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metaphors in the metaphor by budge wilson
metaphors in the metaphor by budge wilson
an essay about metaphor
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Innocence versus Sexual Awakeming
The transition from childhood to adulthood is a complex but universal passage. Both Katherine Mansfield's "The Wind Blows" and D.H. Lawrence's The Virgin and the Gipsy embody adolescent angst in their characterization. Matilda and Yvette search for meaning beyond the lives they perceive they are condemned to lead. Both bring about greater understanding of the struggle between a young girl's struggle of innocence versus sexuality. In similar uses of metaphor and imagery the stories tell the tale of social convention, romanticism and sexual awakening.
The Virgin and the Gipsy is written with little surprise or subtlety in it, as is suggested by the title. Lawrence has a theme of human connectedness throughout the story. However there is force that threatens the conventional existence of Yvette. Yvette is a young girl that in her own way was rescued by a dark manly figure from outside her world. However the stories intrigue is the intensity and conviction written by Lawrence. We never learn about Yvette "which they don't and would never see" (Lawrence 75). "The Wind" goes through little in the way of dramatic action. Our understanding of Matilda comes with her frustration of seemingly meaningless chores and a simple routine to wistfully thinking of places far away.
The characterization from The Virgin and the Gipsy is more complex than that of Mansfield's short story. The denial of the two protagonists' emotions lead to the eventual loss of childlike youth and spontaneity "Her young soul knew the wisdom of it"(145). Only slightly more expansive is the tale of Yvette which lasts only two seasons, the latter spans only a day with a brief reflection in the end. Through thoughts a...
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From Shakespeare's Romeo and Juliet to the blockbuster movie Titanic the struggle against social convention, class structure and awakening desire is universal. Virgins and gypsies are both fascinating to our society by reason of depleting numbers. The sexual awakening that occurs in Mansfield and Lawrence depictions occurs through different means but conveys the same message. Every individual goes through a natural right of passage from childhood to adulthood. With the change of adolescence come sexual desire and maturity. The outcome or moral underlying these two stories is to become aware of the struggle of conformity versus consciousness of ones own sexual desire.
Bibliography:
Lawrence, D.H. The Virgin and the Gipsy. New York: Viking, 1992.
Mansfield, Katherine. "The Wind." The Story-Makers 2nd Ed, ed. Rudy Wiebe. Toronto: Gage, 1987.
Both Visions of the Daughters of Albion by William Blake and The History of Mary Prince by Thomas Pringle makes a powerful statement about the current social conditions for women in their days. The value of women maintaining their virginity became highly important. The words of Prince and Oothoon exemplifies the significance of the woman’s voice. Both these characters show that women can not be seen as objects nor can they be downgraded in society.
At the beginning of the 1900s, there was a “sexual revolution” in New York City. During this time, sexual acts and desires were not hidden, but instead they were openl...
The Catcher in the Rye is not all horror of this sort. There is a wry humor in this sixteen-year-old's trying to live up to his height, to drink with men, to understand mature sex and why he is still a virgin at his age. His affection for children is spontaneous and delightful. There are few little girls in modern fiction as charming and lovable as his little sister, Phoebe. Altogether this is a book to be read thoughtfully and more than once. It is about an unusually sensitive and intelligent boy; but, then, are not all boys unusual and worthy of understanding? If they are bewildered at the complexity of modern life, unsure of themselves, shocked by the spectacle of perversity and evil around them - are not adults equally shocked by the knowledge that even children cannot escape this contact and awareness?
The setting of a novel aids in the portrayal of the central theme of the work. Without a specific place and social environment, the characters are just there, with no reason behind any of their actions. The Age of Influence centers around the Old New York society during the 1870’s. Most of the characters are wealthy upper class citizens with a strict code to follow. The protagonist, Newland Archer, lives in a constant state of fear of being excluded from society for his actions. Archer’s character is affected by standard New York conventions as well as the pressure to uphold his place in society, both of which add to Wharton’s theme of dissatisfaction.
The sexual awakening in the short story "The Wind Blows " and in the novella "The Virgin and the Gipsy" is very similar in a number of ways. In both works, young women on the brink of womanhood endeavor to attain full maturity in a number of ways. Both stories portray the mental confusion and general chaos the women struggle against in their quest for awakening, although the depth and structure of these works are markedly different. The reasons for this are obvious; one of the stories is a novella, and the other, a short story. The author of the novella, "The Virgin and the Gipsy" is able to describe the journey of the female protagonist in much greater detail and over a longer period of time, as opposed to the short story. The writer of the short story "The Wind Blows", because of its shorter nature, is able to experiment in repetitive words and a short, gasping sentence structure which allows the reader to "feel" what Matilda feels, "The wind, the wind. It's frightening to be here in her room by herself. The bed, the mirror, the white jug and basin gleam like the sky outside. It's the bed that is frightening." (56). Aside from structural differences, the essences of both stories are the same. The young women are changing and have to cope with a new role in life.
...l concept, many consequences can arise as a result of it. Their display of self-destructive and reckless behavior endorses the idea that young lovers are not yet mature enough to handle the ramifications that appear as a result of a complicated relationship. Their willingness to rush into major events, such as marriage and even death, further shows how passion can cloud one’s judgement and control one’s thoughts and actions. Though written a long time ago, the message that Shakespeare conveys in Romeo and Juliet about young, passionate love applies to modern society as well, where great consequences arise from people acting on emotional impulse as opposed to calm reasoning.
