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The role of emotion in romantic poetry
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The poem Stripper by Mervyn Morris speaks of a poet who, after a long day decides to treat himself to wine and music at a club but, unfortunately had to part-take in the performance of a female exotic entertainer which was not a part of his plan. Though, the poet had no intention in watching the entertainment, at the end of the poem it shows how much of an inspiration the entertainment and the ambiance had on him. The poem also speaks of the discomfort the performer had as if she had no voice as to what goes on but, merely have to accept it and do her job. Morris uses pun as his main device to create humour and to place emphasis on what exactly is the meaning beneath what is being illustrated in the poem. As the poem stated the Stripper, Morris places the focus on the character and documents her every move and actions in order not to question if the title complements the poem. The uses of different images and devices are evident throughout the poem which at the same time enhances the tone and mood of the poem. In this essay the effectiveness and use of devices including the continuous use of pun, the exploitation of women, and descriptive aspect of the poem will be documented.
Morris use of imagery helps to enhance the strength of the piece in a way that evokes one’s peculiar senses. He begins the poem describing the venue as ‘sleazy’ which means dirty, disreputable or unpleasant a word often associated with prostitutes. Why stop at a place like this when he could have chosen a different venue? One may ask. Though, he describes the ambiance as such, poets usually gets inspired by the weirdest things, from the weirdest places ironic isn't it? Morris use of descriptive words also helps in embodying the atmosphere and what takes plac...
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.../ the poet felt his symbol growing hard” (18-19), is effective in a sense that though this poet had no intention in part-taking in the stripping that was taking place, and he could have chosen a more subtle environment that would not be as distracting as a strip club. At the end of the day he got aroused in a sense that his symbol that went hard can relate to the symbol in his head that has gone concrete so he can travel home and put pen to paper about the experience he had in that scenery.
In concluding, Morris’s poem entitled stripper complements the context of the piece. It shows that a non mediocre poet can get inspiration from anything and anywhere even in the heart of a strip club where, what takes place can be rather a distraction. Morris use of pun in its entirety throughout the poem created that fitting match with the environment within the poem on a whole.
The informal language and intimacy of the poem are two techniques the poet uses to convey his message to his audience. He speaks openly and simply, as if he is talking to a close friend. The language is full of slang, two-word sentences, and rambling thoughts; all of which are aspects of conversations between two people who know each other well. The fact that none of the lines ryhme adds to the idea of an ordinary conversation, because most people do not speak in verse. The tone of the poem is rambling and gives the impression that the speaker is thinking and jumping from one thought to the next very quickly. His outside actions of touching the wall and looking at all the names are causing him to react internally. He is remembering the past and is attempting to suppress the emotions that are rising within him.
In Toni Morrison’s “Recitatif” Twyla’s mother Marry had no problem expressing her sexuality because she was a stripper, who danced all night, she wore a fur jack and green slacks to a chapel to meet her daughter Twyla. Her clothing was inappropriate especially to Roberta’s mother who was symbolic of God. Roberta’...
was found guilty and hanged (Dieters, 2012). Seven years later, Fitzpatrick’s former roommate confessed to the murder on his deathbed. Residents of Detroit were outraged that an innocent man had been put to death. Then, two years following Fitzpatrick’s execution, another Detroit resident, Stephen Simmons, was tried and convicted of killing his pregnant wife during a drunken rage. His execution was made into an event resembling a carnival, complete with a band, local merchants selling their goods, and a seating section for spectators.. When asked if he had any last words, Simmons recited a poem. His “appeal to the heavens” shocked witnesses. The execution was called “cruel and vindictive” by onlookers. The result of these two cases was an
First by sight in describing “Walls of Limerick” of course, there are no walls, but the scene is now in place. Then he proceeds with touch “with the damp: clothes never dried” McCourt is slowly bringing the reader into his environment, and with these five words “the damp clothes never dried” describing the constant weather of Limerick, so the reader may envision the environment being described. Next, he uses smell “cigarette and pipe smoke laced with stale fumes of spilled stout and whiskey and tinged with the odor of piss wafting in from the outdoor jakes where many a man puked.” The readers image is now complete. Because McCourt includes extensive sensory details to his imagery the reader can see, feel, smell and some may argue taste, inevitably makes not only this scene relatable to the reader, but exemplifies the continued conditions of the characters living in
The way the Gurlesque applies mockery and exaggeration through a feminist perspective is more often than not directly linked with a subverted language, a language that purposefully deviates from what is standardized as “the proper language for a woman”. Refusing such standardization and responding to masculine “high-art”, the poems exhibit a political stance through the Gurlesque which employs the feminist understanding that multiplicities and even conflicting alternatives could very well coexist (Irigaray 28-29). The aesthetics of the distasteful comes into question in that regard and constitutes the third completing element of the Gurlesque. The Gurlesque copies the masculine culture without identifying with it, that is to say, it kitschifies
Adrienne Rich writes a long conversation, in A Long Conversation, with multiple and fluid dialogues. Interpretations of these dialogues are rich, thick and endless. Her dialogues include a conversation between past and present times, between past and present theories, between great minds and regular people, between the subject and creation of art and its place in time, and the conversation of the physical. For Rich, the physical is not just body to body, but also mind to body, and body to time. In recognizing that the physical is just as fluid a dialogue as verbal communication, Rich explores a long physical conversation and gives it new meaning in each of the many sections of the poem.
