Othello’s own insecurities lead to his self-destruction. Porter writes, Othello is uncomfortable and insecure within the world of Venetians society (30), which ultimately makes him feel as an outsider. If not for his military heroism, Othello would be nothing more than a moor . His insecurities enable Othello to fall victim so effortlessly to Iago’s deception. Iago feeds on his insecurities, reinforcing Othello’s self-image by pointing out the qualities that he values in himself (31). His need to feel accepted is demonstrated through the importance of ones self-image. “My parts, my title, and my perfect soul/ Shall manifest me...
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Cahn, Victor L. Shakespeare the Playwright . Westport, CT: Praeger , 1996. 106-23. Print.
Cummings , Micheal J. Shakespeare: A Guide to the Complete Works . Bloomington : Xlibris Corporation , 1998. 1-8. Web. 15 Nov. 2009.
Macaulay , Marcia . "When Chaos Is Come Again: Narrative and Narrative Analysis in Othello ." Style 39.3 (2005): 259-79. Academic Search Complete . Web. 15 Nov. 2009.
Porter , Jean . "Moral Mistakes, Virtue and Sin: The Case of Othello ." Studies in Christian Ethics 18.2 (2005): 23-44. Academic Search Complete . Web. 15 Nov. 2009.
Shakespeare , William . Othello, The Moor of Venice . 3rd ed. London : Arden Shakespeare, 1996. 113-330. Print.
Stavropoulos , Janet C. “ Love and Age in Othello.” Shakespeare Studies 19 (1987): 125-33.
Academic Search Complete . Web. 13 Nov. 2009.
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