Have you ever seen a play that has a unique cast of characters and clearly shows us how when you love somebody, they can eventually stab you in the back or when you kill somebody they stay alive even though you stab them in the back numerous times and they apologize for something they did to you? I can think of one play that can answer each of these questions and a whole lot more. This play is Shakesphere’s Othello and it is one with an epic war between Love and Evil. While reading Othello, one encounters such diverse and dynamic characters as, Othello, Desdemona, Rodergio, Iago, and Cassio. These characters are all affected, in some way either by jealousy, or manipulated by Iago to feel jealousy. The literary techniques that Shakespeare uses to advance the theme of “Jealousy ultimately destroys those affected by it,” are: characterization and personification. Another theme that also pops up in Othello is “Good vs. Evil” because there are equal amounts of good people and evil people in the story. One critic agreed that Othello was based on the theme of Jealousy.
Shakesphere uses characterization in Othello to advance the overall theme of “Jealousy ultimately destroys those affected by it,” by describing each of the character conflicts. Iago is known as the troublemaker and tricks Roderigo into becoming best friends with him just so he can poison and kill him just so he can get his position. As famous critics Stephen Urwin and Kenneth McLeish said about Iago’s character and personality in Othello:
Iago stands supreme among Shakespeare's evil characters because the greatest intensity and subtlety of imagination have gone into his making, and because he illustrates in the most perfect combination the two facts concerning evil, wh...
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...racters had disputes with one other expect for Cassio who is accused by Iago of sleeping with Othello’s wife and is killed by Othello. There are many examples of personification such as Iago describing a green-eyed monster who was accused of killing people by eating them alive to the bones of their body to the monster who is hard to kill off. Most people and critics describe this being portrayed as a personification of jealously
Works Cited
Bloom, Howard. "Othello and Desdemona." Review. 17 April 2014.: n. pag.
Yale University. Web.
Shakesphere, William. "Othello." Literature: Reading Fiction, Poetry, Drama, and the Essay. New York: McGraw-Hill, 1990. N. pag. Print.
Shakespeare Online." Shakespeare Online. N.p., n.d. Web. 18 Apr. 2014
Urwin, Stephen, and Kenneth McLeish. The Pocket Guide to Shakesphere's Plays. N.p.: n.p.,
17 April 2014. Print.
Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renown for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly attached to a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives. Shakespeare never discloses much about Iago’s past, raising the questions:
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
The play, Othello is one of the most famous tragedies composed by William Shakespeare during the Renaissance period. It powerfully portrays a world where the acts of evil ultimately vanquishes fidelity, nobility and integrity. The central themes jealousy and manipulation embodies the foretold tragedies and the downfall tragedies of the characters due to one’s insecurities. Through the use of literary techniques and figurative language, Shakespeare has effectively explored the themes of jealousy and manipulation.
Othello, a play written by William Shakespeare in approximately 1603, focuses on two opposite characters named Othello and Iago. Othello is a respectable army general who tragically dies in the end. The readers believe that his flaw is jealousy, which ruins his calm and makes him believe Iago, a character nobody should trust. The antagonist of the play, Iago, is a cunning liar who lies and tricks almost every other characters in the play to ruin and manipulate Othello. The play starts on the street of Venice where Iago convinces Roderigo to plot against Othello by planning falsely accuse Othello’s wife, Desdemona, of cheating. Interestingly, another specific detail critics usually look at is that Shakespeare choose to make the character of Othello a dark-skinned man, which was not a common feature a hero should have during the Elizabethan. Some of the common themes in Othello are the role of race and racism, the effects of jealousy, and the differences between genders during the Elizabethan.
In the play Othello by William Shakespeare, the character Othello is portrayed as a fairly good man. By some, he may be known as a bad person but he has become greatly beneficial to the growth of Venice and the state of Cyprus. Othello is a good man even if he committed murder to his wife because he is a great war general and contributed to Cyprus in time of need.
