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The effects of female characters
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The intricate portrayal of female spies in both John le Carré’s Call for the Dead and Alfred Hitchcock’s The Lady Vanishes help develop the complex political messages within. The ‘traditional’ profile of an attractive female character with no backstory is discarded and more untraditional characteristics are adopted. Elsa Fennan, a holocaust victim recently widowed, uses her worn appearance to deceive Smiley. Her appearance adds depth to her motives and intensifies the plot. Hitchcock delivers two vital messages through both female spies in the movie. Miss Froy, the old governess, looks more suited to make tea and tell stories rather than deliver vital wartime messages to Britain. Moreover, her portrayal adds insight into one of the messages Hitchcock was trying to send. Iris elucidates a different reversal of the classic female spy, as her personality was too self-centred. However, she abandons this fake persona and reveals her selflessness and kind heart. Her determination saves Miss Froy and the important information bound for Britain. Analysis of these characters and their divergence from the ‘traditional’ profile given to female spies exhibits buried messages.
Elsa’s worn appearance and broken mindset is crucial for her deception as a spy, but also warns of the danger of Nazi Germany and East Germany. Upon first encountering Elsa, Smiley feels sorrow looking at “her crooked little… of astonishing intensity. It was a worn face, racked and ravaged long ago”(CFD 78). Her image reflects the intensity of the horrors she faced in the Nazi concentration camps. Smiley doesn’t view Elsa as a threat, but rather a miserable widow. Although her appearance is unconventional, Elsa uses her tattered look to her advantage. Her storied appea...
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... Vanishes and Call For the Dead reveals the political messages within these two spy thrillers. The characters develop more importance as the plot wears on and their intentions revealed. Elsa is determined to help create a perfect new world while embodying the troubles of her past. Le Carré uses Elsa to demonstrate the similarity in the horrors between East Germany and Nazi Germany. Mrs. Froy helps deliver the message of unity and the importance of sticking together. Iris illustrates the risk of arrogance and the impact that selflessness can have on a situation. It is evident that Hitchcock and le Carré wanted to create complexity in the female characters they created to deliver their political ideas. These deeper meanings assure both The Lady Vanishes and Call for the Dead a place in spy-thriller history, creating complexity within characters that usually carry none.
In his wickedly clever debut mystery, Alan Bradley introduces the one and only Flavia de Luce: a refreshingly precocious, sharp, and impertinent 11-year old heroine who goes through a bizarre maze of mystery and deception. Bradley designs Bishop’s Lacey, a 1950s village, Buckshaw, the de Luce’s crumbling Gothic mansion, and reproduces the hedges, gently rolling hills, and battered lanes of the countryside with explicit detail. Suspense mounts up as Flavia digs up long-buried secrets after the corpse of an ominous stranger emerges in the cucumber patch of her country estate. Sweetness at the Bottom of the Pie features a plethora of unforeseen twists and turns; it is surely a rich literary delight.
Distinctive voices may be created by the composer’s deliberate subversion of the reader’s expectations. Within the text ‘The Life and Crimes of Harry Lavender’, Day’s process in the subverting of the stereotypical hardboiled detective genre through her portrayal of her female protagonist, Claudia Valentine challenges the reader’s perceptions of modern world women in a late 20th century context. Claudia’s masculinised voice shows her choice to prevent her femininity, the use of masculine expressions and crude imagery comparing her finding to a “sh*t sandwich on three-day old bread” and describing Sally Villos as a “cold hard b...
The female characters in Young Frankenstein and One Flew over the Cuckoo’s Nest are, stereotypically, satiric and parodic renditions of oppressed or emotionally unstable feminine personalities. The theme of the treatment of women is not only played out in the external relationships the women interact within but also in the basic mentality and roles they embody within their personality. The women of Young Frankenstein add a comical element to the film which a direct contrast to the insignificance of the female in Mary Shelley’s novel. The women of One Flew over the Cuckoo’s Nest are either almost terrifying when thinking of the potential evil lurking just beneath the surface or effectual props in the healing of those who need it.
Women living in London in the late 19th and early 20th century, did not have the choices of the 21st century women. Women had little chance of evading their societal approved destiny that consisted of marrying young, stay at home and raise a family. Despite the fact that change was on the horizon and many women took to finding work in factories and other domestic work, most women still had to rely on men for financial security and stability. Joseph Conrad portrays a woman who is very strategic and complex in her actions which places her in multiple roles. Throughout the narrative, she is referred to as having an “unfathomable look” about her, which leaves a lot unexpressed about Winnie—except her commitment to her brother, Stevie. The narrator of Joseph Conrad’s The Secret Agent, takes the reader on a ride full of secrecy and lack of communication between its characters, and the true secret agent of The Secret Agent emerges not as Verloc but his wife Winnie.
