Pop Culture And The Internet Revolution Essay

Pop Culture And The Internet Revolution Essay

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Man is said to have been created in God’s image, an image some seem only too keen to censor. A phenomenon not displayed by any of our tailed cousins. It is a tragic and potentially lethal irony that those who most despise the human body and one’s free will to use it should be able to control it to fulfil their own deluded prophecies. A contemporary crusade, a jihad, on the very concept that gave humankind its ability to adapt and survive. In the western subcultural movement of the twentieth century fashion’s ability to categorise grew from the utility of the wearers’ occupation to a mass contagion of thoughts. This form of ‘mass labelling’ became a visual rendering of the wearers beliefs, and allowed one to better assimilate with people of similar traits. This correlated with the internet and the new world order of a globalised society, where we became over saturated with ideas, and the opinion of the individual was more easily expressed to the mass audience. Pop culture and the internet revolution begun a worldwide eclectic aesthetic that could be filtered and shared, ready to be inserted into the brain for mass stereotyping, and generation branding that shielded ourselves from this new uncertain world.

However the manifestations of this new globalised village were just reinforcements of old ideas. Where previously seen during periods of mass disorder such as the Dark Ages, where Religion was in its fundamental beginnings in forming its authority. Later to the renaissance where religion’s compounded wealth and control housed implanted concepts of the lords worker, giving reason to the over glamorised robes and gold leaf ceilings often built in areas of extreme impoverishment. They, like contemporary fashion, were a statement ...

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...k explores fashions roll in creating a public profile and its ability to conceal it. To many the burka is seen as a symbol of patriarchal oppression, by covering the face it reduces woman to a single consistent controllable collective. This concept is not new to the western world, often taking forms in pop culture as a way of identify ones career and with fashion ones social status. However with the complete covering of the face all individuality becomes hard to distinguished, Chalayan 's work then provokes us to question the legitimacy of a woman’s sexual organ’s sensuality when her identity is concealed. Often however, it simply shows that we are more shocked of the natural body then our inherent want to censor it. Religion and fashion are no more divine then that of an exclusive club, full of passion and illusions, a simulacra, that some even consider paradise.

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