“Othello”, by William Shakespeare, is a story of jealousy’s potential to manipulate thoughts and eventually lead to ultimate demise. The key to extremely detrimental jealousy lies within one’s ability to recognize it or deny it. It seems that the important theme of “Othello” is that if jealousy is not recognized and immediately dealt with, it receives a head start to commence the process of rotting away all normal human reason. Othello’s speech in Act III scene iii beginning with line 178 is the first and most important indicator of the trouble ominously looming on Othello’s horizon. His immediate response to Iago’s accusations is that of total denial. By depriving himself of that initial venting process, Othello gives his jealousy the perfect culture on which his jealousy can turn cancerous and grow out of control. Othello does not spit out the seed that Iago has planted within himself soon enough and thus lets Iago water it with smooth speech until its roots spread and cannot be uprooted. The only way to appropriately illustrate this point is through an in depth analysis of specific text from the play.
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
Iago, the villain in Shakespeare’s Othello, is a round character of great depth and many dimensions. Iago works towards an aim that is constantly changing and becomes progressively more tragic. Yet, at times, "honest" Iago does actually seem honest. This essay will explore the complex character of "honest Iago.
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
In William Shakespeare’s play, The Tragedy of Othello, the power of jealousy rips relationships apart and destroys the peace amongst a once pleasant society. The principle character for the aggravation of the other characters is Iago. Iago is angry at Othello for not appointing him as his lieutenant and refuses to let it go. For selfish reasons, Iago plots an evil schemes of revenge towards Othello by making him, and everyone necessary to bring Othello down.
Corruption overcomes the Venetian society as Iago uses his crafty skills of deceit. The plan to have Othello turn against the ones he loves is the perfect example of evils nature. The power struggle is evident between these two. This situation is the start to Iagos plan to corrupt the society and take Othellos place. The root of Iagos evil is jealousy indeed, in turn changing into a power hungry manipulator. Iago is tired of acting like one "courteous and knee-crooking knave" like he always appears to be [I. i. 46]. Since Iago is reluctant to choose to be a master, he is the servant that bites off the fame and "keep yet their hearts attending on themselves," still showing his service to his master but instead is more self-preserving with no attachments at all towards the master [I. i. 52]. Irony is used diligently in Shakespeares unique language style.
... the character Iago. Revenge is also a flaw that most people wish to inflict upon others and have to deal with at one time or another in their lives. It is also one that many people are able to connect to, as they have either been seeking payback or have been avenged. Due to these flaws, a strong connection between today’s society and the well-known character of Iago exists. These humanlike qualities in Iago give to him an appeal to modern-day society. The Othello characters Othello and Iago have many flaws that make them seem even more realistic. Shakespeare incorporated flaws into his characters, allowing for more truth to be seen in them and as a result, there is a wider public appeal. The modern world is still able to connect to Shakespearean literature; (omit) it can be deduced that characters with flaws have more of an influence on society than those without.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Iago, the evil villain of Shakespeare's Othello, is more than just a villain. In many ways he is the most intelligent and appealing character in the play. Iago shows superiority over the rest of the characters in the play. He has the ability to manipulate the characters in the play, therefore controlling the play with every sequence of events. His intelligence shines through his ability to deceive, his ability to strategize, and his ability to twist the truth. Iago is appealing to the characters of the pay because he gives them what they want. Iago is appealing to the reader as well. His character is totally unconflicted about being evil, making him known to some authors as the villain of all villains. Iago is, in many ways, the most intelligent and appealing character in the play.
Shakespeare wrote different types of plays such as comedies, tragedies, and historical plays. The play Othello is one of his tragedies. It is about a character named Othello who is a Moor, in the service of Venice. Throughout the play Iago, Othello's lieutenant, manipulates Othello to believe that Desdemona, Othello's wife, is cheating on him. Various characters in the play Othello appear to be virtuous, upstanding individuals, but their actions reveal that they are not as they appear to be.