The Period Of The Renaissance Essays

The Period Of The Renaissance Essays

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The period of the Renaissance in the post-Medieval Europe occurred by virtue of the humanists who revived ideological and aesthetical principles of antique Greece and Rome. Artists, as many people of that time, were excited about the crucial change happening in the world around them and they significantly changed the subject and the modes of representation of their artworks. The art of plastic art reached its apogee during the Renaissance. Being released from the shackles of its religious and mystical content, sculptures refer to life, to the real images of reality and, more importantly, a man. Sculpture is the most significant genre of the Renaissance art because it embodies the main tenets of that era, such as pursuing classical tradition, emphasis on the human-centeredness, and praising the man’s greatness.
Renaissance by definition is the rebirth of classical ideals and techniques in art which stem from Greek and Roman cultures. After humanists rediscovered the antique heritage both in intellectual and artistic fields, artists rethought their vision of art as such and begun transforming it according to the classical tradition. Artists of the Renaissance resurrected the principles which were forgotten, namely physical realism and classical composition. Most prominently this tendency was observed in the plastic art: the Renaissance’s sculpture depicts real life rather than “produces something false or idealistic”. It is constructed on the basis of harmonious classical composition which encapsulates two important elements such as definition and symmetry. This pursue of artistic harmony is traced in Lorenzo Ghiberti’s (1378-1455) masterpiece The Gates of Paradise (1425-52). It is a cast gilt bronze relief which combines high-re...


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...g form” (probably, Donatello’s apprentice) was used to demonstrate David’s daintiness and feminine elegance in a more realistic manner. The bronze David is a young boy with juvenile lithe body and long hair. He is nude, apart from a hat and Gladiator sandals with greaves. David’s free posture is an example of contrapposto hailed from antiquity: the heaviness of a body settles on the right leg, while the left leg stands on Goliath’s severed head. The figure is slightly deviated from the central axis; the diagonal of a sword which David leans on, accentuates instability and inner dynamism of the statue.
David encapsulates two crucial tenets of the Renaissance art: it is the monument to the human’s genius in the person of Donatello and also the monument dedicated to the power of human intellect which is capable to defeat an armed foe with a simple sling and stone.

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