Elizabeth Bishop was a poet in the twentieth century. She was born in 1911 and lived until she was 68 passing away in 1979. She attended Vassar College where she met her mentor and friend, Marianne Moore. Moore is a fellow poet as well. Moore helped to show Bishop that you can be a woman and be a poet as well. Bishop’s poems were considered complex and autobiographical. “For me, Bishop’s poetry is complex and varied enough not to need perfection as its defining feature” (Ellis). Bishop conceals her feelings when she writes, but shows her affection otherwise. Her other influencers are Robert Lowell, “who helped her think of poems in a more grand sense using the tools of history, gesture and politics” (Mieller 198). Her published poems hid her affection nature, although it was said that she was actually very emotional and affectionate. “Her lesbian relationship with Lota de Macedo Soares gave her life stability and love, and she established residences in Rio de Janeiro, nearby Petrópolis, and, later, Ouro Prêto” (Modern American Poetry). I believe that Lota inspired the woman that gave her...
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... that the poet left out. While the Vague Poem paints a story with characters and a setting, the Sea Rose tells an abstract story using description of the rose itself and verbs. It is up to more interpretation than the Vague Poem because it is a concrete story.
Both poems “Sea Rose” and “Vague Poem” helped tell stories of love using the symbol of roses using descriptive language. Both poems helped pave the way for imagery. The poets had strong voices that were unique to this period. H.D and Bishop helped pave the way for women writers everywhere by writing about abstract love and lesbian love, which wasn’t really written about in the Victorian era. They were both alike and different in ways, but both of them were part of the first poets that were part of the imagery movement to helped tell the story with stronger images to make the story more accessible to the reader.
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