Imperialism has been a constant oppressive force upon societies dating back hundreds of years. Heart of Darkness, by Joseph Conrad, illustrates this oppression by providing an instance of its occurrence in the Congo of Africa, while simultaneously setting the stage for The Poisonwood Bible, which is essentially the continuation of the story. The Poisonwood Bible, by Barbara Kingsolver, demonstrates how the Congo is still affected by modern circumstances and ideology. Conrad’s novella acts as a sort of precursor to the events later depicted in Kingsolver’s novel, and this very connection between the stories illustrates the perpetual oppression of imperialism. This oppression is shown through the characterization of the pivotal characters of each respective text.
The oppression, which is inflicted upon the Congo in the hope of spreading imperialism, is highlighted by the main characters. Both Kurtz and Nathan seek to change the very lives and beliefs of the people of the Congo and establish supremacy over them, and both of these characters share a heart of darkness and a tainted determination in their endeavor. For Conrad’s pivotal character, the level of intelligence, sophistication, and civilization is the true dilemma in Africa. Kurtz goes to the Congo in order to civilize an uncivilized people, to make “savages” into upstanding men and women who can contribute to the productivity of society. Kingsolver, conversely, illustrates the push for a conversion of both church and state. The Poisonwood Bible depicts an invasion into a society, not merely of a people grouped together into “savages”, and shows that society being warped and forced to conform to American ideology. Rather than the sophistication of its people, Nathan journ...
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...ion of imperialism has evolved. In both Heart of Darkness by Conrad, and The Poisonwood Bible by Kingsolver, Africa is invaded and altered to conform to the desires of more “civilized” people. While this oppression in the Congo never seems to cease, the natives are consistently able to overcome the obstacles, and the tyrants, and thus prove to be civilized in their own regard and as capable of development as the white nations. As Orleanna says herself: “Call it oppression, complicity, stupefaction, call it what you’d like…Africa swallowed the conqueror’s music and sang a new song of her own” (Kingsolver 385). Kingsolver illustrates that though individuals may always seek to control and alter the region, the inhabitants and victims of the tyranny and oppression live on and continue past it, making the state of the area almost as perpetual as the desire to control it.
Conrad’s interpretation of imperialism is an interesting view of the matter. He successfully portrays his perception of imperialism through his novella, Heart of Darkness. He developed his own impressionistic style within his novel and is coined as one of the most difficult authors to comprehend. His use of the tools within his area of expertise allows the novella to unfold before the readers’ eyes. His ability to manipulate the art of language into an intricately woven design made of simple words is an astounding capability and is a primary reason for the success of Heart of Darkness. In the final chapters of the novella, the protagonist Marlow is sailing away from the dark heart of the Congo with an ailing Kurtz. As the boat makes its decent from the depth of the jungle, symbolically, Kurtz is leaving the savagery in which he was engaged. With each passing mile, he becomes more civilized and ultimately comes to the realization of the error of his ways. Symbolically, as he leaves the darkness of the heart of the river, he becomes sane and civilized and comprehends th...
In this paper, I would like to examine how Conrad's Heart of Darkness has played an important role in exposing the brutal reality of Belgian colonialism of the Congo Free State under the pretence of a civilizing mission . The study focuses on how historicizing Conrad's Heart of Darkness has been instrumental in uncovering atrocities committed by King Leopold II's agents in their desperate scramble for the rich resources of Congo like ivory and rubber. King Leopold II's atrocities may account for the death of almost ten million Congolese natives, a crime of a genocidal scale which has terribly affected the future of the Congo and its people till today. Conrad renders his own anti colonial critique through his central character,
In Cry, the beloved country, Alan Paton tells the story of his journey across Africa, his experiences with the colonized Africa, and the destruction of the beautiful, pre-colonialism native land of Africa. Heart of Darkness also tells the story of a man and his experiences with colonialism, but a man who comes from a different time period and a very different background than Alan Paton’s Stephen Kumalo. Although, both Joseph Conrad and Alan Paton portray the colonized areas as very negative, death filled, and sinful places, it is when one analyzes the descriptions of the native lands of Africa that the authors reasons for their disapproval of colonialism are truly revealed. When comparing the writing styles of Alan Paton and Joseph Conrad, their descriptions of the land and the people in both works reveal their different attitudes and views towards colonialism. While Paton and Conrad ultimately oppose colonialism, Paton is concerned with the disappearance of African tribal tradition, whereas Conrad is concerned with the perceived corruption of the white colonists.
Joseph Conrad in his novel describes that the imperialism is the period of colonization of African countries by European states in the 19th century. Many scenes in the novel Heart of Darkness show the imperialist. Marlow describes many types of abuse of force by different whites, basically in light of the fact that they have better weapons of war. In this article titled “Conrad's HEART OF DARKNESS and Dante's INFERNO”, Terence Bowers describes the hell is an awful place, a world of justice where it punishes the wicked. Also, he invites us to reflect on the moral structure of the world that has been created by imperialism of European. Conrad in the heart of darkness describes this inhuman behavior that the colonizers were treated Africans like slaves. The writer Terence Bowers depicts all kinds of tyranny, brutality and retaliation and this led to the creation of the spirit of bitterness and hatred inside the people. This event was happened because of the immorality and abuse of power against Africans. Always, these days present the colonization, covetousness and the abuse in our life, and this is very sad. This book the heart of darkness is an excellent depiction of the evil and suffering that caused by the forces of imperialism which exercise their authority in the wrong ways, and it Illustrates the suffering that took place in
In the novel “Poisonwood Bible” by Kingsolver, the author, motivated by social responsibility, advances her argument that recognition concerning the oppression and exploitation via “men who desire to rob [Congo] blind” needs to be divulged, utilizing fictional characters Orleanna and Ruth May as direct symbols representing the Congo’s exploitation.
