Marriage in The Importance of Being Earnest
The Importance of Being Earnest is a play by Oscar Wilde. Oscar describes his play as A Trivia comedy for serious people. The protagonists in the play maintains being fictitious in order to escape burdensome social obligations. The play is lighthearted with flippant comments and offhand jokes, however the play contains serious undertones and social commentary about marriage and the society. Oscar Wilde in his plat portrays marriage in the Victorian Era as arranged for the upper class. Lady Bracknell is not ready to give her daughters hand in marriage to Earnest because of his social class and because he told her that he was found in a Victorian railroad station and has no idea who his biological parents are. Oscar Wilde explores the topic of marriage at length in his play. Marriage is a primary force motivating the plot of the play and a subject of speculation. The debate in the play is to whether marriage is pleasant or unpleasant.
It is obvious in the play that the theme of marriage is evident. This theme continues through the play evident from Act 1 whereby Earnest Worthing announces to his best friend Algernon Moncrieff that he was going to ask for his Cousin Gwendolen Fairfax’s hand in marriage. He proposes to Gwendolen and she enthusiastically accepts but only with a man named Earnest and not Jack which was Earnest Worthing’s real name. Her mother is against it and she puts it very clear to Gwendolen that her engagement can only be informed to her through her and her father and she is not engaged to anyone. She says “Pardon me, you are not engaged to anyone. When you do become engaged to someone I, or your father, should his health permit him will inform you of the fact. An engag...
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Appearance, society, and class are everything to the people in this society as well as the characters in this play. Oscar Wilde critiqued the Victorian society of people through his play, as he satirized the rules of the Victorian society, utilized irony to isolate areas that showed the facade of politeness, and he created a pun about the human trait of earnestness and the name Earnest. He mirrored the society he lived in into his work, and used these literary techniques to comment on the aesthetic, as well as materialistic nature of this society. Although he used these humorous literary devices to write a comedy, he also analyzed the impact that the society has on different genders and the personalities of the characters.
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In ‘Wilde’s Fiction’ written by Jerusha McCormack, the author starts her essay examining Oscar Wilde’s life and origins. The Artist, born and schooled in Ireland became a writer in England where he lived as a queer kind of Irishman. He studied in Oxford where he challenged himself beating the great scholars he met; later on, he acquired the title of an English aristocrat and made himself over as a dandy, a fine well-dressed man, who can also be known as a quite self-concerned person. Oscar Wilde, was also particularly famous for his quips, examining the drafts of his plays in fact, he used to open his works with jokes and witty phrases, his aphorisms became popular very soon and this could happen especially because he used the language of his audience, the language of common double-talk.
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...erpreted as dark and significant to the period. The comedy Wilde achieves is at the expense of the characters who are seemingly intelligent adding to the ironic structure that much of the comedy is based on. Many of the comic elements of the play are shown through human reactions to Victorian repression and the effect it has on the men and women of the time. Love seems to be nonexistent within the finds of the fierce and brutal Aristocracy when so many of the qualities they value are not based on human qualities but that of the class’s social norms. Wildes Characters are at often times not subtle about their distaste in marriage and love, Algernon is no exception to this “In aried lie, three is company, two is none” showing that they all have distorted views on many of the social practices that make them morally sound, thus adding to the satire elements of the play.
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Throughout The Importance of Being Earnest, Oscar Wilde plays around with the standard expectations along with the absence of compassion of a Victorian society in the 1890’s, he demonstrates this through several genres of comedy such as Melodrama, Comedy of Manners, Farce, dark humour and Irony, as well as portraying the themes, death and illness, in this play in a brilliance of unusual amount of references.
Foster, Richard. “Wilde as Parodist: A Second Look at The Importance of Being Earnest” In College English, Vol. 18, no. 1, October, 1956: pp. 18-23.
Wilde, Oscar. The Picture of Dorian Gray. Michael Patrick Gillespie, Editor. Norton Critical Edition. New York: W.W. Norton & Company, Inc., 2007.
Duggan, Patrick. "The Conflict Between Aestheticism and Morality in Oscar Wilde's The Picture of Dorian Gray." Boston University Arts and Sciences Writing Program. Boston University, 2008-2009. Web. 23 May 2014. http://www.bu.edu/writingprogram/journal/past-issues/issue-1/duggan/
...ngagement, their re-engagement. Cecily is not the natural country girl. She possesses the self-assurance of the experienced woman. Without being cynical she makes her desires clear. And when Gwendolen and Cecily discover that their Earnests are impostors whose names are Jack and Algernon they decide that love can be restored only if Jack and Algy christen themselves Earnest.
Woodcock, George. The Paradox of Oscar Wilde. London-New York: T.V. Boardman and Co., Ltd., 1950.
To give a little background on the play; the pursuit of marriage is the driving force behind the play. “I now pronounce you, man and wife.” This traditional saying, commonly used to announce a newlywed couple during a wedding ceremony, marks the happily ever after that many dream of today. In today’s society, marriage is an expression of love between two individuals. Marriage has not, however, always been an act of love. In the Victorian era, marriage was almost a chore. Most people married out of need rather than want. In the Play this is evident when Lady Bracknell objects to Gwendolen and Ernest’s engagement on the basis of his lack of legitimate background. On the other hand, Jack objects to the marriage of Cecily and Algernon’s