poem is Prufrock second guessing himself to no end over talking to a woman, but this issue represents all forms of insecurity and inactivity.
Prufrocks next thoughts tell of his old age and his lack of will to say what is on his mind. He mentions his bald spot in his hair and his thin arms and legs. This suggests that he knows he is growing old, and therefore contradicts what he had mentioned earlier in the poem about having plenty of time. Throughout the poem he is indecisive and somewhat aloof from the self-involved group of women. One part of him would like to startle them out of their frustratingly polite conversations and express his love for her, but to accomplish this he would have to risk disturbing their ?universe? and being rejected. He also mentions ?sprawling on a pin?, as though he pictures himself being pinned in place and viciously analyzed like that of an insect being literally pinned in place. The latter part of the poem captures his sense of overwhelming lack of willpower for failing to act daringly, not only at that tea party, but throughout his life.
Eliot, T. S. "The Love Song of J. Alfred Prufrock" in An Introduction to Literature. Ed Sylvan Barnet et al. 13 ed. New York: Longman. 2004. 937-940.
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
From the beginning of his tale, the husband is quite bland on the subject of love. This is present when he tells the part about his wife's first husband, even going as far as to say the man doesn't deserve to be named because "he was the childhood sweetheart, and what more does he want" (348). When he tells of Beulah, Robert's wife, and her tragic death, he shows no compassion in mocking her for marrying a blind man. He even asks if the woman was a "Negro" because of her name. His materialistic views shine through when he feels actually pity for her because she could "never see herself as she was seen in the eyes of her loved one" (349). His lack of compassion for the tale of the blind man's marriage tells the reader that maybe the husband himself doesn't believe in love. When he refers to his wife's first husband as "this man who'd first enjoyed her favors" and "shrugs" when he thinks his wife is disappointed in his actions, it informs the reader he may look at relationships, even his own, as more of a business deal than a devotion of love (348, 350). His wry humor is major indication of his sarcastic character. He even makes a crack to his wife about the blind man befo...
Elliot, T.S. "The Love Song of J. Alfred Prufrock." Literature: Reading, Reacting, Writing. Compact 3rd ed. Eds. Laurie G. Kirszner and Stephen R. Mandell. Fort Worth: Harcourt Brace, 1997. 781-785.
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but
It was his goal to avoid death, because he didn’t know how to deal with it. He avoided asking a woman out, because he was afraid of what she might say. So he found other ways to continue his life, but it lead it to become useless. He slept with many women, but none of them seemed to please him. It was as though he was incapable of being pleasured, and therefore just filled his day with random women to sleep with because it was the only thing to keep him going. Prufrock already knew that he was condemned to hell; maybe he was already living in it. Nevertheless, he didn’t stop sleeping with all these women, he continued as if it was his “guilty pleasure.” It couldn’t possibly be though because it wasn’t at all pleasurable for him, just a repetitive act that he did. Prufrock was a lonely man, with no hope of having his name carried on. He hadn’t done anything worthwhile, or that some would remember him by, there was nothing remarkable about him. Prufrock longed to be more than just a workingman, somewhat like Michelangelo. Accomplish something wonderful to be remembered by, and not just known as a sex addict.
In the poem “The Love Song of J. Alfred Prufrock” T.S Eliot uses a man named Prufrock to describe the uncertainties in life and how they affect a person views. Prufrock does not have the confidence to give or receive love. There is an equally amount of unhappiness to the concept of time and space. He is unsatisfied with life and with the decisions to think rather than act. He claims that there will be much time to do things in the social world. Prufrock is more of an anti-hero that is controlled by fear. T.S Eliot uses tone, allusions, and imagery to explain a man’s inability to make decisions and his own self confidence in life in which he is afraid of the outlook of his future by being misunderstood.
In T.S. Eliot’s The Love Song of J. Alfred Prufrock many people see Prufrock as the ultimate loser. He’s too scared to step out and take a chance to court a woman. He is bogged down with critizing homself. He is divided, wanting to sing with the women, but also wanting to hide away from everyone. But is he really such a loser? Many parts of his song say that this may not be the case.
Prufrock’s insecurities make him feel like an outsider. “In the room the women come and go talking of Michelangelo.” He wants to approach the young
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark his journey as he struggles with a rational fear of being rejected by a woman. Which gives the reader sympathy to Prufrock, as he lives within his own personal
The epigraph of the poem is an excerpt from Dante's Inferno, in which that the perfect audience could only be someone who would never be allowed into the real world where that person(s) might reveal Prufrock's idiosyncrasies. This of course is impossible so therefore he must settle on a personal reflection, thus creating an interior dialogue. This in effect sets a mood of isolation giving the reader some foreshadowing in to what the poem will be about.
The title T. S. Eliot chose for his poem "The Love Song of J. Alfred Prufrock" is ironic. Mr. Prufrock does not love anyone, nor does he believe he is loved. He has disdain for the society of which he wishes he were a part, and he believes society views him no differently. The imagery of Mr. Prufrock's thoughts provide the audience a more detailed insight into his character than had Mr. Eliot simply listed Mr. Prufrock's virtues and flaws. Mr. Prufrock is seen as an exaggeration or extreme for the sake of literary commentary, but the world has many Prufrocks in many differing degrees, and T. S. Eliot has made them a little easier to understand.