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Essay features of ancient greeks democracy
Essay features of ancient greeks democracy
Parthenon architecture
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The Parthenon
There are some historians that believe before the Parthenon began, Athens concluded a peace treaty with Persia in 449 BC. The Athenian Empire was at the height of its power when the work on the Parthenon began in 447 BC and continued until 432 BC. The Delian League/Athenian Empire continued to exist even after the reason for its existence ceased to be valid. It is now openly acknowledged that Athens was not just the head of the Greek defense league but an imperial master over other Greek states. The Parthenon, chamber of the virgin goddess was built with League funds, which shows the confidence of the Athenians in their imperialism and represented the Greek ideals of humanism, idealism, and rationalism.
Human beings and their responsibilities are at the center of Greek art and their culture. Protagoras stated, “Man is the measure of all things.” (pg 52). “Many are the wonders of the world, and none as wonderful as man,” observed Sophocles (page 52). Humanism is greatly represented in the art of the Greek culture both in sculptures and in their architecture. Sculptures of gods and goddesses are presented as the idealized forms of human beings. Their architectural designs for temples reflect the ideal dwelling places of Greek gods. The Parthenon Cella Frieze runs around the upper edge of the temple wall. It has a single subject on all four sides. The Cella Frieze is in Ionic order and is in low relief. This means that the sculptures are not carved as deep into the stone. Also, the Cella Frieze represents, "The Greater Panathenaea". On the north, west, and south sides there is horsemen, musicians, sacrificial animals and some other figures with various meanings. On the east side, there are chil...
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...e modeled after the Greek people. The harmony of the Parthenon depends on the module from the Doric columns and so, Polyclitus models the proportions for the human body from the mathematical relationships of its parts. The Greek standard of living is well balanced and planned based upon primary reasoning both physical and intellectual. The Greek gods Athena, Dionysus and Apollo are all derived of myth, but they all have a place in the supreme rationalism of Socrates and Plato who state that philosophy is the highest music.
Works Cited
“Ancient Greece.” Architecture in Ancient Greece. University Press Incorporated, 2008. Web.
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Fleming, William, Mary Warner Marien. Fleming’s Arts and Ideas. Tenth ed. New York:
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“The Parthenon.” Wikipedia Encyclopedia Online. March . Web. March 5 2010.
Onians, John. Art and Thought in the Hellenistic Age: The Greek World View 350-50 B.C. London: Thames and Hudson, Ltd., 1979.
The works of art from the Archaic Period, Classical Period, and Hellenic Period developed physically and mentally, and the study of their aesthetic differences from period to period allow for a decided contrast and comparability. This interpretation has had a profound effect on the art world and that continues even in today’s world. The importance of Greek sculptures is evident in the storytelling of the gods, the people, and the culture. We use these sculptures as a tool to go back into the past of the Greek people, letting us admire how far mankind has truly come, whether it is in art or intelligence. Generation after generation has been and will continue to be able to see for themselves the society, culture and uniqueness of these periods through the wonderful sculptures that came out of ancient
The Parthenon is an amazing Greek temple that was built 2,500 years ago. Even the architects of today have numerous questions about how it was constructed and how it has held up through its eventful past. The Parthenon's detailed appearance is not its only meaningful quality. The Parthenon was constructed as a temple to the goddess, Athena, and as an icon of the Greek people themselves. The Parthenon represents the Greek ideals of humanism, idealism, and rationalism.
... made such a great impression that it has carried through to our present day buildings such as the White House. The Athena Parthenos has been recreated by the Romans and then most recently by recreated by Alan LeQuire which is in Nashville. (See Fig 2.) We can get a glimpse with LeQuire’s recreation of how that statue may have been in ancient Greece standing in the Parthenon with such majestic greatness.
