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Traditional gender roles in Latin America
Traditional gender roles in Latin America
Gender roles in latin american culture
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From the mid-twentieth century to the present time, telenovelas have been a huge source of entertainment in Latino households. From comedies to melodramas, the purpose of telenovelas is to offer an escape from the monotony of daily life. Most of the themes that are present are topics relevant to the Latino community. In the words of Cynthia Duncan, “... soap operas tend to promote and uphold traditional values and are generally conservative in nature.” (Duncan 84) Telenovelas focus on family life and how the character’s decisions affect the whole. Those so-called traditional and conservative values tend to imprison women in cliché telenovela characters. Women are always presented as selfless, at times evil, or as women whose sole purpose is …show more content…
However, one can also just say that telenovelas are a reflection of what goes on in Latin America. The current argument is that although it is true that telenovelas affect young minds, they cannot be held entirely responsible. Telenovelas are just a reflection of issues that have been pestering Latin America for years. Telenovelas do, however, help perpetuate the notion of male superiority and that women are objects with expiration dates. There was a previous argument that only scratched the surface of the matter and held telenovelas responsible for the mentality of many Latinos. The previous argument stated that telenovelas are responsible for the way women are treated in society. Telenovelas are so interwoven in Latino culture that they serve as guidelines of what is expected from men and women. Gender roles and stereotypes in Latin America have existed for many years and with the help of telenovelas those ideas are being …show more content…
Add an over the top dramatic situation and telenovelas are born. Traditional values of the Latino community and telenovelas revolve around heteronormativity, the notion that heterosexuality is considered to be normal. The themes and characters in telenovelas are a reflection of social construction; ideas, beliefs, and feelings that are common in the Latino community. The idea of heteronormativity is part of social construction, it has been deemed as what is expected from the members of society. According to Leavy and Trier-Bieniel, social construction can be dangerous, in part, because it can oversimplify phenomena such as gender identity, gender expression, sexual orientation, and even biological sex. Social construction is a tool that can destroy the way in which people can achieve comfort and be happy with themselves. Taking gender as an example, in other words the ideas of masculinity and femininity, because of social construction it becomes stereotyped and overgeneralized. In almost every culture gender binary is created by social construction. Gender binary is an oversimplification of masculinity and femininity, because they are set as polar opposites. (Leavy & Trier-Bienek 4) Setting masculinity and femininity as polar opposites takes us back to the definition of
This essay will discuss how national attitudes towards the working-class and the impoverished are represented in American Television. The purpose of this paper is to comprehend that television shows are not solely designed to entertain consumers but also contain a hidden agenda whose task is to protect certain ideological perspectives and therefore constant framing strategies take place. The paper will commence the analysis by discussing how males and females are represented in the television show Friday Night Lights, secondly it will look at the
It is also interesting to mention how in a subtle way it also portrays Vergara’s character as a “gold digger” because of her marriage with an older man. The stereotypes are still present in films and shows “although substantial improvements have occurred over the decades, in many ways these groups remain defined by a limited volume and range of representations” (Tukachinsky, Mastro & Yarchi, 2017). As mentioned before, Latinos are the second largest ethnic group in the U.S., which means the diversity that exists within the group is huge; however, the stereotypes seems to be always the
The story A Television Drama, by Jane Rule is an exciting story about an unusual event, which the main character, Carolee Mitchell, experiences the end of. The story is about her quiet street becoming unusually busy with police officers, and how the man who is being chased by these officers ends up being outside her front door. Through the point of view of the story, the characterization and character change of Carolee Mitchell, and the setting of the story, A Television Drama is an exciting read. The story conveys how important it is to be aware of ones surroundings, and what is happening around oneself through these elements.
Over the course of this past century, the depictions of assimilated Latino characters has improved a great deal. Early portrayals of Latino assimilation generally proved to be a montage of unrealistic caricatures which seemed to convey the filmmaker's creativity more so than true representations. This formed the manner in which the American people at large viewed not just Latino characters attempting to assimilate, but also those who were not. As Cine-Aztlan puts it, film "manipulates the human psychology, sociology, religion, and morality of the people, in a word the ideological super-structure of modern capitalist society" (pg.275, Chicanos and Film). As the years went by however, mainly because Latinos started gaining power in the film industry and depicting (as opposed to creating) Latino characters, the images of Latinos who were adapting (either by choice or by societal force) to the lifestyle and values of the United States, grew more and more representative of what was actually taking place outside of the film studios. Today, most portrayals of assimilated Latinos are fairly accurate. The forces to which their modification is portrayed are not so much representative of middle-class White America however, but rather that of Urban Hip-Hop culture.
In his essay "Selena’s Good Buy: Texas Mexicans, History, and Selena Meet Transnational Capitalism,” Coronado (2001) argues that Selena embodies displaced desires that need to be situated in their historical content. By looking at how Texans and marketers reacted to Selena’s death, Coronado was able to show us how Selena’s death can be looked at form a psychoanalytic lens. The working class’ obsession with Selena can be seen as a fetish of sorts. A fetish is caused by trauma and can be applied socially to a irritable social construct. In other words, Selena could be a social fetish; the Latinx working class abruptly lost someone who was representing them in mainstream media, leading to the trauma. In this theory, Selena is no longer seen as a person who contributed hugely to the rise of colored people in mainstream media, but as
The story “Woman Hollering Creek" by Sandra Cisneros describes the lives of Mexicans in a Chicago neighborhood. She depicts the life that women endure as Latino wives through her portrayal of the protagonist, Cleofilas. For Cisneros being a Mexican-American has given her a chance to see life from two different cultures. In addition, Cisneros has written the story from a woman’s perspective, illustrating the types of conflicts many women face as Latino wives. This unique paradigm allows the reader to examine the events and characters using a feminist critical perspective.
