Pirate Crews: A Captain’s Props or True Heroes

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The film industry, based in Los Angeles, began developing in the early years of the twenty century. America fell in love with this new phenomenon as it swept audiences to other worlds, for just the cost of a few pennies. These new worlds encompassed an array of many dreams and exotic places. Interestingly enough a beloved plot, even in those early years, that of piracy, stood to fill any screenplay and any theater. This fascination with the pirate’s life has never left Hollywood evident by the latest Disney film Pirates of the Caribbean: On Stranger Tides released in 2011. However, as with any outside depiction of a foreign world, Hollywood often tells another story than reality holds. One clear example of this is Hollywood’s use of pirate crews. By looking at the classics Captain Blood (1935), Nate and Hayes (1983) and Pirates of the Caribbean: The Curse of the Black Pearl (2003) Hollywood’s depiction of crews proves to solely mirror the character of the hero or villain, when in all actuality crews were their own dominant and powerful force on the high seas.

In every strong plot there exists a hero; someone to fall in love with, root for or relate with. Tinseltown has always understood and followed said rule, apparent by their many blockbusters. In 1935 the release of Captain Blood brought such a character to the stage. The notorious Errol Flynn, played Captain Blood, his first portrayal of a pirate hero. The plot of this early film revolves around Blood, a doctor wrongly accused and sent to the Americas as a slave. It is here he meets his crew, former revolutionaries, on the wrong side of the law. Together they become the finest pirate crew on the high seas, when their story comes to an end all is saved and Capt...

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... are once and for all silenced. As seen above the crews mirror the character of the captain pushing the plot along. However, in history this is not the case. The multiple existing studies on pirate life, concerning motivations lifestyles and true desires, prove crews able to stand alone in power, ability and strength even without a gallant main character. Perhaps through these realizations the true pirate’s life can be discovered and understood. Hollywood will only continue creating fascinating stories that draw in thousands of minds hungry to escape to another world where the only limit in sight is the horizon.

Bibliography

Exquemelin, Alexander O. The Buccaneers of America. Translated by Alexis Brown. Mineola, NY: Dover Publications, INC., 1969.

Rediker, Marcus. Villains of All Nations: Atlantic Pirates in the Golden Age. Boston: Beacon Press, 2004.

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