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Immanuel kant philosophical analysis
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Philosophy and the Arts Final
Philosophers from every period of time and from all around the world use their genius in order to solve philosophical problems dealing with many different fields of study. As they discover reasoning for the things that surround us, they publish their findings into literature in order to share their wealth of knowledge with others. Among the multitude of philosophers that have graced us with their superior knowledge, Immanuel Kant and Friedrich Nietzsche, who are both German philosophers, stand out. Although Kant's beliefs occurred during the 1700's while Nietzsche's ideas came around over one hundred years later, they are found to have very similar characteristics in the way they view the world. There are many similarities and differences found between the experience of the sublime according to Kant in The Critique of Judgment - The Analytic of the Sublime to Nietzsche’s account of the Dionysian dimension of art in The Birth of Tragedy.
Immanuel Kant wrote many major works of literature that have influenced other great philosophers of our time. One of those includes The Critique of Judgment - The Analytic of the Sublime where Kant goes into detail of what exactly sublime means, how we encounter it, and when we are experiencing it. In order to back up his point and make it easier to understand, he provides examples that make it clear. Kant presents the imagery of either a very large building or a storm and relates them to being sublime because their masses are so large that it overwhelms our senses and makes it difficult for our mind to comprehend its quantity. With this overload of emotions, the sublime brings the opposing feelings of fear and pleasure. Fear is brought on because of the anxiety ...
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...n music. Reason is the drive behind the sublime and emotions play a major role in Dionysian. There is judgment behind encountering the sublime which brings on more serious emotions rather than being carefree and withholding judgment. The drive behind reaching the sublime is understanding the impossible while the desire of ecstasy is the motive behind Dionysian.
Kant and Nietzsche were some of the greatest philosophers that ever lived and their writings that expressed their theories will forever be taught and questioned. They both gave reasoning behind the things that surround us that one would need to be receptive to these transcendental ideas in order to fully understand what is trying to be explained in Kant and Nietzsche's writings. The philosophers both write about things that are comparable even though their ideas are original and discuss different theories.
History plays a very important role in the development of art and architecture. Over time people, events, and religion, have contributed to the evolution of art. Christianity has become a very common and well established religion, however, in the past it was hidden and a few people would worship this religion secretly. Gradually, Christianity became a growing religion and it attracted many converts from different social statuses. Christian art was highly influenced by the Greco-Romans, but it was immensely impacted by the establishment of the Edict of Milan in the year 313 AD. The Edict of Milan was so significant that scholars divide Christian art into two time periods, time before and after the Edict of Milan of 313.
Another magical realist element is that when Tita was born, Nacha swept up the residue the tears had left on the red stone floor. On the floor was enough salt to fill a ten-pound sack that was used for cooking and lasted a long time (7). This element is more magical than sublime because this happening can not occur. However, it is a good example of sublime literature because it illustrates Longinus' notion of accumulation as a feature of sublime language. The salt from Tita's birth definitely dealt with accumulation.
“Out of the north deep waves rolled down upon the island. They broke against the rocks and roared into the caves, sending up white sprays of water. Before night a storm would certainly strike” (O’Dell, 19). This passage from Scott O’Dell’s Island of the Blue Dolphins describes the Ocean that surrounds the island and characters in the story. In this description the narrator, Karana, shows the reader that the people on the island fear and respect the power of the Ocean. The Ocean is depicted throughout the novel as something enormous and powerful. The way the Ocean is seen demonstrates an example of the Burkeian Sublime. According to Burke, the Sublime is an experience that comes from authority and power. A common example for the Burkeian Sublime is looking at the power of mountains. Mountains are Sublime because they’re large in size, and have the power to kill people. Therefore, through looking at Burke’s requirements for the Sublime the conclusion is made that Scott O’Dell’s Island of the Blue Dolphins contains the Burkeian Sublime.
We have spent a good deal of this semester concentrating on the sublime. We have asked what (in nature) is sublime, how is the sublime described and how do different writers interpret the sublime. A sublime experience is recognizable by key words such as 'awe', 'astonishment' and 'terror', feelings of insignificance, fractured syntax and the general inability to describe what is being experienced. Perception and interpretation of the sublime are directly linked to personal circumstance and suffering, to spiritual beliefs and even expectation (consider Wordsworth's disappointment at Mont Blanc). It has become evident that there is a transition space between what a traveler experiences and what he writes; a place wherein words often fail but the experience is intensified, even understood by the traveler. This space, as I have understood it, is the imagination. In his quest for spiritual identity Thomas Merton offers the above quotation to illustrate what he calls 'interpenetration' between the self and the world. As travel writers engage nature through their imagination, Merton's description of the 'inner ground' is an appropriate one for the Romantic conception of the imagination. ...
