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Andy warhol biography
Andy warhol influence on pop art
Andy warhol influence on pop art
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Popular Culture Pop art is one of the most interesting elements in the contemporary world. Pop art is a form of art that depicts object or scenes from everyday life and employs techniques of commercial art and popular illustration. The Pop art played the role of examining legitimacy of the traditional art world since inception. Some of the prominent artist in pop art in 1950s and 1960s include Andy Warhol that attains prominence in this genre (Sayre 226). Warhol ideology entails the concept of art that a person can make regardless of place and method. Some of the critics to Warhol ideology cite that his work is formless, sense of direction, and posterity. Some of the iconic works of art such as the telephone invention has seen artists accumulate much wealth. Telephone is one of the works that has face value and has a simple production. A close analysis of the telephone reveals its brilliance. Popular art has brown in stature in recent years with some examples fetching vast sums of money, works such as the pop art portrayals of Mel Ramos. Warhol’s central theme concentrates on pop art and describes some of the changes in art movement, in his ideology. Warhol’s Telephone work seeks evaluates and elaborates how artists can apply color to portray different themes from the artwork. Warhol is from American decent born in 1928 and resides in Pittsburg, Pennsylvania. Warhol has influence on pop art and all other related visual art movements and cultures. One of his collections, the “Telephone” appears in 1961 that becomes popular toward the end of the twentieth century (Small 47). His work explores as artistic expression, celebrity culture, and advertisement. Warhol’s life and work inspire creative thinker worldwide that thanks to h... ... middle of paper ... .... All factors have to be considered in analyzing an artistic work and produce for the correct meaning, to be given to it. Work Cited Anderson, Feisner E. Colour: How to Use Colour in Art and Design. London: Laurence King, 2006. Print. Leland, Nita. Confident Color: An Artist's Guide to Harmony, Contrast and Unity. Cincinnati, Ohio: North Light Books, 2008. Print. Sayre, Henry M. “Book review: Andy Warhol, Poetry, and Gossip in the 1960s Reva Wolf, Andy Warhol.” Modern Philology 99.1 (2008): 165. Print. Small, Sabrina. “What’s Eating Andy Warhol? Food and Identity in Pop art.” Appetite 47.3 (2006): 400. Print. Warhol, Andy, Christopher Wool, Barnett Newman, Bruce Conner, Sharon Lockhart, Giuliana Bruno, and Peter Pakesch. Warhol Wool Newman: Painting Real; Screening Real: Conner Lockhart Warhol. Köln: Verlag der Buchhandlung Walther Konig, 2009. Print.
Andy Warhol was a graphic artist, painter, and film maker, amoung other things, also associated with Pop Art. He moved to New York, around 1950, where he did his first advertisements as a comercial artist and, later, began showing in expositions. One technique employed by Warhol involved repeditive silk screen prints on canvas. He used this method to produce many series of prints with various, easily reconizable images. Between 1962 and 1964 in his self titled studio “The Factory”(Phaidon 484), Warhol produced over two thousand pictures. One of these, Lavender Disaster, was made in 1963 and belonged to a series of pictures all including the same image of an electric chair.
Known for being the father of Pop Art, and a giant in pop culture, Warhol dominated the art scene from the late fifties up until his untimely death in 1987. However Warhol’s influence spread further then the art world, he also was a major player in the LGBT, avant-garde and experimental cinema movements. Born in 1928 in Pittsburgh, Pennsylvania to Slovakian immigrant parents, Warhol came from humble beginnings. Becoming widely known for debuting the concept of ‘pop art’ in 1962. Warhol’s reach grew further when he started experimenting with film, becoming a major player in the LGBT, avant-garde and experimental cinema movements. Warhol’s artist studio, known famously as ‘The Factory’ became a hub for experimentation, and a go-to point for celebrities, musicians and trans folk. During this time, Warhol came out as an openly gay man, challenging the status quo of the day, a time when being homosexual was illegal. While also producing highly experiential films such as ‘Blow Job’ (1964) and ‘Sleep’ (1964) which were highly political and provocative, at the time. As art critic Dave Hickey asserts, “Art has political consequences, which is to say, it reorganized society and creates constituencies of people around it” (Hickey, 2007), Andy Warhol’s art and lived experience created a political constituency which can be best recognised in the function of the “Silver Factory” on
Warhol, Andy, and Pat Hackett. POPism: the Warhol '60s. San Diego: Harcourt Brace Jovanovich, 1990. Print.
