Someone manly is a person who uses their nobility by flattering their power to one another to achieve their goals. Blits believes that the characters in The Tragedy of Julius Caesar use this nobility and try to gain something from it, he states, “The men we see in the play have the strongest desire for worldly glory and, regarding honor as the highest good, relentlessly strive to win it” (Blits 31). In her speech Portia mentions, “I grant I am a woman; but withal/ A woman well reputed, Cato’s daughter” (2.1.294-295). Portia presumes that by using obsequious methods of her nobility, Brutus will tell her about the conspiracy. She mentions her father b...
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... suffer the exact pain as men do when they are in combat and Blits tells us “manliness is displayed primarily in battle, so the combat between warriors does not stop at the city’s wall. Portia does not show any emotion to Brutus when she cuts herself because she knows that a manly person cannot shows any emotion when in pain. Once the audience visualizes that Portia does not get what she deserves after cutting herself, the audience truly identifies that she struggles to become manlier in the play but never reaches it.
Blitz, Jan H. “Manliness and Friendship in Julius Caesar” Bloom’s Modern Critical Interpretations: Julius Caesar. Ed. Harold Bloom. New York: Infobase Publishing, 2010.
Shakespeare, William. The Tragedy of Julius Caesar. Prentice Hall Literature: Grade ten. Ed. Kate Kinsella, et.al. Upper Saddle River: Prentice Hall, 2007. 824-923.
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