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essay on the films of alfred hitchcock.
essay on the films of alfred hitchcock.
essay: hitchcock's movies and techniques.
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Shadow of a Doubt is a thriller directed by Alfred Hitchcock that was released in 1943. The film is about a normal family, named the Newton’s, who live in Santa Rosa, California. They receive an unexpected telegram that their Uncle Charlie is coming to visit. The family is excited, especially Charlie Newton who is the older daughter in the Newton family and even named after her Uncle. Coincidentally, when Charlie went down to the post office to make a telegram for her Uncle Charlie she found out he had already sent one himself that he was coming to town. Shortly after Uncle Charlie moves in things shift from joyful, to suspicious and eventually gloom. Two men show up claiming they want to survey the family and take pictures. The mother agrees to let them in the house to survey them; little do they know that these two men are under covers. Uncle Charlie finds out about this and tries everything he can to convince the family they shouldn’t let strangers in the house. One “surveyor” snaps a picture of Uncle Charlie and he furiously demands the film back. The “surveyor” hands him the film back, but little does Uncle Charlie know the film he was given back was a different film and they know have a picture of their suspect. Later that night, Jack Graham the surveyor takes Charlie out and reveals to her that he is a detective and her Uncle is not the wonderful man she thought he was. He is one of the two witnesses for the Merry Widow Killer. Charlie starts to put the pieces together and realizes her Uncle is the Widow Killer. The ripped up newspaper, aggressive behavior, the engraving in the ring, and his angry spiel at the dinner table about how he hates rich widows and how they waste their money finally make her realize he is an ev... ... middle of paper ... ...g white and black lighting shows the good and the evil. The darkness is Uncle Charlie and the light is Charlie which is what a film noir is all about. My expectations were fulfilled about film noir in this movie because of the setting, interesting thriller/ mystery plot, and I thought Alfred Hitchcock did a great job with the lighting and how the movie was shot. As this is the first film noir I have seen, I cannot speak for other films, but I did expect the film to be a bit more violent. When I learned the plot, and that Uncle Charlie was the Widow Killer I expected to see scenes of him murdering widows but instead there was very little violence. The only violence was when Uncle Charlie would get aggressive towards Charlie, and the ending where he is thrown into an oncoming train, but no blood or body is shown, unlike today’s movies where there can be tons of gore.
The film very clearly captured David Lloyds’, the illustrator’s, work on the graphic novel. The film is kept very dark and the scenes are short. The only bright portions of the film are the explosions and where Evey is tortured. But, the film is darker than the graphic novel. In the novel, David Lloyd uses a soft color overlay for each scene, which was not reproduced in the film. Without that aspect though, the coloring is nearly identical.
The human body and mind are the most complex and intricate tools known to man. The connection between the two are remarkable, the way body feels pain and the mind is able to understand from where and how the pain is being formed, the way the body lags and drops when the mind does not have enough sleep and rest. Most curiously, it is the way our body and mind speak to each other without really knowing. It is the uncomfortable feeling in your chest, the tenseness of your shoulders and the goose-bumps on your arms that are the very basics of human intuition. Intuition is knowing something without having a logical or reasonable explanation to follow the feeling. But it is when our intuition overcomes our ability to think that we become paranoid; constantly looking over our shoulders, noticing people and objects that were never noticed before, and having this retching feeling that someone is out to get you. Paranoia is a thought process where anxiety and fear accumulate to the point where the person suffers from irritation and delusions. It is often developed through an inner guilty conscience which threatens the self. It is that exact tingling sensation in your stomach, the tightness in your throat and the eerie feeling that you are being watched that makes James and Hitchcock's pieces realistically fantastical. The alternate worlds illustrated in these pieces are not of those of dreams and fairy tales, nor those people superheroes or chimeras, but a realist world, where the minds of the characters are exposed and the only source of reliability. James depicts a young woman who struggles to be a heroine for her wards, only to be torn between the lines of sanity as she questions the existence of two ghosts, while Hitchcock’s psycho can ...
Hitchcock's Film Psycho Ever since the first horror movies were produced they have attracted huge audiences seeking to be scared, chilled and thrilled. Horror movies are so popular because the audience can get the adrenaline rush of being scared without actually putting themselves in danger, and also the audience ultimately get a rush of relief at the end of the film when the killer is killed. This is the same reason why people go on roller coasters because you get the adrenaline rush and then the relief when you get off. Also often horror movies are highly sexual films, and what's more it's a great excuse to hug your girlfriend! Horror movies started in the 1920's with German masterpieces of the silent era such as the ''Nosferatu'' directed by F.W Murneau (1922).
