Post- Apocalyptic World in Cromas McCarthy´s The Road Essay

Post- Apocalyptic World in Cromas McCarthy´s The Road Essay

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The Road by Cormac McCarthy conveys a vision of the author of the post-apocalyptic world, where human nature is revealed in its extreme. In such a situation, the author explores the essence of human nature and juxtaposes primary instincts of humans to superior human values, even in the savage world, where there seems to be no place for humanism/human ideals. At the same time, the author portrays the supremacy of humanism and human values over primary instincts even when we struggle for survival. The ability human beings have to love truly and deeply is what makes us different from other animals, and McCarthy portrays this love as a reason for the characters to continue their quest for survival. It is what keeps the man and the boy from starving to death or committing suicide. The author manages to convince the audience that it is in this essence of love that humankind can find salvation from all of its problems and challenges. In this respect, the post-apocalyptic world reminds the modern world - a world in which the main concern is with personal well-being only - of the goodness and love that should define us if we are to be good, moral beings, but does not. In the modern world of consumerism, there is little room for humanistic ideals. Instead, consumerism and the struggle for a higher social status and wealth prevail in the modern society, which resembles the struggle of people depicted by McCarthy for survival in the post-apocalyptic world. In order to illustrate this point, the author emphasizes the exceptionality of the boy with his inexplicable trend to basic human values, sympathy and compassion to other humans. This is why this character is the “one”. In fact, he turns out to be the only one who has preserved the good pa...


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... “He stood on a stone bridge where the waters slurried into a pool and turned slowly in gray foam. Where once he'd watched trout swaying in the current, tracking their perfect shadows on the stones beneath” (25). There is a direct correlation, I believe, with this passage and the final paragraph. The difference, however, is that in the final paragraph the reader gets the sense that there no way to return to this beautiful place and that all is lost. It reminds me of a lesser-known saying that goes something like: “The egg. Perfect in form. Until we chip away at it, and we are left with nothing but greasy breakfast. It’s still an egg, but it’s not the same.” The world in this novel is like this egg. Perfect in form, but slowly being chipped away at by humankind until eventually we will be left with a new, less beautiful and less awe-inspiring, version of the world.

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