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the effects of isolation in mary shelleys frankenstein
the effects of isolation in mary shelleys frankenstein
the effects of isolation in mary shelleys frankenstein
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Isolation in Mary Shelley's Frankenstein
Mary Shelley's novel, Frankenstein, has several themes imbedded in the
text. One major theme is of isolation. Many of the characters
experience some time of isolation. The decisions and actions of some
of these characters are the root cause of their isolation. They make
choices that isolate themselves from everyone else. However, other
characters are forced into isolation for reasons that are not in their
control. The actions of another cause them to experience loneliness.
The story begins with Robert Walton writing to his sister, Margaret,
about his voyage to an undiscovered place. In these letters, as the
voyage gets underway, he writes of his loneliness. Letter II states,
?I have no friend ?? (Hunter 16; ch 1). He describes how his
?enthusiasm of success? will be experienced alone and also how he must
suffer his disappointments alone. He states, ?I desire the company of
a man? (Hunter 10; ch. 1 ). In another letter, Walton is telling his
sister about a conversation he had with Frankenstein about
friendship. Frankenstein tells Walton, ?I once had a friend ??
(Hunter 16? ch. 1), implying that he no longer has any friends.
Isolation is evident from the very beginning.
Robert Walton chooses his isolation. He chooses to take this voyage.
Walton has planned this trip for six years. He states in his first
letter, ?I am required not only to raise the spirits of others, but
sometimes to sustain my own?? (Hunter 9; ch. 1). He understands exactly
what he is getting into and he chooses to continue anyway. George Levine
states in his critical essay, ?Frankenstein and the Tradition of Realism,?
that Walton is ?isolated from the rest of mankind by his ambition ?? (...
... middle of paper ...
...t is to come before he forces himself and his crew to
experience this isolation and eventual death.
Bibliography
Hunter, J. Paul. ed. Frankenstein: Contexts, nineteenth century
responses, criticism. By Mary Shelley. Norton Critical Edition. New
York: New York. 1996.
Levine, George. ?Frankenstein and the Tradition of Realism?. A Forum
on Fiction, Vol. 7, no. 1 (1973): 17-23. Rpt. in Frankenstein:
Contexts, nineteenth century responses, criticism. By Mary Shelley.
Ed. J. Paul Hunter. Norton Critical Edition. New York: New York.
1996. 208-14.
Poovey, Mary. ?My Hideous Progeny: The Lady And the Monster.? The
Proper Lady and the Woman Writer. Chicago: U of Chicago P. (1984):
121-31. Rpt. in Frankenstein: Contexts, nineteenth century responses,
criticism. By Mary Shelley. Ed. J. Paul Hunter. Norton Critical
Edition. New York: New York. 1996. 251-61.
In Lisa Nocks article appropriately titled “Frankenstein, in a better light,” she takes us through a view of the characters in the eyes of the author Mary Shelly. The name Frankenstein conjures up feeling of monsters and horror however, the monster could be a metaphor for the time period of which the book was written according to Nocks. The article implies that the book was geared more towards science because scientific treatises were popular readings among the educated classes, of which Shelley was a member of. Shelley, whose father was wealthy and had an extensive library, was encouraged to self-educate, which gave her knowledge of contemporary science and philosophy, which also influenced Frankenstein as well as circumstances of her life.
One does not have to read far into Frankenstein to get a feel for this idea. The beginning of the story is a series of letters between an explorer named Walton and his sister, Margaret. These content of these letters suggest that Walton was very close to his sister. The first letter simply goes into details about his upcoming voyage, but the second letter reveals that Walton is becoming very lonely without a true fried to share his visions for the great voyage that they are about to take. The fact that he is sharing this with his sister in his letters home, will allow the reader to infer that Walton still wants to go through with the expedition, but he is also starting to get a desire to be back home with his family. In one of the letters Walton writes, "A youth passed in solitude, my best years spent under your gentle and feminine fosterage, has so refined the groundwork of my character, that I cannot overcome an intense distaste to the usual brutality exercised on board ship (Shelley)." When reading through these letters, the reader can easily get emotionally attached to Walton, es...
