The Poison Of Unforgiveness Piece Essay

The Poison Of Unforgiveness Piece Essay

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In our The Poison of Unforgiveness piece, I collaborated with my peers in contriving the concepts of our work and incorporating our gifts and talents to compose an exceptional presentation. Although I was unable to pick exactly who I worked with, I am more than overjoyed to have had the opportunity to work with Cynthia, Gabrielle, and Tammisha to create “The Poison of Unforgiveness”. Particularly, I appreciate them so by virtue of the idea that even before we seriously began planning the presentation, we frequently engaged in discourse about the critical concepts discussed in class — in order to foster maximized understanding and connectivity to each other and the concepts. Working with these girls has been nothing short of amazing because though we’ve all had shortcomings, holistically we have relied on each other without guilt. In fact, the interdependence we’ve employed with each other has been refreshing because no one person had to carry a burdensome weight of the project; we all contributed faithfully and held each other accountable. Though it was extremely hard to find congruent meeting times, overall working on this project was relaxing — primarily, on the grounds of the idea that I genuinely love this class and the intellectual engagement it incites. My primary contributions include choreographing and performing in two dance scenes — and directing, shooting, and editing our film.
In this “Making Lemonade: Beyonce and the Aesthetics of Black Womanhood” class, we have covered the comprehensive and seemingly trivial aspects of what it is like being a Black woman in our society. Most importantly, I am appreciative of the scholarly yet intimate space this class provides to talk about intersectionality — but also how yo’...


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... personal sanity). Finally, in Beyonce’s “Forgiveness” chapter of Lemonade Beyonce provides her husband, who betrayed her, with a card of redemption. However, in our adaptation, the girl dances to “Sand Castles” only as a solidification and mark of truly being free of the poison of unforgiveness. In contrast to Beyonce’s version, she does not actually take her boyfriend back or stays close friends with the girl— but she genuinely forgives both of them. Her forgiveness is symbolized as the flower blooms in the dark room — exploring her resilience in spite of betrayal. We believed these changes were imperative because they provide a critical lens of how fair and counter-patriarchal forgiveness materializes in platonic friendships versus romantic relationships. Additionally, it explores the unique strength in forgiveness without pardoning or excusing lewd actions.

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