Beginning with the definition, “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself; in appropriate and pleasurable language;... in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” Both the definition and play can lay together and see the corresponding indicators that create the needed tragedy. As the emotional action of the play unfolded, the entire cast began to embrace the unforeseen conflict. This embrace started to change their character and how the audience would perceive them as a whole. This one emotional action not only effected the two directly involved, Othello and Iago, but Cassio, Desdemona, Rodrigo and even Emilia. This action would justify itself in magnitude and complete itself at the end of the play. The diction and thought of Iago to weave this action from seedling to fruition is unequaled. Iago cautiously and meticulously placed careful thought into Othello’s mind. The thought process not only spoken out by Othello but also permeated through action and emotion.
To conclude comparison through definition, the entire tragedy draws ...
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Crawford, Alexander W. Hamlet, an ideal prince, and other essays in Shakesperean interpretation: Hamlet; Merchant of Venice; Othello; King Lear. Boston R.G. Badger, 1916.Shakespeare Online. 20 Aug. 2009. < http://www.shakespeare-online.com/plays/othello/othelloessay2.html >.
Jameson. Shakespeare's Heroines: Characteristics of Women, Moral, Poetical, and Historical. Edited by Cheri L Larsen Hoeckley. Broadview Editions. Peterborough, Ont.: Broadview Press, ©2005.
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Zerba, Michelle L. "Modalities of Tragic Doubt in Homer's "Iliad," Sophocles' "Philoctetes," and Shakespeare's "Othello.."Comparative Literature 61, no. 1 (Winter2009 2009): 1-25.Academic Search Complete, EBSCOhost.
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