In my research essay for my English Composition 2 class, I will be analyzing the different gender roles in Notes from the Underground and Death of a Salesman. Often times, in American Literature work, gender roles are used very differently due to whomever wrote it. This story and play fall into the category of “traditional” gender roles that are given to males and females based off of society and what is expected of males and females. I will use the gender approach to explain that roles in families and society are based off of gender. I will also compare a feminist approach to the gender approach and see how they are different. In Author Miller’s Death of a Salesman and Fyodor Dostoyevsky’s
Alfred Hitchcock's Vertigo is a film which functions on multiple levels simultaneously. On a literal level it is a mystery-suspense story of a man hoodwinked into acting as an accomplice in a murder, his discovery of the hoax, and the unraveling of the threads of the murder plot. On a psychological level the film traces the twisted, circuitous routes of a psyche burdened down with guilt, desperately searching for an object on which to concentrate its repressed energy. Finally, on an allegorical or figurative level, it is a retelling of the immemorial tale of a man who has lost his love to death and in hope of redeeming her descends into the underworld.
In Madam Bovary, the novel and Madame Bovary the film are almost equal compared to other novel and film adaptations which are always totally different. However, the novel gives a better version of what is really happening compared to the film version. The story line is t...
Agatha Christie is one of the world’s most successful writer’s. She is well known for her ability to capture the reader’s attention and hold it for the rest of the novel that is often hard to put down. During her lifetime she wrote over 80 published works, over 65 of which were detective novels. It is important to really understand an author’s writings and what they mean. The only way to do this is to understand where they are coming from, and what has influenced their life.
Margaret Atwood’s speech ‘Spotty-Handed Villainesses’ is an epideictic text, which explores the significance of having a multi-faceted depiction of female characters within literature as a means of achieving gender equity, centring on the fictional presentation of women as either virtuous or villainess. The title of the speech
Ian Fleming published his first novel, Casino Royale, in 1953. Later on, in 2006 a film was made based on the novel. Fleming published his novel pertaining a man, James Bond, who is a British secret agent and is licensed to kill. Bond is told to gamble with Le Chiffre, who is a member of the Russian secret service. James Bond is assigned a female partner, Vesper Lynd, who is actually a double agent for Russia and Great Britain. Throughout Casino Royale, James Bond is brought to the readers as very hard and insensitive. Whereas the film in 2006, Bond is brought to the film watchers as sensitive and caring. Men in the 1950’s society treat women than in today’s society. A lady should be treated with respect and given dignity. Men should
Alfred Hitchcock’s Vertigo starts off with a detective who is chasing a criminal across the rooftops of San Francisco. This detective whose name is Scottie Ferguson finds himself dangling from the gutter of a building after he slips and falls. When one of his partners tries to rescue him, he falls to his death. He soon discovers his new fear of heights which results in his quitting the police force. Scottie is later contacted by a college friend Gavin Elster who wishes to hire him to trail his wife who he believes is possessed by the spirit of her great grandmother Carlotta who committed suicide at the age of twenty six which happens to be the same age as Elster’s wife Madeline. He eventually tracks her down at the Mckittrick Hotel in which he discovers she has been spending time there under the name of her deceased great grandmother which we later find is Carlotta’s former home.
Hitchcock has a way of throwing clues in the face of the spectator, yet still allows some room for the spectator to find their own less obvious details. In the same museum scene, Hitchcock shows the viewer exactly what he wants them to see. In a sense, Hitchcock can be very manipulative with the camera. The audience sees the picture containing the women with a curl in her hair holding flowers, and then the direct connection is made by the camera, by showing the curl in Madeline’s hair, and the flowers sitting next to her. The spectator is led to believe that they have solved the mystery and she is truly possessed by the women in the picture. However, Hitchcock does this on purpose to lead the audience away from the truth that she is only acting. It is for these reasons that Hitchcock’s work at an auteur adds a level of depth and intrigue.
Female characters in literature became more prominent at the turn of the last century as women's role in society changed. At the beginning of the 20th century, men were at the front lines fighting prolonged wars, while women were left to fulfill traditionally masculine roles back home. Women were performing the essential duties at the home front, without which everyday life would not have been sustainable. In Fifth Business, Davies employs an unorthodox approach creating anomalous female characters attemptin...
Murder is the most sinister of any crime you can commit as you are taking life away from someone who isn't ready to go. It is especially irrational when murder is carried out with no motive. This could only be the work of a madman. With crime people seek justice and will make their best efforts to achieve it. In the ABC Murders by Agatha Christie we explore the mystery of not one, but four murders carried out meticulously and with proper planning. In this novel we get to see the solving process of an interesting murder case through two private detectives who have gotten back together after some time apart in retirement. We get to see how they are able to think like a murder and determine the motives and planning behind the crimes.
...hemes of feminism, stereotypes, and socioeconomics. Christie shows the fact that her motives in most of her books are similar. The overall message about Agatha Christie is that she writes her books based on what she knows. Cathy Luzmore, author of Agatha Christie’s Influences on her Writings, concludes, “These travels inspired not only Murder on the Orient Express, but also Murder in Mesopotamia, Death on the Nile, Death Comes as the End and Appointment with Death.” With two of the three books in this paper, she gets her ideas about where the books will take place from her own travels. The third book, The Body in the Library, is reflecting upon the life style Agatha Christie had grown up in which was the middle class society in England. Overall, Christie shows that growing up the way she did, contributes to the successful woman she became.