Mandopop In China

2143 Words5 Pages

The term "Mandopop" refers to the most popular genre in Chinese language contemporary music. "Mando" refers to the Mandarin Chinese language. Equally as popular is "Cantopop", "Canto" refers the Cantonese Chinese language which is a Chinese dialect spoken in the southern provinces and Hong Kong. A third term "Gang-Tai pop" 港台 is yet another term referring to the combination of Cantopop and Mandopop. "Gang" refers to the Chinese pronunciation of Hong Kong - "xiang gang" 香港 and Tai refers to Taiwan 台彎. In Hong Kong itself, popular music is called liuxingqu 流行曲 or Cantonese-language popular music as yueyu liuxing qu 粵語流行曲. Because of the changing market, many Hong Kong artists who originally sung in Cantonese, also started producing recordings in Mandarin, Japanese, and English. This local popular music is known as bendi liuxing qu 本地流行曲. (Witzleben 1999) The most famous stars in Mandopop are Jay …show more content…

Fay was born in Beijing but moved to Hong Kong in the late 1980's and became a Cantopop star. In 1991. at the height of her career, she move to New York to study music. She has commented that although she went to New York to study music, she was going abroad to "understand" herself. (Fung 2009) When she returned from the United States she had incorporated R&B and soul into her vocal style. This transformation catapulted her into avant-garde superstardom. Her subsequent albums Stubbornness and Regretlessness (1993) and 1000 Thousands Why (1997) sold a record breaking 300,000 in Hong Kong, establishing her status as a diva. In 1996 she appeared on the cover of Time magazine and was hailed as goddess and prima donna of the Orient. She remains the quees of female singers among the global Chinese (Fung 2009) And like Jay Chou has become spokesperson for a number of popular commodities and transnational corporations like, Pepsi Cola, Procter & Gamble, Motorola Mobile, and Virgin

Open Document