Crooked Beak of Heaven Mask is a big bird-figure mask from late nineteenth century made by Kwakwaka’wakw tribe. Black is a broad color over the entire mask. Red and white are used partially around its eyes, mouth, nose, and beak. Its beak and mouth are made to be opened, and this leads us to the important fact in both formal analysis and historical or cultural understanding: Transformation theme. Keeping that in mind, I would like to state formal analysis that I concluded from the artwork itself without connecting to cultural background. Then I would go further analysis relating artistic features to social, historical, and cultural background and figure out what this art meant to those people.
By looking at one of Nietzsche’s specific postulations of perspectivism, we can get a better idea of precisely how this term applies to his philosophy and how it relates to the “tru...
ABSTRACT: I argue that Kant's analysis of the experience of the beautiful in the third Critique entails an implicit or potential experience of the sublime, that is, the sublime as he himself describes it. Finding the sublime in the beautiful is what I call philosophical beauty. I then consider some aspects of Aristotle's analysis of tragedy in the Poetics, specifically his identification of the key elements of tragedy as those involving the experience of fear and pity, which leads to a catharsis of these emotions. Aristotle is famously unclear about what happens in this process of catharsis. I use the notion of philosophical beauty derived from Kant to suggest a possible explanation.
The quest for the ideal is a phenomenon that many people attempt to achieve. As we all know, the quest for the ideal is difficult and complicated by personal experience. The poems, “The Story” by Karen Connelly and the “The Love Song of J.Aflred Prufrock”, by T.S Elliot, as well as the essay “Kant’s Beauty and the Sublime” by Maureen Rousseau explore the peril inherent in the quest for the ideal, which is that in our search for beauty we risk encountering the sublime. The danger of the sublime is that we cannot comprehend the magnitude of the realms of things that are sublime. We ask ourselves why someone would want to risk encountering the sublime. Well, with great risk comes great reward and that is the beauty we seek.
The past history have a huge impact on the future. From the ancient art history until current years it is safe to say that the art changed drastically, it shows that people nowadays have different values, styles and priorities in life. The past teaches people about the future and helps to avoid mistakes. In the Paleolithic period, where folks were focusing on hunting and gathering, where everyday life was dynamic, meaning they were moving from one place to another in search of better resources (Upper Paleolithic, 28) to Mesopotamian period where things were more certain and people liked to stay in one place. Paleolithic period did not consist of writing which is the main reason people can only guess and interpret the culture based on their own guesses what was the society like back then.
Nevertheless, the sublime does not lead us to despair, but to a higher pleasure than beauty affords
What can be said about the sublime? Class discussion led to the definition of sublime as the element found in travel literature that is unexplainable. It is that part of travel literature where the writer is in awe of his or her surroundings, where nature can be dangerous or where nature reminds a human being of their mortality. The term "sublime" has been applied to travel texts studied in class and it is hard not to compare the sublime from texts earlier in the term to the texts in the later part of the term. Two texts that can be compared in terms of the sublime are A Tour in Switzerland by Helen Williams and History of a Six Weeks' Tour by Mary Shelley and Percy Bysshe Shelley. There are similarities and differences found in both texts concerning individual perspectives of travel and the sublime. The main focus of this commentary will be comparing and contrasting the perspectives of Williams and Shelley within their respective texts, the language of the sublime and the descriptions of the sublime.
...near the earthly warmth and materialistic passions and to coagulate and fall if near the heavenly chill and spiritual abstinence. By repeatedly manipulating this image pattern of the clouds as the medium between heaven and earth, Joyce tirelessly illustrate the nature of artistry as the compromise between the abstemious religion and the materialistic agnosticism.
The Romanticism period is marked by changes in societal beliefs as a rejection of the values and scientific thought pursued during the Age of Enlightenment. During this period, art, music, and literature are seen as high achievement, rather than the science and logic previously held in esteem. Nature is a profound subject in the art and literature and is viewed as a powerful force. Searching for the meaning of self becomes a noble quest to undertake. In the dramatic tragedy of “Faust” by Johann Wolfgang von Goethe, we find a masterpiece of Romanticism writing that includes the concepts that man is essentially good, the snare of pride, and dealing with the supernatural.
In conclusion, the sublime and the beautiful are major topics in romantic poems and novels. Different authors bring out the different ways they can be seen and interpreted. In the novel Frankenstein and the poem “I wandered lonely as a cloud”, the sublime and the beautiful are shown through the feelings and the mind of the main characters. In the poem “Mont Blanc,” the sublime is shown through the complexity of nature and how man will never truly be able to understand it. In order to have something beautiful there must be something sublime, and in order for they’re to be something sublime there must be something beautiful.
Throughout the ages art has played a crucial role in life. Art is universal and because art is everywhere, we experience it on a daily basis. From the houses we live in (architecture) to the movies we see (theatre) to the books that we read (literature). Even in ancient culture art has played a crucial role. In prehistoric times cave dwellers drew on the wall of caves to record history. In biblical times paintings recorded the life and death of Christ. Throughout time art has recorded history. Most art is created for a specific reason or purpose, it has a way of expressing ideas and beliefs, and it can record the experiences of all people.