As showed in the film, Latino American often misrepresented and underrepresented both in front of and under the camera. American Hispanic often portrayed as lazy, unintelligent, greasy and criminal. Hispanic women often pictured comfortable sexuality as prostitution in film production; while Hispanic actors limit to criminal characters such as drug dealers, gangster, and provide the power for the white American. Audiences have less interaction with Latino in their real world might be easily framed by media images regarding the race and ethnicity. The lack of Hispanic history and culture understanding allows these media portrayals to change and form unfavorable behavior and attitude against Latino communities.
In the film, Tina (the Latina) plays the love interest of the main character Mookie. Together, they had a child in which he does not care for often which leaves her very angry. However, when Mookie arrives in her home, he immediately tells her to take her clothes off, and after one protest she complies. In media, the stereotype for the Latina is that she is sexy, fierce, and loud - this movie did not portray the Latina any differently. Perhaps it was out of context for this type of movie, but in general I wish there was more representation of Latinas in different roles. Growing up, I have never seen a Latina in the fields of academia, medicine, business or anything except for housekeeping, which can be discouraging to a girl’s self-esteem. The Latina women I have been exposed to were all known for their looks or assets and not their personal talents. For instance, Sofia Vergara often plays the ‘spicy’ Latina and most people acknowledge her for her beauty and not her acting. While this may not be entirely negative, it still only portrays a slim view of what Latinas are and what they do or stand for. While the issue on the surface may be that Latinas are hypersexualized, the deeper implications are that placing a label to define Latinas under one category limits their abilities and fails to acknowledge the variations of all the different Latina
The television shows known as telenovelas in the Hispanic culture are not only to entertain but show the shared values of that culture nationwide. Popular well known telenovelas Yo Soy Betty La Fea, Juegos de Fuego, Marimar, and along with several others. Magazine such as the Hispanic Network Magazine, Hispanic Times, and Hispanic Executive are all representations of the Hispanic culture that is different from American culture by publishing their own magazines. Also, is done through local radio and newspapers station to inform the Hispanic community of local
My readings suggest the Hispanic culture gender roles are very common and strict. Starting early in life children are taught to follow the strict guidelines of their gender (American Home Resources, 2010). There exists three common gender specific scripts in Hispanic culture; females can either be “Marianismo” or “Hembrismo”, and, males are classified as “Machismo”. The two female roles differ greatly; “Marianismo” defines behaviors of women as being obedient, dependent and caring for their children. The “Hembrismo” role stresses a female’s strength to persist through life’s difficulties; however, this role is not accepted widely in their culture. The “Machismo” role describes behaviors of men as being dominant and independent. This role views the man as being in charge of the family. (Peñalosa,
Judith Ortiz Cofer, a professor of english and creative writing, tackles gender roles as well as cultural stereotypes in “ The Myth of the Latin Woman” and challenges them by attempting to replace the stereotypes with the realities. In “The Myth of the Latin Woman” Cofer discusses her life in America as a Puerto Rican woman. She also shares her stories of when she was stereotyped and how gender roles play a role in how Latinos are viewed. Stereotypes will follow you around because of your appearance and how the media portrays Latinas.
The idea that a woman’s job is to be a wife and mother is old-fashioned, but not completely out of style. Though these roles require a great deal of talent, resilience, patience, love, and strength, to name a few, they are often underestimated or depicted as simple. Especially in modern times, many women in the United States who stay home to raise a family are viewed as anti-feminists, whereas women in Latin America are not criticized for similar actions. In recent decades, more Latin American women have started to break the mold, daring to be both sexy, and successful in the workforce, while remaining pillars of domestic life.
In reality, gender is not based on one’s genetic make-up or their reproductive organs. Expanding on this, an individual does not have any control over their assigned gender, but everyone has a gender identity, which is one’s internal sense of being male or female. From a sociocultural perspective, gender roles have the greatest influence on gender as a social construction. Gender roles are the attitudes, behaviors, rights, and responsibilities that particular cultural groups associate with each sex. In regards to gender, the social construction theory acknowledges the connection the topic has with power and meaning, and states that social interaction, or “language” controls how these things are portrayed to individuals. Similarly, sexuality is socially constructed in a sense that, one’s sexual orientation depends on what they are taught to be “socially acceptable”. For example, a person who is raised by homophobic parents would most likely be taught that every aspect of homosexuality is wrong, and therefore they would be influenced to be heterosexual. While many would like to believe that people are born with their sexual orientation, that is far from the truth. All in all, when looking at the big picture, it is clear that race, gender,
Social Construction of Gender is a process, stratification system and structure. The day to day interactions emphasize gender as opposites. Take for instance, conversations, formalities of daily life, sayings, and so on. The social construction of gender is created through social interaction – through the things we do and say with other people. This means that gender it is not a fixed or inherent fact, but instead it varies across time and place.
Gender is the psychological characteristics and social categories that are created by human culture. Doing gender is the concept that humans express their gender when they interact with one another. Messages about how a male or female is supposed to act come from many different places. Schools, parents, and friends can influence a person. Another major factor that influences millions of impressionable females and males is television. Not only does the television teach each sex how to act, it also shows how one sex should expect the other sex to act. In the current television broadcasting, stereotypical behavior goes from programming for the very small to adult audiences. In this broadcasting range, females are portrayed as motherly, passive and innocent, sex objects, or they are overlooked completely or seen as unimportant entities.