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American literature has many ethnic groups
Multicultural literature
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The Defeat of Many by One
In The Moor’s Last Sigh, Salman Rushdie uses the complex and changing character of the Moor to represent a complex and changing image of India. By making the eclectic family history of the Da-Gama Zogoiby family the central theme in the first two parts of the novel, Rushdie portrays India as a culturally and religiously pluralistic society. This pluralistic society is layered by violence caused by the corruption of multiplicity by various characters and the threat of Hindu fundamentalism. As pluralism is defeated by fascism in Part Three of the novel, the nature of the violence changes drastically and is symbolized by the Moor’s significant character change: “The Moor whose tragedy-the tragedy of multiplicity destroyed by singularity, the defeat of Many by One-had been the sequences united principle” (Rushdie 408). The defeat of pluralism is not only the uniting principle in Aurora’s sequence of paintings, but also in Rushdie’s The Moor’s Last Sigh. Rushdie’s vision of India is essentially the battle between multiplicity and singularity and the consequential violence that has plagued India’s history.
In the first two parts of the novel, Rushdie portrays the positive aspects of pluralism through the story of the Da-Gama Zogoiby family. The Moor’s grandfather, Camoens describes an ideal pluralistic world:
A free country Belle, above religion because secular, above
class because socialist, above caste because enlightened, above
hatred because loving, above vengeance because forgiving, above
tribe because unifying, above language because many tongued,
above colour because multi-coloured, above poverty because
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...lent singular vision, he ends rather optimistically. The Moor, at the end of his story and at the end of an explosion of violence lays his head down in hope for a better time. In the distance he sees the Alhambra, the Moors’ “triumphant masterpiece and their last redoubt” (Rushdie 433). Rushdie uses this beautiful metaphor of the Alhambra, “that monument of lost possibility that nevertheless has gone on standing” to convey the message that pluralism still has a fighting chance in India. (Rushdie 433) Rushdie suggests that just like the Moorish masterpiece withstood a fierce oppositional force and the test of time, so will India and its uniquely resilient and diverse society.
Works Cited
Embree, Ainslee. Utopias in Conflict. Los Angeles: University of California Press, 1990.
Rushdie, Salman. The Moor’s Last Sigh. New York: Vintage International, 1995.
The spiritual development of a community is a component absent in western formulations of modernity. For Deeb’s interlocutors the process of spiritual modernity is manifested in public piety and “authenticated Islam.” Deeb argues that women are essential participants in the construction of piety and “authenticated Islam” within the enchanted modern. Forms of public piety and social participation, including veiling, community service, and hosting Ashura majlis are necessary components in shaping this enchanted modern. Deeb further examines women’s roles in shifting away from a perceived religious backwardness towards a modern society throughout the second part of her book. Her discussion of the Ashura festival commemorating the martyrdom of Imam Husayn illustrates the shift from a traditional (taqlidi) form of religious worship to “authenticated Islam.” Deeb discusses how latam- self-flagellation- is considered backwards and according to pious Shi’i women the authenticated practice involves learning the lessons from Ashura and applying them to everyday life. The differences in traditional verses authenticated Islamic practices of Ashura reflect the increased participation and roles of women in the commemoration, and in the process of developing public piety and “authenticated
With many magazines and newspapers being shut down, authors are speaking out against the government and the censorship it has established (Iran par. 5). As intellectuals are finding flaws and contradictions in the belief systems the government uses, the religious leaders grow more and more threatened and frightened of losing their power (Iran par. 5). In an attempt to outwit government officials, writers and artist will portray their intended message through a vague symbol or metaphor, as to not seem suspicious (Iran par. 9). The suffocation of intellectualism affects Marji’s life when all of the universities are shut down, the reasoning being that "The educational system and what is written in school books, at all levels, are decadent. Everything needs to be revised to ensure that our children are not led astray from the true path of Islam" (Satrapi 73). The government is trying to eliminate the skepticism floating about in more educated groups of people by teaching the next generation Islamic ideals. This indoctrination will ensure the survival of an Islamic
He is able to capture the realness of the time and setting through his words, and write for a purpose. As a result, it can be said that he uses this work of historical fiction less as a theatrical stage and more as a platform to introduce the audience to the inhumaneness of Afghanistan. He not only incorporates the Taliban’s grueling “beard lookout men,” who patrol the roads in their fancy Toyota trucks in hopes of finding “a smooth-shaven face to bloody,” but he also displays the horrific and bloodcurdling abuse of women that exists at the hands’ of men and the feelings of great despair and pain that these women face as a result. Living in a state of unbearable fear of the next beating, the next detonating bomb, and the next brutal attempt of the Taliban, the lives of these characters feel almost too real to not be true. Resultantly, the reader is left to wonder whether or not this added literary dimension of realness is actually an introspective study of individuals that Hosseini has long
In the short story The Prophet’s Hair, the author fills the plot with all sorts of messages of exaggeration and religious implications and customs. There are also symbols of the need for segregation between the state and religious beliefs, and societal greed and corruption. The author, Salman Rushdie, wrote The Prophet’s Hair as an inflated tale of what is emphatically seen as the Muslim ‘norm.’ Although it plays to the closed-mindedness of the typical Westerner, the much bigger point of this over-exag...
Heaslet, Juliana Pennington. "The Red Guards: Instruments of Destruction in the Cultural Revolution." Asian Survey 12, no. 12 (December 1972): 1032-47. Accessed April 2, 2014. doi:10.2307/2643022.
