Throughout history, women have struggled with, and fought against oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structure. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society. Writing based on their own experiences, had it not been for the works of Susan Glaspell, Kate Chopin, and similar feminist authors of their time, we may not have seen a reform movement to improve gender roles in a culture in which women had been overshadowed by men. In The Story of an Hour, the main character, Mrs. Louise Mallard, is a young woman with a heart condition who learns of her husband’s untimely death in a railroad disaster. Instinctively weeping as any woman is expected to do upon learning of her husband’s death, she retires to her room to be left alone so she may collect her thoughts. However, the thoughts she collects are somewhat unexpected. Louise is conflicted with the feelings and emotions that are “approaching to possess her...” (Chopin 338). Unexpectedly, joy and happiness consume her with the epiphany she is “free, free, free!” (Chopin 338). Louise becomes more alive with the realization she will no longer be oppressed by the marriage as many women of her day were, and hopes for a long life when only the day prior, “…she had thought with a shudder that life may ... ... middle of paper ... ..." Read 59.4 (2009): 22-25. Literary Reference Center Plus. Web. 19 Apr. 2014. Harris, Sharon M. "Kate Chopin." Magill’S Survey Of American Literature, Revised Edition (2006): 1-5. Literary Reference Center Plus. Web. 19 Apr. 2014. Hedges, Elaine. "Small Things Reconsidered: Susan Glaspell's' 'A Jury of Her Peers'." Women's Studies 12.1 (1986): 89. Literary Reference Center Plus. Web. 19 Apr. 2014. Long, Robert Emmet, “Kate Chopin.” Critical Survey of Long Fiction, Fourth Edition (2010): 1-7. Literary reference Center Plus. Web. 19 April 2014. McDaniel, L. Bailey. “Literary Contexts In Plays: Susan Glaspell’s “Trifles.” (2006): 1. Literary Reference Center Plus. Web. 19 Apr. 2014. Steinbeck, John. “The Chrysanthemums” Literature: An Introduction to Reading and Writing. Ed. Edgar V Roberts and Robert Zweig. 10th ed. New York: Pearson Longman, 2012. 416-422. Print.
Chopin, Kate. The Awakening. The Norton Anthology of American Literature. Ed. Nina Baym. 3rd ed. New York: Norton, 1989. 508-598.
Stein, Allen F. Women and Autonomy in Kate Chopin's Short Fiction. NY: Peter Lang, 2005. Web. 21 Apr. 2015.
Can anyone help me out? Parrish writes in her essay that Glaspell wrote and produced many plays, and won the Pulitzer Prize for Drama in 1931. It is interesting and meaningful to read drama because it finds yet another way for women to find and express their voices. Parrish states that Glaspell’s writing focused on women’s "desire for equality and acknowledgement in a "man’s world." " I also think that "Trifles" opens the door to a woman’s world for all to see.
Chopin, Kate. "The Story of an Hour." Literature: Approaches to Fiction, Poetry, and Drama. Boston:
Chopin, Kate, and Kate Chopin. The Story of an Hour. Logan, IA: Perfection Learning, 2001. Print.
Susan Glaspell was an American playwright, novelist, journalist, and actress. She married in 1903 to a novelist, poet, and playwright George Cram Cook. In 1915 with other actors, writers, and artists they founded Provincetown Players a group that had six seasons in New York City between 1916-1923. She is known to have composed nine novels, fifteen plays, over fifty short stories, and one biography. She was a pioneering feminist writer and America’s first import and modern female playwright. She wrote the one act play “Trifles” for the Provincetown Players was later adapted into the short shorty “A Jury of Her Peers” in 1917. A comparison in Susan Glaspell’s “Trifles” and “A Jury of Her Peers” changes the titles, unfinished worked, and
Papke, Mary E. Verging on the Abyss: The Social Fiction of Kate Chopin and Edith Wharton. New York: Greenwood P, 1995.
Beer, Janet. Kate Chopin, Edith Wharton, and Charlotte Perkins Gilman: studies in short fiction. New York: St. Martin's Press, 1997. Print.
Aull Ph.D., Felice. "Kate Chopin: The Awakening." Literature, Arts, and Medicine Database. 34th ed. (April 1999). Online. New York University. Internet. 10 April 1999. Available: http://endeavor.med.nyu.edu/lit-med/lit-med-db/topview.html
“Story of an Hour”, written by Kate Chopin presents a woman of the nineteenth century who is held back by societal constraints. The character, Louise Mallard, is left to believe that her husband has passed away. She quickly falls into a whirlwind of emotions as she sinks into her chair. Soon a sense of freedom overwhelms her body as she looks through the window of opportunity and times to come. She watches the world around her home run free as nature runs its course. Louise watches the blue sky as a rush of “monstrous joy” shoots through her veins (Chopin). She experiences a new sense of freedom. Although she sometimes loved her husband, his “death” breaks the chain that keeps her from experiencing a truly free life. Thoughts over times to
Chopin, Kate, and Kate Chopin. The Story of an Hour. Logan, IA: Perfection Learning, 2001. Print.
Chopin, Kate. Complete Novels and Stories. Ed. Sandra M. Gilbert. New York: Library of America, 2002. Print.
In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.
...egaining her husband and all of the loss of freedom her marriage entails. The line establishes that Louise's heart condition is more of a metaphor for her emotional state than a medical reality.” (Koloski) It is ironic that she accepts the death of her husband and is joyous and free, and then he ends up being alive after she walks out of the room with a sense of power. The ending of The Story of an hour by Kate Chopin implies that maybe the only true resolution of conflict is in death.