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some characteristics of media literacy
some characteristics of media literacy
the influence of pop culture
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If you were a child in the late 1970s, it's likely you will recall one or more of these superheroes. Or, if you are currently working with elementary school-aged children, it's likely they will be able to identify essentially the same set of characters, and maybe even their successors.
Three years ago, Donna was part of a research team (Alvermann, Moon, & Hagood, 1999) interested in exploring the uses that teachers and children make of popular culture in classroom settings.
We provide a description of four approaches to using popular culture in the classroom, attending to the tensions created when teachers try to develop students' critical awareness of the very things the children find most pleasurable about popular culture. We then share some practical, classroom-tried ideas for integrating elementary students' everyday literacies and popular culture interests into language arts instruction across the curriculum.
Like Kenway and Bullen, we believe this view of young children's use of media-produced popular culture is too simple and thus unhelpful.
Situations such as this suggest to us that any meaningful use students might make of popular culture is not being factored into the teaching-learning scenario.
When this approach is implemented, popular culture becomes a pedagogical guise for limiting the pleasures students can take from it.
Teachers who favor this approach typically shy away from asking students to critique what they find pleasurable in these texts. When children are not taught to become critically aware of media-produced popular culture texts, their thinking about such texts goes unchallenged.
Finally, a fourth approach (and one that we favor) involves developing students' ability to be self-reflexive in their uses of...
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...ar culture texts for children that involve female superheroes.
The CBS show Survivor is currently quite popular with students in the upper elementary grades.Teachers can use this show as a springboard to help students develop an understanding of the concept of survival.
We have only begun to scratch the surface in terms of what is involved in using children's everyday literacies to make connections between their interests in popular culture and the language arts curriculum. Certainly a first step involves getting in touch with our own interests in, and uses of, popular culture. Only then are we in a position to understand the appeal popular culture has for our students. In the end what matters, we believe, is that students begin to develop a critical awareness of how popular culture texts position them and how they, in turn, have a say in how those texts are "read."
The classroom in video case 42 was made up of 12 English language learners. The students were learning U.S. History content vocabulary in small, collaborative, interactive groups. The teacher used visuals – words written on a white board, a graphic organizer of the concept definitions, and a Power Point presentation with pictures and simple definitions. The teacher provided background knowledge through the use of textbooks, so the children could be successful in future history classes. The teacher used songs to assist the auditory learners in the class as well as a video to further assist the visual learners to see the concepts from the lesson in context. All of these resources were culturally appropriate as English language learners often learn best when a lesson is developed through multiple strategies and with a variety of resources.
“Who gets to decide what I get to read in schools?” This question was brought up by Dr. Paul Olsen in a recent lecture. This question inspires many other questions revolving around the controversy of The Adventures of Huckleberry Finn. It makes one wonder if books like The Adventures of Huckleberry Finn should be included in high school curriculum even with all the controversy about them or are they better left alone. Should The Adventures of Huckleberry Finn be taken off of school reading lists because of a single word when it has so much more to offer students? The Adventures of Huckleberry Finn should be included in high school English curriculums because it is relevant to current issues, it starts important conversations about race
...fessors do not see Pop Culture readings as a form of intellectualism, or what is considered suitable reading for academics. Even though Graff is a professor, he can identify with students and how they feel about bow they can not relate to readings that are see as intellectual in an academic setting. If students are to never catch on to read the different reading that teachers think are suitable, will students give up or will they eventually stop caring.In an academic setting, will Pop Culture readings ever become considered as intellectual and will teachers ever allow students to pick out their own readings. If they don’t will the teachers ever see an interest in the students and their work.
Lindgren, Merri V. The Multicolored Mirror: Cultural Substance in Literature for Children and Young Adults. Highsmith Press, Wisconsin. 1991.
There is no doubt that movies entertain a person. However, over sexualized movies have the capability of poisoning minds which are easily shapeable-for example Fifty shades of gray. Children are told not to view it, however that does nothing to stop the viewing of the movie. Not only does it corrupt young minds it hands them unlimited access to the findings of adult
Madigan, Dan. "The Politics of Multicultural Literature for Children and Adolescents: Combining Perspectives and Conversation." Language Arts. 70.3 (1993): 168-176. Web. 25 Nov. 2013.