The history of the Western hemisphere is full of war and conquest. One of the most significant and defining of those conquests is the downfall of the Mexica/Aztec Empire. While there are many other events to choose from, this one stands out since it was one over one of the largest empires in Central America. It is also important to look at because of the immense cultural impact it had. The story of this takeover reads like a movie script, a small band of Spaniards single handedly takes down the most powerful empire in Central America. It was an epic battle, which unfortunately led to the destruction of a magnificent culture. As in any major historical event there are many underlying themes and storylines that come together to make the event happen. The Spanish conquest of the Aztec is no different. Three major themes are seen in this struggle. One of them is the incredible advantage that the Spaniards technology gave them over the Aztecs. A second major theme is the greed that fueled the conquests in the New World. The last major theme was the effect of the political divisions and rivalries within Montezuma’s Central American Kingdom. As this historical event progressed each one of these themes began to intertwine until they became an almost unstoppable force.
Critics have already begun a heated debate over the success of the book that has addressed both its strengths and weaknesses. The debate may rage for a few years but it will eventually fizzle out as the success of the novel sustains. The characters, plot, emotional appeal, and easily relatable situations are too strong for this book to crumble. The internal characteristics have provided a strong base to withstand the petty attacks on underdeveloped metaphors and transparent descriptions. The novel does not need confrontations with the Middle East to remain a staple in modern reading, it can hold its own based on its life lessons that anyone can use.
Wang, Z. Y., “The Chinese Cultural Revolution: A Historiographical Study,” California State University at Pomona, (http://www.csupomona.edu/~zywang/cultrev.pdf), pp. 1-13
Victors and Vanquished by Stuart Schwartz attempts to explore differing perspectives of the conquest of Mexico as the historical narratives are from both the outlook of the Spanish conquistadors as well as the Nahua peoples. In these primary sources, there was a fundamental focus on the encounters between the Spaniards and the Mexica. The first source is an excerpt from The True History of the Conquest of New Spain by Bernal Díaz del Castillo, a Spanish conquistador, who participated as a foot solider in the conquest of Mexico with Hernán Cortés. Although Díaz del Castillo was a witness of the conquest, he wrote his account of what he had witnessed decades after the Spanish victory, in 1521. In his account, Díaz del Castillo concentrated on the ways in which the Spanish viewed the Nahua peoples. The second source is taken from the Florentine Codex and is one which was collected twenty
US Fish and Wildlife Service (2014, April 8). Summary of listed species, listed population, and recovery plans. Retrieved from http://ecos.fws.gov/tess_public/pub/boxScore.jsp
...learly that Ayaan Hirsi Ali, Van Gogh and Bouyeri had indeed highly divergent understandings of several issues including the relation between Church and government and gender equality. Bouyeri, for instance, a Muslim immigrant unable to assimilate to a western, secular nation seemed to fail to identify either with his original or with his host culture. His fanaticism, therefore, was apparently more a remedy to his feeling of isolation than real identification. Ironically, the country that is supposed to host the most tolerant civilization of the entire world was home of a prime example of intolerance – Van Gogh’s murder. Clearly, the three characters’ clashing perceptions, added to the effects of globalization pointed out by Huntington (economic modernization and social change) made them – even if Bouyeri more visibly – fall into the “trap” of civilizations’ clash.
India is the center of a very serious problem in the world today. It’s a very diverse place with people from many different religious backgrounds, who speak many different languages and come from many different regions. They are also separated economically. Two of the country’s religious sects, Muslims and Hindus, have been in conflict for hundreds of years. Their feelings of mistrust and hatred for each other are embedded in all those years and will not leave easily. What’s most disturbing is that there seems to be no plan for reconciliation available. There are numerous reasons for this conflict.
In his short story, “The Prophet’s Hair,” Salman Rushdie make use of magic realism, symbolization and situational irony to comment on class, religion, and the fragility of human life. The story is brimming with ironic outcomes that add to the lighthearted and slightly fantastic tone. Rushdie’s use of the genre magic realism capitalizes on the absurdity of each situation but makes the events relevant to readers’ lives. In addition, the irony in the story serves as a way to further deepen Rushdie’s commentary on class and religion. Finally, his use of symbolization focuses on the concept of glass, and just how easily it can be broken.
Aravind Adiga in his debut novel The White Tiger, which won the Britain’s esteemed Booker Prize in 2008, highlights the suffering of a subaltern protagonist in the twenty first century known as materialism era. Through his subaltern protagonist Balram Halwai, he highlights the suffering of lower class people. This novel creates two different India in one “an India of Light and an India of Darkness” (Adiga, p. 14). The first one represents the prosperous India where everyone is able to dream a healthy and comfortable life. The life of this “Shining India” reflects through giant shopping malls, flyovers, fast and furious life style, neon lights, modern vehicles and a lot of opportunities which creates hallucination that India is competing with western countries and not far behind from them. But, on the other side, the life nurtures with poverty, scarcity of foods, life taking diseases, inferiority, unemployment, exploitation and humiliation, homelessness and environmental degradation in India of darkness.
...shown through Lenny’s point of view. Prior the partition, Lahore was a place of tolerance that enjoyed a secular state. Tension before the partition suggested the division of India was imminent, and that this would result in a religious. 1947 is a year marked by human convulsion, as 1 million people are reported dead because of the partition. Moreover, the children of Lahore elucidate the silences Butalia seeks in her novel. The silence of survivors is rooted to the nature of the partition itself; there is no clear distinction as to who were the antagonists. The distinction is ambiguous, the victims were Sikhs, Hindus, and Muslims, and moreover these groups were the aggressors, the violent. The minority in this communal violence amongst these groups was the one out-numbered. This epiphany of blame is embarked in silence, and roots from the embodiment of violence.