Robert Walton, an explorer who nourishes Frankenstein back to health and tells the narrative through a series of letters to his sister back in England, also possesses similar traits as Frankenstein, because he is persistent to seek ultimate knowledge at all costs. The monster, who is driven with rage from the betrayal of his creator, is considered the antagonist of the novel, because he kills innocent civilians and takes the lives of Frankenstein’s loved ones as revenge for Frankenstein abandoning him. Apart from these central characters are: Henry Clerval, Elizabeth Lavenza, William Frankenstein, Alphonse Frankenstein, and Justine Moritz. These characters also play a crucial role that alludes to the element of betrayal in the novel, because they either influence Frankenstein and the monster or are killed which drives this element. Shelley’s perspective and opinion about the effects of betrayal are transpired throughout the novel, beginning from Frankenstein’s childhood and transitioning into the monster’s remorse over his
Humans and nonhuman animals are social creatures by nature and crave intimacy with others. God is the only being that can remain in isolation without intimacy without facing negative consequences. While God does not have intimacy with others he does love all human beings equally. A man living in isolation will eventually lose his mind unlike God. In Frankenstein by Mary Shelley, Victor Frankenstein exhibits a need to be God that makes him believe he can live in isolation and without intimacy like God. Some may argue that Frankenstein has a god complex because of his unshakable belief in himself and consistently inflated feelings of personal ability, privilege, or infallibility;
An idea becomes a vision, the vision develops a plan, and this plan becomes an ambition. Unfortunately for Victor Frankenstein, his ambitions and accomplishments drowned him in sorrow from the result of many unfortunate events. These events caused Victors family and his creation to suffer. Rejection and isolation are two of the most vital themes in which many dreadful consequences derive from. Victor isolates himself from his family, friends, and meant-to-be wife. His ambitions are what isolate him and brought to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated by everyone including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge. All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course the first action and link in the chain is started by Victor Frankenstein.
My life, although not without surprises and unusual events, is dictated by predictable and ordinary elements. However, through fiction I am transported into a world of boundless imagination and extraordinary themes. One such example is evident in my response to Mary Shelley’s gothic novel Frankenstein. Through fiction, Shelley invites the reader to accept the extraordinary. Firstly, we are led to believe that Victor Frankenstein is able to create life by shocking it with electricity, and to this I responded with an imaginative curiosity. But it was the consequences of the creation provoked a stronger response from me. The element of horror Victor experiences and his reaction to the ‘god like’ qualities bestowed upon him as creator is truly extraordinary. Victor, like no other man, experiences the feeling of immense power and responsibility as creator of man, and this provoked a sympathetic response from me. Finally I also accepted and responded to the extraordinary concept of the monster, who, unlike to the majority of humanity, is created without a sense of cultural identity. Additionally, what is extraordinary to me as a reader is the humanity and intelligence the monster displays, despite the disadvantageous of his creation. This made me have sympathy for monster and served to blotch the credibility of Victor. Throughout the novel I was inclined to accept Shelley’s invitation and to explore a deeper view of humanity.
Throughout time man has been isolated from people and places. One prime example of isolation is Adam, "the man [formed] from the dust of the ground [by the Lord God]" (Teen Study Bible, Gen. 2.7). After committing the first sin he secludes "from the Garden of Eden to work the ground from which he had been taken" (Teen Study Bible, Gen. 3.23). This isolation strips Adam from his protection and wealth the garden provides and also the non-existence of sin. Mary Shelley, the author of Frankenstein, is able to relate to the story of Adam and the first sin to help her character, the Creature, associate with Adam. The Creature is able to relate because "[l]ike Adam, [he is] apparently united by no link to any other being in existence" (Shelley 124). In other ways the creator of the creature, Victor Frankenstein, also identifies with the tale of the first human, but with a different character, God. "God created man in his own image" (Teen Study Bible, Gen. 1.27) and unlike Frankenstein "God saw all that he had made, and it was very good" (Teen Study Bible, Gen. 1.31). Frankenstein brought a life into the world but did not take the responsibility to lead and guide his creature to benefit himself or the created. Unlike God's creature who did in turn prosper. Instead of prosperity Frankenstein receives a life of loneliness and responsibility of many unnecessary deaths. The Creature, like his creator, lives his life in isolation from society. His only goal is to be loved and accepted by those around him. Through these circumstances the effects of isolation and loneliness are brought to life by the creature and the creator thought their pasts, social statuses, emotions, and dreams and fantasies.