In this lifetime, society has very pragmatic views. This makes it difficult to feel normal if you are considered different. You may be viewed as an outcast, which can make growing up harder than it already is. The idea of self-concealment is a sexual lesson that ones’ survival depends on.(Sullivan) Sullivan speaks of his own experience as a child, opening up with a story of an un-willful desire for a boy unchanging in front of him in the locker room. Sullivan states, “ He learns that that which would most give him meaning is most likely to destroy him in the eyes of others; that the condition of his friendships in the subjugation of himself”. This demonstrates why a homosexual may be deceitful and contained. Being young is a time to explore, understand ones’ self, and be open about your true personality. I believe the authors’ views because I see it daily .With these conflicts, a child may miss out on the carelessness of youth which is natural to experience before ...
During the nineteenth and the beginning of the twentieth-century women’s sexuality was dictated by the family and society as there were specific rules put in place for each gender. This became problematic for women in the century, as they could not express their sexual identity. However, the protagonist in both Kate Chopin’s The Awakening (1899) and Angela Carter’s The Magic Toyshop (1967) demonstrate the consequences of going against the family for women. Jeffrey Weeks states, “The very idea of sexual identity is an ambiguous one. For many in the modern world-especially the sexually marginal-it is an absolutely fundamental concept, offering a sense of personal unity. Social location, and even at times a political commitment.” (Capaln, 1989:
Wolff, Cynthia Griffin. "Un-Utterable Longing: The Discourse of Feminine Sexuality in The Awakening." Studies in American Fiction 24.1 (Spring 1996): 3-23. Rpt. in Twentieth-Century Literary Criticism. Ed. Janet Witalec. Vol. 127. Detroit: Gale, 2002. Literature Resource Center. Web. 19 May 2014.
Despite their differences in time period, location, and gender, the narrators of “Araby” and “Wild Berry Blue” are alike in their infatuations and in their journeys. Within each story, the young narrators come to the conclusion their actions reflect their immaturity and folly with regard to their first loves. The appearance of this conclusion in both “Wild Berry Blue” and “Araby” indicates Galchen’s deep understanding of “Araby”. Rivka Galchen must have read James Joyce’s classic short story “Araby” prior to writing her narrative “Wild Berry Blue” with a similar plot but a contemporary
The definition of experience according to Google is “practical contact with and observation of facts or events.” This definition almost directly contradicts the definition of innocence, which is “lack of guile or corruption; purity.” Innocence seems to be the inverse of experience. That is to say one cannot find both, as one grows larger the other will shrink. In The two poems The Lamb and The Tyger, William Blake divides his poems into two volumes. One of which is called the Songs of innocence and the other is songs of experience. It’s easy to pick out which Book these two poems by Blake belong in because of the vocabulary, the punctuation, and the descriptions within the lines.
Growing up is a natural part of life. Everyone grows up. The loss of childish innocence and blind faith in what is said is one chief mark of growing up. Loss of innocence, however, presents itself in many forms, even to adults, and with it brings a greater understanding of the world at large. In literature, authors use the process to explore society and humanity. Through the characters’ loss of innocence, the authors of both To Kill A Mockingbird and Of Mice & Men discuss ideas of prejudice, family, and courage.
Innocence is something always expected to be lost sooner or later in life, an inevitable event that comes of growing up and realizing the world for what it truly is. Alice Walker’s “The Flowers” portrays an event in which a ten year old girl’s loss of innocence after unveiling a relatively shocking towards the end of the story. Set in post-Civil War America, the literary piece holds very particular fragments of imagery and symbolism that describe the ultimate maturing of Myop, the young female protagonist of the story. In “The Flowers” by Alice Walker, the literary elements of imagery, symbolism, and setting “The Flowers” help to set up a reasonably surprising unveiling of the gruesome ending, as well as to convey the theme of how innocence disappears as a result of facing the harsh reality of this world.
James Cameron’s motion picture Titanic blew the crowds away when it was first released in 1997, and its success has echoed into contemporary film society. Due to this movie actress Kate Winslet got her huge breakthrough, which allowed her to become one of the most celebrated film stars of our time. Winslets character, Rose DeWitt Bukater, a beautiful upper-class girl who is unimpressed with the luxuries she is surrounded with, becomes the love interest of the penniless Jack Dawson during the maiden voyage of the Titanic. Among the many plotlines of Titanic, it is their impossible love story that is the most central, a conflict that is based on her being of higher social stature. This essay focuses on examining how the way women are portrayed as being unattainable may reinforce their objectification and further fuel a desire to possess them. The sequence I have chosen is that when the audience is first acquainted with Rose, as, while it is aligned with a classical presentation of a female character, it also demonstrates her role as an unachievable standard.
1 In Katherine Mansfield’s Her First Ball, Leila, the main character is an eighteen-year-old girl from the rural country who has recently moved into the city with extended family members. To Leila, everything was “so new and exciting” (4th paragraph) and she immediately begins her path from innocence to experience. I can empathize with her, but I don’t feel sympathy for her. She didn’t have a tragic experience, she a learning experience. Leila’s metamorphosis during the course of the story proves that she is a heroine who overcame the conflict in her journey.