Roy Liechtenstein, (fig 1) was born in 1923 into to a middle class Hungarian family living in New York, there was no artists on either side of his family and throughout Liechtenstein’s schooling there were no art classes. He used to paint in oils and draw, sometimes sketching musicians he saw playing in Harlem and the Apollo Theatre as a hobby. It was not until ‘1939’ the summer of his last year at high school that he enrolled in art classes in the Art Students League run by a man called Reginald Marsh. Liechtenstein’s influences regarding his painting style at this time had been the European avant-garde artists such as Picasso. These cubist and expressionist styles were rejected buy by Marsh who favoured painting the masses of New York life such as carnival scenes, boxing matches and the subways catching the detail in fleeting brush strokes, in a non-academic easily recognisable way. This style of recognisable American art that used everyday scenes are directly related to the consumer orientated Pop Art that Liechtenstein was to develop later in his life.
Crooked Beak of Heaven Mask is a big bird-figure mask from late nineteenth century made by Kwakwaka’wakw tribe. Black is a broad color over the entire mask. Red and white are used partially around its eyes, mouth, nose, and beak. Its beak and mouth are made to be opened, and this leads us to the important fact in both formal analysis and historical or cultural understanding: Transformation theme. Keeping that in mind, I would like to state formal analysis that I concluded from the artwork itself without connecting to cultural background. Then I would go further analysis relating artistic features to social, historical, and cultural background and figure out what this art meant to those people.
Andrew Warhola was born August Sixth, 1928, in Pittsburgh Pennsylvania. He was the youngest son of Julie and Andrej Warhola, both immigrants from Czechoslovakia. After a quiet childhood spent alternately alone and in art classes, Andrew went to college. He then got a job doing commercial art, largely advertisements for large companies. Over time his name was shortened and Andy Warhol changed the face of modern art. Through his silver lined Factory and the many people who frequented it a revolution was born. This paper will discuss some of these people and examine the impact they all made on modern art.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
The photographs were taken by Warhol himself, as well as his friends and cohorts. He was an accomplished photographer, and had a large collection of photographs of “The Factory” visitors and his friends. He preferred a particular camera, and the Polaroid SX-70 model was kept in production just for him. Artistic photography has been greatly influenced by the artist’s photographic approach to painting combined with his snapshot method of taking pictures. Warhol once asked, “Isn’t life a series of images that change as they repeat themselves?” The question appropriately reflected his ideology of screen printing and his often-used style of
Born Andrew Warhola August 6, 1928 in Pittsburg, Pennsylvania, this peculiar boy was different from the very beginning. He was an outsider in grade school mainly for the things he did. “Most of his peers from Holmes Elementary School looked up to athletes like Joe DiMaggio and played basketball themselves, but Andy’s idol was Shirley Temple” (Lowmiller 1). Andy showed a wonderful talent for drawing at an early age. It was not a surprise that his favorite pastime was drawing flowers. After becoming ill at 6 years old, Andy was confined to his bed. His family took their time to entertain him for hours by showing him how to draw, trace and print images. The love for drawing grew greater as Andy got older. Extremely smart for his age, Andy graduated Schenely High School early, at 16 years old, and in 1945, finished 51st in his class of 278 graduates. Later, after his father passed away in 1942, Andy continued his education and got accepted at Carnegie Institute of Technology three years later. He was the first of his family to ever go beyond high school. During the summer, Andy helped his oldest brother, Paul, sell fruits a...
Now, twenty-three years after Warhol’s death, his face and art are on T-shirts, iPods, blue jeans, sunglasses, Christmas cards, handbags, skateboards and wallpaper. His reputation and popularity are both endless and his works of art continue to fetch enormous sums of money. Even with his death, Warhol’s name continues to be met with both publicity and infamy. Ultimately, Andy Warhol’s legacy lies with his outlandish and exotic style of art and his lust for materialism and wealth.
Goldwater, Robert and Marco Treves (eds.). Artists on Art: from the XIV to the XX Century. New York: Pantheon Books, 1945.
Varnedoe, Kirk. A Fine Disregard: What Makes Modern Art Modern. New York: H.N. Abrams, 1990. 152. Print.
theartstroy.org. 2013. The web. 22 November 2013. Warhol, Andy.
Leonardo da Vinci and Andy Warhol are legendary in the art world and their masterpieces are one of a kind however when comparing the two the renaissance master Leonardo da Vinci is vastly superior when mastering an art collection.
The. Theories of Contemporary Art. Englewood Cliffs: Prentice-Hall, 1985. Kotz, Mary Lynn. Rauschenberg/Art and Life. New York: