Professor Bradley described Othello as ‘a tragedy of a good and nobleman’ and although Othello’s final speech does contextualize this tragedy to some extent it does not take into account the role his hamartia and the impact other characters played in the tragedy. Othello, one of Shakespheres most well known plays, is an account of a noble man who lived honorably up to the moment when everything he understood about life changed catastrophically. Othello’s summation of the tragedy was accurate in the aspect he was a fool a fool who thre away a precious pearl with his own hand and he was tricken and manipulated and worked himself into a frenzy but his inclusion that he was a good but not wise lover and was not easily made jealous was imprecise. He also neglected the role his hamartia and the role the other characters played in his outline of the tragedy.
Othello’s portrayal of himself in his final account of one who ‘loved not wisely, but too well’; and of one who was ‘not easily jealous’ is how Othello would like the audience to view the tragedy but it isn’t necessarily how the events of the play unfold. Although Othello claimed that he “loved to well” he did not grasp the concept of love instead he loved his wife “for she pitied me” and she represented the Venetian society that he longed to belong to. Indeed G.R. Elliot describes Othello’s love for Desdemona as ‘comparatively superficial’. Othello as a soldier was inexperienced in love, he couldn’t control all the emotions flooding through him. It is obvious from his actions and words that he can ‘speak more that pertains to feats of broil and battle’ than love. Because of his inexperience with love, when he was confronted by Iago about his wives infidelity he sided with Iago wi...
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...ence and goodness and her belief in the goodness of others. Desdemona is deluded and detached from the realities of her existence, she chooses to believe in her romantic vision of her warrior husband despite the painfully obvious indicators that Othello has ‘feet of clay’ and should be treated circumspectly. Even when she is confronted by Othello with accusations of her infidelity and is cast as the “cunning whore of Venice by her husband her loyalty and obedience to her husband render her unable to stand up for herself. She resigns herself to her fate without even bothering to ask for the proof of her alleged adultery. Even after her husband smothers her rather than standing up for herself and confronting the issues Des defends her husbands actions and tells Emilia that her demise is her own dewing “nobody I myself. Farewell. Command me to my king lord, O Farewell!”
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