Telling a story through a photograph can take many forms of presentation, commonly being singular of sets of images, which informs how the image is read. They give audiences a thread to follow or a concept to grasp. However these types of photographs do not necessarily follow the beginning, middle and end structure, they may simply imply what is happening, what has happened, or suggest what could happen.
Photography is commonly associated with fact, yet it has been a medium for fiction since its invention. Henry Peach Robinson was a Pictorialist photographer in the 1800s who was notable for his combination prints where h...
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... what has happened. Film stills are not isolated frames from a film but rather reenactments that advertise the movie, which must stimulate enough interest to sell to the public; it must 'tease' the viewer. The voyeuristic ideas portrayed here could suggest the work of director Alfred Hitchcock, who is broadly known for his thrillers from the 1920s to the early 1970s, with the recurring subject of ‘the girl’. Densely filled with suspense, ‘the girl’ is always alone, with her facial expression and body posture implying ‘the other’, whether it be a stalker or savior who struggles for her possession; a common story line in Hitchcock films. These ideas appear within Sherman’s stills frequently, with performance being the core of her photographs.
Continuing from her black and white stills, Sherman began to work more in colour, becoming more contemporary in her approach.
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