To accurately determine what an educational institution should do with a book that contains some degree of cultural or moral shock is to analyze what the purpose of these institutions actually is. “Some parents brought the town’s segregated past and their dissatisfaction with the present into the discussion about the book” (Powell, 1). It is true that people from areas where slavery once ran rampant will be emotionally distressed with books like The Adventures of Huckleberry Finn. This may be understandable, but ultimately, schools are not purposed to dampen the discomfort of specific students and their families. Education Assistant Professor Jocelyn Chadwick states, “‘you have to remind them you are there to defend the text and not solve social issues’” (Powell, 1). Alleviating the cold reality from members of the community is neither a responsibility of educators nor a pedagogical concern. For the teachers and professors, the education of students, through whatever methods and textbooks, should far outweigh any of the culturally or morally shaky backlash that could follow. However, some disagree with this. “The CHMCA officially objected to The Adventures of Huckleberry Finn on the grounds that ‘the prejudicial effect of the racial characterizations outweigh any literary value that the book might have’...
Public schools are becoming more laid back about what they teach in each subject to make it less uncomfortable for individuals to talk about; for example, sex education is taught in schools more in depth and at an earlier age today than in the past to make it easier for people to talk about sex in a more mature manner. Banning books that contain sexual content, vulgarity, and violence give children and young adults a reason to snicker about these topics when discussed in class because we are taught that these topics are not appropriate to talk about publicly. There are many factors that play a major role in how an individual perceives certain topics in books. If taught at an earlier age that these topics are suitable for mature discussion, a child is less likely to find it funny or become offended. How a parent reacts to certain material is how a child is raised to react the same way (Kelly). Authors being banned from their right to Freedom of Speech because parents cannot accept what they say.
In the article, “Once Upon a Time, Literature. Now What?” by James Salter, a novelist, by discussing the importance of language and literature, he believes pop culture is a threat to these customs. Salter states that without language there is nothing; without words there can be no understanding of nature, of the human condition, of the world which surrounds us. He goes on to state that learning language is the single most important task a person must accomplish. He writes that without language a human cannot describe or understand such powers as God or the beauty of the universe. Salter blames pop culture for the decline in the use of books and lack of interest in classic literature. While language
Sex. Politics. Religion. The big three: a work of literature is often considered controversial because of its statement about or use of these topics. What makes these and other areas so touchy in the classroom? Why do some parents and concerned community members want controversial materials out of the classroom?
Literacy in the 21st century is multidimensional with Giroux arguing “Teaching and learning the culture of the book is no longer the staple of what it means to be literate” (Arthur, 2001, p.183).
There has recently been a renewed interest and passion in the issue of censorship. In the realm of the censorship of books in schools alone, several hundred cases have surfaced each year for nearly the past decade. Controversies over which books to include in the high school English curriculum present a clash of values between teachers, school systems, and parents over what is appropriate for and meaningful to students. It is important to strike a balance between English that is meaningful to students by relating to their lives and representing diversity and satisfying worries about the appropriateness of what is read. This burden often falls on teachers. The purpose of this research paper is to discuss censorship in schools and to argue that the censorship of books in the high school English curriculum is limiting and takes away literature that is meaningful to students.
In the contemporary society, popular culture represents the emerging lifestyles, fashions, values, as well as customs that the mainstream population follows without hesitation and with loyalty. It embraces a blend of philosophies, opinions, beliefs, viewpoints, and imageries, besides various forms of events that specific groups of individuals adopt in the society. Popular culture plays a significant role in shaping the way people think or perceive things by offering them a unique interpretation of something that they may eventually like. In this digital age, some of the popular culture known today takes account of television programs watched by many people, the numbers of individuals who currently use the internet constantly as the best means
It incorporates the daily interactions, needs, desires and cultural moments that make up the everyday lives of the society. It finds expression in day to day practices such as cooking, fashion, newspapers, magazines, television, mass media and the many facets of entertainment such as sports, music, dance and literature. Thus popular culture becomes “culture actually made by people for themselves” (Williams 111). In the essay “Notes on Deconstructing the Popular”, Stuart Hall defines popular culture as all the cultural activities of the people, or their “distinctive way of life” which is considered as popular within social context, and is popularly accepted within the society in any particular period (449). Popular Culture also accommodates cultural texts and practices which fail to qualify as the high or elite culture. This residual nature makes it a site of struggle between the marginalized and the dominant groups in society, where forces of incorporation and resistance against them come into
Pop culture is everything, it is the culture of people. It defines and dictates the desires and fears of the mainstream members of society. It is so ingrained into our lives that we collectively overlook how integral it is to our development as a society. Adults, especially teens, never even bat an eyelash at all the pop culture and advertising that surrounds them, it has become just another part of everyday life. Pop culture has and is somewhat still seen as entertainment that is enjoyed by the lower class members of society; but what is considered pop culture frequently changes over time. A notable example of this is the sixteenth century author, William Shakespeare, since his works were once considered pop culture, entertainment that could be enjoyed by everyone, but mostly the lower class. Now, he is one of the most renowned authors of the 21st century, with his works frequently adorning our English readings and receiving acclaim for his timeless classics such as Romeo and Juliet, and Hamlet. Pop culture influences