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Essay for ozymandias by percy bysshe shelley in English
Essay for ozymandias by percy bysshe shelley in English
Essay for ozymandias by percy bysshe shelley in English
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Despite the vast differences between the many cultures that make up the world’s population, certain key characteristics, some good and some bad, have shown themselves in every civilization, regardless of time or location. One negative characteristic that has repeatedly made an appearance in the world’s history is man’s desire for power. In the sonnet “Ozymandias”, by Percy Bysshe Shelley, power, which humans consistently fight over and which is also the cause of arrogance in many, is shown as insignificant through the description of a statue’s ruins. The statue is of an ancient ruler, Ozymandias, and throughout the poem he is characterized as powerful, yet arrogant because of his power. Shelley mocks the once great and feared Ozymandias, who is now little known and whose empire has decayed over time. Percy Shelley has utilized the poetic form of “Ozymandias” and the structure of each line, including punctuation, word placement, and quotes, to contribute to the description of the statue and its setting, which in turn supports the central idea that the power of man and all man made creations are insignificant against the passage of time.
In “Ozymandias”, Shelley shows the unimportance of human power as time goes on by describing a statue, which depicts a once powerful man, that now lies in ruins. The poem begins with “I met a traveler from an antique land / Who said: Two vast and trunkless legs of stone / Stand in the desert…” (1-3). The ambiguity of who told the speaker of the statue and where the statue is located alludes to the unimportance of the once great and powerful man whom the sculpture represents. If the location of the decaying art piece was made more clear , it would imply that the man’s power had survived the pass...
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...10), was not spared by the passage of time. This central theme is well supported through the poetic structure of the poem. The way each line is structured changes how it is read, and in poetry the way a line is read can be just as significant as the words that make up the line. There is meaning tied to many of the small details in this poem’s structure, which includes the punctuation, the use of alliteration, and the placement of the different components throughout. The poetic form of “Ozymandias” has been put to use in order to aid in the description of the statue and the setting, and this description aides in supporting the central message of time’s destructiveness against human power and creation.
Works Cited
Ferguson, Margaret W., Mary Jo Salter, and Jon Stallworthy. ""Ozymandias"" The Norton Anthology of Poetry. 5th ed. New York: Norton &, 2005. 870+. Print.
Shelley uses symbolic meaning to depict the destruction of a statue and the “sands that stretch far away” in relation to the effects of pride, a direct contrast from the words on the pedestal. The images of the deteriorating items gives the readers an understanding of time’s ultimate power beyond both life and pride. However, the cliché use of sands as a means of representing time still explains to readers that the passing of time is prevalent in the poem and related to the destroyed items presents the concept of a useless
Aeschylus. The Oresteia. Trans. Richmond Lattimore. Ed. David Grene and Richmond Lattimore. Chicago: University of Chicago Press 1953.
Shelley, Percy. “Written Among The Euganean Hills, North Italy,” English Poetry II: From Collins to Fitzgerald. The Harvard Classics. 1909–14.
Ellmann, Richard and Robert O'Clair, ed. The Norton Anthology of Poetry, 2nd Edition. New York: W.W. Norton
Huston, Kristin N. "Percy Shelley and Lord Byron." UMKC Campus, Kansas City. 20 Sept. 2010. Lecture.
Ferguson, Margaret W., Salter, Mary J., and Stallworthy, Jon. The Norton Anthology of Poetry. fifth ed. N.p.: W.W. Norton, 2005. 2120-2121. 2 Print.
Ellmann, Richard and Robert O’Clair. Modern Poems. New York: W.W. Norton and Company, Inc., 1989.
Shelley envisioned a strong sense of humanity in her novel. She encapsulated the quintessence of the period in which she lived by expressing ideologies, such as humanity’s relationship with God and the hypothesis of nature versus nurture. The relationship with God was vividly changed during the industrial era.
"Ozymandias" written by Percy Shelley, represents the psychological forces of the id as well as the superego, as a charceter in a poem, and as a poetic work. In the poem we encounter a traveler. He brings a message from the desert. There is a statue that exists alone among the rocks and sand. Stamped on the pedestal of that statue are these words, "My name is Ozymandias, king of kings: Look on my works, ye mighty, and despair!"
Allison, Barrows, Blake, et al. eds. The Norton Anthology Of Poetry . 3rd Shorter ed. New York: Norton, 1983. 211.
This poem describes a story told you by a passing traveler of a ruined statue of a king, Ozymandias, seemingly in a desolate desert. On the statue in is inscribed, “‘My name is Ozymandias, king of kings: look on my works, ye Mighty, and despair!’/Nothing beside remain” (“Ozymandias” 10-12). Upon examination of the surrounding land, we realize that the once vast kingdom around the statue has been taken back by the desert, leaving the ironic message on the statue. This poem shows Shelley’s ideas of how all is temporary, especially mankind and our achievements. Showing romantic values, Shelley believed nature is much greater than man and no matter how big your kingdom, mather nature will always take back what was always
“Nothing beside remains. Round the decay / Of that colossal Wreck,” wrote Percy Bysshe Shelly in his poem, “Ozymandias.” This theme of destruction also forms the basis of Lord Byron’s poem, “Darkness.” Although each poem has a very different narrative, tone and plot, they reflect fears about the legacy of human influence and the destruction of civilization. The common theme of destruction, found in Percy Bysshe Shelly’s poem “Ozymandias” and Lord Byron’s poem, “Darkness” reflects the poets’ shared fears about the future by writing about ideas of civilization, the fall of mankind due to nature and natural instincts, life and death.
Bloom, Harold and Golding, William. Modern Critical Views on Mary Shelley. Edited with an introduction by Harold Bloom. Chelsea House Publishers, New York, 1985.
Shelley, Percy Bysshe. Prometheus Unbound. Shelley’s Poetry and Prose. Ed. Donald H. Reiman and Neil Fraistat. New York: W. W. Norton & Company, Inc., 2002. 206-283.
Shelley, Percy Bysshe. “A Defence of Poetry.” The Longman Anthology: British Literature: Volume 2A – The Romantics and Their Contemporaries. Ed. David Damrosch. New York: Addison-Wesley Educational Publishers Inc., 2003. 801-810.