Fife’s poetry uses modern language with wording clearly understood by her audience. This approach of using simple, modern language gives the interpretation that Fife is wanting to attract a youth audience, or young adults to read her poetry. Strong imagism is a concept that is used in all three of the poems. This concept of imagism is used to make the reader feel empathy towards the characters within the poem as well as give the reader a vibrant image of what is happening to said characters. In her poem “This is not a Metaphor” it is said:
Art has been around for as long as humanity has existed, and it is much more than just drawings or paintings. Art is what every a person makes of it. Art can be drawings, paintings, writings, or even dancing, but never is it contained to just one of those things. As we explore just two aspect of art it is important to realize that there is no right or wrong way to look at the art. Art comes in many different forms, in which they are all interpreted a little differently by different people. For me, when I read a poem I do not instantly know what the poet is trying to say and I don’t find it as interesting, but when I look at a painting so many more thoughts comes and I can’t help by imagine what that artist was thinking while he was painting.
As the journey to the destination begun the atmosphere is horrid as they passed cheap motels half deserted streets and sawdust motels it all set a very bleak tone of lifelessness, to support this claim, “like a patient etherized upon a table.” (Eliot 368) although they also encountered a yellow fog most likely caused by industrialism it took a form of animal imagery finding comfort in its surroundings to support this claim, “The yellow fog that rubs t back upon the window-panes, the yellow smoke that rubs its muzzle on the window-panes, Licked its tongue into the corners of the evening.” (Eliot
Imagery is a key part of any poem or literary piece and creates an illustration in the mind of the reader by using descriptive and vivid language. Olds creates a vibrant mental picture of the couple’s surroundings, “the red tiles glinting like bent plates of blood/ the
Eliot suggests an element of ‘Victorian London’, he expresses how the fog manoeuvres through the city streets. “The yellow smoke that rubs its muzzle on the window-panes” The image of a cat seems strong to the reader’s mind, as it makes their way through the city streets, then curling up beside the fire. The smoke is given a colour (Yellow) which symbolises a form of ‘Cowardice’ which reflects on Prufrock’s own emotions when interacting with a female.
In this paper, I plan to explore and gain some insight on Audre Lorde’s personal background and what motivated her to compose a number of empowering and highly respected literary works such as “Poetry is Not a Luxury”. In “Poetry is Not a Luxury”, Lorde not only gives voice to people especially women who are underrepresented, but also strongly encourages one to step out of their comfort zone and utilize writing or poetry to express and free oneself of repressed emotions. I am greatly interested in broadening my knowledge and understanding of the themes that are most prominent in Lorde’s works such as feminism, sexism and racism. It is my hope that after knowing more about her that I would also be inspired to translate my thoughts and feelings
...seful miscommunication between men and women. Lastly, when looking through the imagined perspective of the thoughtless male tricksters, the reader is shown the heartlessness of men. After this reader’s final consideration, the main theme in each of the presented poems is that both authors saw women as victims of a male dominated society.
Marianne Moore’s most popular poem, which is also her most ambiguously titled poem, is called “Poetry.” In this poem Moore decisively strayed away from her conventional writing style of contrariety and the bizarre, but it does seem to share other characteristics of her earlier poetry. Moore’s apparent purpose in writing “Poetry” was to criticize the present social outlook on the entire idea of poetry, to come up with a universal definition of poetry and of genuine poetry, and ultimately to convince those who dislike poetry of its benefits. She attempted to present this criticism and definition by means of blatant irony, and even though she desperately wants to describe the seemingly trivial activity of poetry, she fails to provide a definition that is not caught up in the negative.
The way that the city is encountered at night can be compared with to how it is encountered at day in the poems ‘Prelude’ and ‘Morning at the Window’. The city is described similarly to each other. In ‘Preludes’ the streets in the morning as are described as “sawdust-trampled” (II, line 16) which is reminiscent of the description of the “sawdust restaurants” (line 7) in ‘The Love Song of J. Alfred Prufrock’. The “waves of brown fog” (line 5) in ‘Morning at the Window’ parallels the “yellow fog” (line 15) in ‘Prufrock’. An eerie tone of ‘Morning at the Window’ is created through the repetition of ethereal language throughout the poem. The fog tossing up faces from the street gives an impression of ghosts or spirits. The use of the word “twisted”