In Shadow of a Doubt, Hitchcock utilizes and stretches the ambiguous line between comedy and suspense by utilizing smaller characters in the film to keep the story line moving, and to help break sequence or rhythm of what the audience had been perceiving at the time. Many of the minor characters were used as “fillers”, such as the waitress in the bar when Uncle Charlie and Charlie are sitting in the bar, and makes the comment “I would die for a ring like this”; or the quiet, gentle neighbor Herb who is fascinated with the process of homicide and murder. It brings to the audience an immediate comic relief, but similar to all of Hitchcock, leaves an unsettling feeling of fear and suspense with the viewer. Shadow of a Doubt is a film that hits very close to home for me, primarily because of the small town feel very similar to Orono that I have grown to know so well. There is a brutal irony that lurks through the film, especially during the time period that the film was made. The picturesque stereotype of small town life in the 40’s is brutally torn apart by Hitchcock wit and creative ingénue, putting the viewer in an uncomfortable mind stretch of reality.
Alfred Hitchcock's Vertigo is a film which functions on multiple levels simultaneously. On a literal level it is a mystery-suspense story of a man hoodwinked into acting as an accomplice in a murder, his discovery of the hoax, and the unraveling of the threads of the murder plot. On a psychological level the film traces the twisted, circuitous routes of a psyche burdened down with guilt, desperately searching for an object on which to concentrate its repressed energy. Finally, on an allegorical or figurative level, it is a retelling of the immemorial tale of a man who has lost his love to death and in hope of redeeming her descends into the underworld.
This was no news to Hitchcock's fans. In a 1947 press conference the great director laid out his philosophy of the mystery-horror genre: "I am to provide the public with beneficial shocks. Civilization has become so protective that we're no longer able to get our goose bumps instinctively. The only way to remove the numbness and revive our moral equilibrium is to use artificial means to bring about the shock. The best way to achieve that, it seems to me, is through a movie."
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
The setting gives the reader a sense that terror awaits. This story shows this by talking about the lighting
Alfred Hitchcock’s film Shadow of a Doubt is a true masterpiece. Hitchcock brings the perfect mix of horror, suspense, and drama to a small American town. One of the scenes that exemplifies his masterful style takes place in a bar between the two main characters, Charlie Newton and her uncle Charlie. Hitchcock was quoted as saying that Shadow of a Doubt, “brought murder and violence back in the home, where it rightly belongs.” This quote, although humorous, reaffirms the main theme of the film: we find evil in the places we least expect it. Through careful analysis of the bar scene, we see how Hitchcock underlies and reinforces this theme through the setting, camera angles, and lighting.
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
From the start of the film it is apparent what time frame it is taking place in and the differences in the social stratification through the lack of colors. One of the most obvious portrayals of the bleakness and desperation of the era is the overall faded and washed-out look of the whole film, due to manipulation of the film saturation; the heaviness of it almost cries out to the audience. Though the film was shot during the summer, cinematographer Roger Deakins and Cinesite colorist Julias Friede were able to use digital technology to change the appearance of the colors. “Together, they worked on manipulating the [digital] saturation of the images, and in particular selecting the greens of the trees and grass and turning them into dry browns and yellows” (Escaping, 2). These dry brown and yellows enhance the audience’s impression of the desperation of the characters and the time period.
Next, Shadow of A Doubt uses the two different scenes where both Uncle Charlie and little Charlie say that telling Emma about Uncle will be hurtful are both combined into a double. The director does this in order to let the viewer see that both Uncle and little Charlie have common thoughts even though they have different perceptions on life. They have a common goal and that is for no one else to hurt from Uncles hidden evils.
Shadow of a Doubt is an Alfred Hitchcock film that was shot on location in the 1940's town of Santa Rosa, California. The town itself is representative of the ideal of American society. However, hidden within this picturesque community dark corruption threatens to engulf a family. The tale revolves around Uncle Charlie, a psychotic killer whose namesake niece, a teenager girl named Charlie, is emotionally thrilled by her Uncles arrival. However her opinion slowly changes as she probes into her mysterious uncle. In the film, director/producer Alfred Hitchcock blends conventions of film noir with those of a small town domestic comedy as a means of commenting on the contradictions in American values.
There are four crucial scenes of this film in which Hitchcock shows a change in perspective and identity through the mise-en-scène. Hitchcock’s signature motifs, style, and themes are conveyed through the mise-en-scène.
Suspense is a crucial ingredient in the making of horror and thriller films. The significance of suspense in horror films is to bring out the “twist or unexpected moment of realization that makes someone scream and one's heart race. In the film industry, there are various types of genre, but as different as films may seem, they all have one element that links them all together. That element is known as Mise-en-scene. Mise-en-scene is a French phrase that means “putting into the scene.” Mise-en-scene includes elements such as setting, lighting, costume, and figure movement and expression (acting).