A Tale of Two Cities - Breaking Gender Stereotypes and Stereotyping Essay

A Tale of Two Cities - Breaking Gender Stereotypes and Stereotyping Essay

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 Breaking Gender Stereotypes in A Tale of Two Cities

 

The men and the women of A Tale of Two Cites are violent, loving, cowardly, brave, and ruthless.  Some people are weak and spoiled, while others are badly treated and vindictive.  Many contrasts between men and women can be found within this story.  

 

     A Tale of Two Cities clearly portrays very distinct divisions in the behavior of men.  The aristocrats, or upperclassmen, rule and control all of France.  The members of the aristocracy never have to undergo hardships; they always have everything presented to them on a silver platter.  They do whatever they want with total disregard for the peasants.  On the other hand, the peasants always have to work hard for everything in life.  Due to the aristocracy, the peasants are constantly starving, enough as to drink spilt wine from a filthy street (24-26).  They loathe the wealthy people who have created these horrible living conditions.  This drives the peasants to revolution, and the decapitation of the aristocrats via the guillotine.  They have a mob mentality and kill everyone who they believe is the enemy.  Neither the aristocrats nor the peasants show any compassion toward the other social class.

 

     Some men in A Tale of Two Cities contrast greatly.  Sydney Carton is a drunk who works for an unappreciative lawyer.  He has no family; he is "a disappointed drudge who cares for no man on earth, and no man cares for him" (75).  He is referred to as "the Jackal" who is necessary in society, but not welcomed or wanted (77).  Sydney loves Lucie Manette, but he is not ...


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...l of men.  The oppressed male peasants join together to form a group of Jacques, or soldiers, to overthrow the aristocracy.    The Jacques use The Defarge's wine-shop as a meeting place.  Throughout the story, Madame Defarge is either murdering someone or knitting.  She is always "sitting in her usual place in the wine-shop, knitting away assiduously" (162).  Her friends are a twisted as she.  Her closest confidant is known as The Vengeance.  Both Madame Defarge and the Jacques fight until the end.     

 

     In A Tale of Two Cities, all gender stereotypes are broken.  Women can be ruthless murderers and men can be passive cowards.  La Guillotine is the sole authority in Paris, it is fueled by a mob mentality that recognizes class distinctions, not gender.

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