The presence of whether there is a traditional protagonist, blatant and obvious to the audience, is a large factor in whether that character will have a large development. In A. R. Gurney’s “Sylvia,” there is a clear “main” character, Greg, who the conflict, both emotional and physical, is focused around. “Sylvia” is about a man, taking in a dog, who is portrayed by a human, and the conflict that it brings he and his wife. In this particular play, the some of the characters come out at the end of the show and state how they have all changed. Gurney writes:
Greg (to aud...
... middle of paper ...
...ere is hope in not following a stereotype. The pace effectively shows this because at the points of the novella that they are present, the story picks up; the plot is infused with energy when people break the status quo. This is what pushes a reader through this piece of work. Short length pieces end to drag on a bit more. Jackson’s short story is a large amount of detail, preceding a little dialogue. The dialogue is not necessarily driving the story, but rather, simply adding to it.
Considering how pace and presence of a specific antagonist, full length literally works will more often conquer short length works in tests of their effectiveness on readers. Dividing works into two categories based on length makes it easier to analyze how they will affect the reader. Audiences will hold onto literature longer when it is longer in content and more developed.
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