The foundation of Greek culture was balance, reason, and harmony which can be unveiled in their art. As the civilization heavily revolved around religion, massive temples were built to serve the Gods. Greeks believed in many Gods, meaning they had polytheistic views . This notion of polytheism passed down to the Romans who adopted nearly the exact same deities and built similar architecture as well. One of the most famous buildings of worship was the Greek Parthenon built around 447-432 B.C.E, worshipping the goddess Athena . While building these brilliant pieces of art, concepts regarding laws and the natural world from philosophers were being incorporated in the structure. Pillars were often built in temples and various buildings in both Greek and Roman cultures. Doric, ionic, and Corinthian stand as the main three pillars built; each of them becomes increasingly more elaborate by order. For example, the Corinthian was the most intricate. Romans quickly developed a taste for this form of architecture and incorporated into theirs later on. The Romans however were very inventive, and began to develop the arch, vault and dome to add to what they emulated from the Greeks. Using these elements the Romans built what is known as the Coliseum, built over a 10 year span from around 70 AD to 80 AD. The Coliseum was said to hold 50,000 spectators and was used for entertainment
The way her drapery falls down on the sides of her body quickly reveals her expressive stance. This was done by a skillful stone carver that came from the Cycladic Islands, where marble was plentiful, which makes it even more obvious that these sculptures were done during the 400’s BCE. Another carving that expresses heavy emotion is the Mourning Athena relief. This is considered one of the most famous sculptures from the Athena Acropolis. The way her head is bent downward is most likely to express intense inner feelings and deep thought, which is the artist's attempt to convey emotion. Because her pose seems sorrowful, many people have suggested that the pillar may represent a memorial of a dead Athenian or maybe she is remembering the many soldiers who have died in the name of her city. Another piece of work from this collection is The Borghese Dancers. This carving includes all of the things we have previously talked about, such as gentleness to it. This sculpture has no sign of warfare or danger to it. Much like all the others, it has a very calm and soft vibe to it. The drapery flowing in the air, as she twists and turns makes it seem fun and gives it a lighter mood. Unlike the Frieze sculptures that all have fairly serious depictions. It seems as though they are dancing in celebration of something, as many people believe they are supposed to be apart of a ceremony of some sort. Many other sculptures before this time were very stiff and didn't have much
Possibly one of the greatest testaments to the Greeks passion for their gods is the Acropolis and Parthenon in Athens, Greece. “. . . temple after temple, each more gorgeous and more perfect than the one before, rose all over the Greek main land, to reach a final climax in the Athenian Parthenon . . .” (Hamlin 124). Here Hamlin explains the greatness of what was achieved in Athens at the Acropolis and how nothing beyond that point could compare.
The philosophical ideas of Plato that relate to the Parthenon include whether the structure is an element of the Visible World or the Intelligible World. In my opinion, Plato would view the Parthenon as an object in the Visible World. The Parthenon is a one of a kind monument that is tangible and exists in our real world. The Parthenon is an architectural project and deals with forms of science and mathematics. Plato's view of science and mathematics are categorized as forms in the Intelligible World, which are intangible. Through analysis of illusory tactics, the Tripartite Soul, the simile of the line, and the artistic qualities of architecture, Plato's, as well as my view of the Parthenon will become evident.
Christopher Hitchens meticulously argues that the original Parthenon sculptures should be returned to Greece. His argument becomes powerful through providing factual evidence, such as facts and examples to qualify his claim. He uses truth, backed by reliable sources; to infiltrate the reader's independent mind. Furthermore, the author makes use of stylistic elements such as rhetorical devices, appeals to emotion, and word choice to effectively convince the reader. Finally, the author employs carful reasoning to connect his evidence and stylistic elements to the thesis of this
The thing the Greeks are best known for, is their gods, and stories about them. The stories explained how things became. For instance, one story said that before the earth was made, there was a fight between a god, and a giant. The god killed the giant, and the parts of the giant became the earth. His teeth became the rocks, and his hair became the grass. His hands and feet became mountains, and his toes and fingers became trees.
The Roman Colosseum is one of the largest amphitheaters ever built. It was once known as the Flavian Amphitheatre and is now an iconic symbol of Imperial Rome. It is made of concrete and sand and is located in Rome, Italy. The location of the Colosseum is very significant. It was built on the same site where Nero’s Golden House once stood, which is also considered the heart of the city of Rome. The construction of this building began in 72 AD under Emperor Vespasian and was completed in 80 AD under Vespasian’s son, Titus. It was originally built as a gift to the Roman people, but was used for many things like executions, gladiator
"The Parthenon Frieze." The Parthenon Frieze. N.p., n.d. Web. 13 Feb. 20142 June 2012. Web. 13 Feb. 2014.
The Parthenon was an amazing and important temple. Dedicated to Athena, the goddess of war and wisdom, it was a very important temple to the Greeks. Greeks worshiped all of their gods by building temples for them and giving sacrifices. Most of the sacrifices were sacred tiles designed especially for the gods, not many were human.
Perhaps one of the most defining and easily identifiable aspects of the ancient Greek culture was the immortalization of humans and gods in sculpture. Sculpture had existed in the world for thousands of years before the ancient Greeks made their stake in the art, but the Greeks added an entirely new set of aspects to their sculptures. Unlike the Egyptian and Mesopotamian sculpture centuries earlier, the Greeks set forth not just to capture the image of a man but to capture that which made him a man. The Greeks set in place three base tenants to display the tone of a sculpture. Through the use of Humanism, Realism, and Idealism the ancient Greeks were able to capture humans and gods forever in marble.
Throughout history, there have been several significant architectural movements. The last, and perhaps most enduring movement is that of Classic Greece. Although for centuries, the architecture of ancient Greece has been admired, mimicked, and replicated, its beginnings are somewhat surprising to one unfamiliar with the history of the region. It is important to understand the history and mechanics of Classic Greek architecture in order to fully appreciate its form, function, and beauty. “Ancient Greek architects strove for the precision and excellence of workmanship that are the hallmarks of Greek art in general. The formulas they invented as early as the sixth century B.C. have influenced the architecture of the past two millennia” (metmuseum.org).