In the novels Grendel and Frankenstein, two characters are presented as one of, or the, isolated and alienated main character. Both experience rejection by the hands of man, and are pushed into roles by the actions of man. Their relation to man, or their state as man’s, “otherkin” magnifies their rejection, but again their status as being “other” justifies their rejection in spite of the harshly negative results. Their status in these novels reflects much of how contemporary authors write about monsters. Out of ignorance, humans rejected their otherkin, Grendel, and the creature from Frankenstein, and as a result the rejected became violent and wreaked retribution on humanity.
Frankenstein by Mary Shelley is hailed as one of the greatest novels dealing with the human spirit ever to be written. Shelley wrote this nineteenth century sensation after her life experiences. It has been called the first science fiction novel. Shelley lived a sad, melodramatic, improbable, and tragically sentimental life. She was the daughter of Mary Wollstonecraft, the brilliant pioneer feminist in the late eighteenth century. However due to complications in childbirth and inept medical care, Shelley's mother passed away soon after her birth. Later on, Shelley married the famous romantic poet Percy Bysshe Shelley. Mary Shelley's masterpiece, Frankenstein, was inspired partly by Milton's Paradise Lost:
During the 1700s, the Enlightenment period in Europe was at its highest peak. It was at this time that author Mary Shelley decided to create her most famous novel, Frankenstein. Amidst a rainy day on Lake Geneva, author Mary Shelley was stuck in a house with a few Romantic poets, so in order to pass the time Lord Byron suggested that they each compose a ghost story to entertain each other. Promptly, Shelly began to conceive a horrific tale that demonstrates the detrimental effects of isolation on the mind and soul. In the novel Frankenstein, author Mary Shelley delineates the theme of isolation and its destructive power using evolution in tone, allusions to the Bible, and symbolism.
The most prevalent theme in Mary Shelley’s “Frankenstein” is that of obsession. Throughout the novel there are constant reminders of the struggles that Victor Frankenstein and his monster have endured. Many of their problems are brought upon by themselves by an obsessive drive for knowledge, secrecy, fear, and ultimately revenge.
Walton's letters play an important role for the reader may find many foreshadowed themes. As the novel progresses, the reader will realize how Walton and Victor Frankenstein share similar views on their life's roles. Both men are driven by an excessive ambition, as they desire to accomplish great things for the humankind. Walton is an explorer who wants to discover a new passage to the Pacific and therefore conjures "inestimable benefit on all mankind to the last generation" (16). Victor's purpose is to "pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation" (49). These explorers will demonstrate that such pursuit can prove to be very dangerous in quest for knowledge. Walton's ship becomes stuck in the ice and Victor's creation finally kills everyone dear to him. However, this parallel is not the only one: we can easily compare Walton's search for a friend ("I have no friend, Margaret" (19)) with the monster's request for a female because he feels alone ("I desired love and fellowship" (224)). This similarity between man and monster suggests that the monster perhaps is more similar to men than what we may perceive. If it is assumed that Shelley also shared this view when she wrote the novel, maybe she meant that the real monster manifests itself differently tha...
... is misrepresentation of the entire story based on whose point of view it is being told from. Despite Frankenstein and his monster being the core of the story, they are tainted by their own emotions as well as their own backstories. Through their animosity towards one another, they skew the story and are not capable of showing the tale in a light that is completely unbiased. Therefore they cannot encompass all of the themes of the novel because they are not able to show the truth of their own narrations. Walton on the other hand, is only there to bring to light the true themes of the novel therefore making him the most reliable of the three. He shows Shelley’s themes of religion, science, and nature all too well by retelling the story which Victor dies telling him and his lack of previous knowledge to the situation at hand makes him the least skewed of all three.
In the novel Frankenstein, the author, Mary Shelley writes about a scientist named Victor Frankenstein who brings to life a human- like creature. Viewing this book through a psychoanalytic lens uncovers the many layers that make up this text and the characters. The psychoanalytic theory deals with a person’s underlying desire, most famously, the oedipal complex. The oedipal complex is the belief that all people possess the desire to partake in affectionate relations with a parent of the opposite sex. In Frankenstein, Shelley uses Victors conscious and subconscious to suggest that Victor possesses the oedipal complex, and that he feels intense guilt for the monster that he has brought to life.
In the novel Frankenstein, by Mary Shelley, one of the key themes is loneliness. For many, most of their time is spent with people, whether it is friends, family, coworkers, or strangers. Many of the characters in this book break that norm and spend countless hours alone. Having time to reflect and think about everything. Sometimes, the characters are still lonely, even with people, and sometimes friends around them.