Eternal Sunshine of the Spotless Mind dramatizes the destruction of a relationship through personality differences. The director, Michel Gondry, alludes to relationship struggles, by stitching together a not so spotless tale of the mind searching for love and ultimately eternal happiness. Clementine Kruczynski first meet’s Joel Barish at a friend’s party, seemingly the only two awkward people eating separately from the bunch. Joel instantly notices Ms. Kruczynski for her tangerine colored hoodie. Gondry thus indicates that color, especially when related to Clementine, plays an intimate role in her personality structure, and her relationship Joel. At the party conversation strangely flows between Joel and Clementine, but it seems they have sudden interest in each other. Formal elements play a significant roles in how this excellent piece of cinematography, evolves from the casual inception of an early friendship to the deteriorating fall of two year relationship.
Joel Barish, a personality as unfilled as the name suggests, often expresses vivid signs of a lasting depression. Joel’s ultimate quest for happiness revolves around being with a significant other. Naomi, a character not introduced, is often on Joel’s mind before meeting Clementine. Joel, not a very picky individual on his relationship partners, describes Naomi as “nice” while complaining about “falling in love with every women he sees.” In retrospect Clementine, an outgoing and easily motived person, becomes ever so unhappy while dating Joel. A tide of pent up emotion beings to escape Clementine throughout the course of the film.
Clementine is a seasoned adult, with a strong-featured rocky attitude of a girl on a life journey lo...
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...ps develop the narrative structure of Eternal Sunshine of the Spotless Mind. A deeply complex relationship forms out of differences and similarities within both Joel and Clementine. Arising out of these differences are hidden details slowly revealed by the Gondry. Stylistically Eternal Sunshine of the Spotless Mind contains many time distortions, where backgrounds and characters on screen are being erased. Relationships, as well as happiness start to dissipate as the film progresses. Enduring questions form debate, about whether happiness develops a healthy committed relationship or does a committed relationship develop happiness? Is an erased relationship better than remembering the past? How can one learn and move forward, if he or she removes their past from knowledge. Is Joel and Clementine meant to be together or are they actually making the same mistake twice?
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