The Heart of Darkness, a complex text was written by Joseph Conrad around the 19th century, when Europeans were colonizing Africa for wealth and power and were attempting to spread their culture and religion in Africa. It was also a period in which women were not allowed to participate in worldly affairs. Therefore, the text deals with issues such as racism, European imperialism, and misogyny. This essay will look at the different themes in the novel and argue whether or not The Heart of Darkness is a work of art.
Colonialism and imperialism was at its peak during the late nineteenth century. During this time, the African continent was partitioned by different European nations. In Heart of Darkness, author Joseph Conrad, explores this nature of colonial imperialism in African country, Congo. European nations were going to these African countries to “civilize” the natives of that continent. The European nations viewed the people of Congo as “savages.” “We were wanderers on a prehistoric earth, on an earth that wore the aspect of an unknown planet” (Conrad). This description from Conrad gives us the impression that the people of Congo were “prehistoric” and did not develop a sense of civilization. However, the Europeans were in Africa for the exploitation of resources. To the Europeans in Congo, “progress” meant the exploitation of the natives. Through the means of cruelty and treachery and violence, the Europeans took advantage of the innocent natives. Violence instilled fear in the natives and ...
Imperialism is the act of one country overtaking another country. Often, the motive behind this is for resources, as portrayed in Joseph Conrad's Heart of Darkness. Other times, a country may want to expand their territories, or force their beliefs and customs on another land. This is seen in Francis Ford Coppola's Apocalypse Now. In Apocalypse Now, protagonist Jerry Willard is sent on a confidential mission during the Vietnam War. While voyaging up the river, Willard notices the excessive tactics used by the Americans. America advertised that they went to war with Vietnam to prevent the spread of communism. However, it is obvious that throughout most imperialistic literature the group colonizing natives are the true savages. Considering that this theme is frequent among imperialistic writing, one may assume that imperialism is a violent, unnecessary concept used by brutes with no sense of open-mindedness. One may deduce that America may have had an ulterior motive in attempting to take over Vietnam. In Conrad's Heart of Darkness, imperialism is viewed by Marlow as aggressive and insincere. Marlow often notes that the so-called savages show more restraint than the "civilized" men. In Conrad's novel, the genuine reasoning for pillaging African villages is to rob the land of it's most precious resource, ivory. Though, these pieces are contrasting in style, time period, and reasoning; the two works compliment each other and show the horrors of imperialism through the eyes of someone witnessing it.
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
Heart of Darkness by Joseph Conrad is one of the most widely recognized and acclaimed novellas written. But with fame and recognition comes controversy, which is clearly demonstrated by the broad interpretations of the book. Many people believe Heart of Darkness is racist, while others believe the book is perfectly civil. Chinua Achebe, one of Africa's most renowned novelists, strongly believes that the book is dehumanizing and racist; I agree with him, to a certain extent. Three of the most prominent ways that Achebe discusses Conrad’s racism is by the way the African people are portrayed, the African culture, and the comparison of Europe to Africa.
These regions were not separated by strict geographic borders and each one was constantly looking to expand it’s territorial power and reign. This style of ruling is now discussed as what it truly was, which was a systematic, imperialistic method of ruling. Racism and oppression were almost guaranteed when dealing with these powerful empires, a fact that is well-illustrated in Joseph Conrad’s Heart of Darkness. This novella is just a small example of similar events happening all across the globe, concentrated in Africa, Asia, and Caribbean territories. Conrad and his men were in the Congo simply to colonize the land, regardless of the people (whom they believed to be subhuman) that were killed or enslaved in the process. Imperialists successfully quashed a vast majority of nationalistic uprisings that threatened colonization, up until the dissolution of these hegemonic empires. At the of World War I, with an allied victory and the signing of the Treaty of Versailles, the land that once made up these vast empires was
“ The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much.” (Conrad 65) So stated Marlow as though this was his justification for ravaging the Congo in his search for ivory. Joseph Conrad’s Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it as is evidenced by the domination, torture, exploitation and dehumanization of the African population. Heart of Darkness is indicative of the evil and greed in humanity as personified by Kurtz and Marlow.
Throughout Heart of Darkness by Joseph Conrad a sense of imperialism is present. Imperialism is defined as “acquiring and holding colonies and dependencies”. Through the novel many of the travels Marlow encounters contain imperialist ideas. The whole continent is used as a symbol for this theme. So therefore you can tell that imperialism is just as bad as the disease that many people get from the Congo, they become infected. Which truly begs the question, is it just the Congo that turns us ill, or is there a sense of darkness inside of us lurking around waiting to come out.
Acclaimed Nigerian author, Chinua Achebe’s 1958 novel, Things Fall Apart, is a story about Okonkwo, a man from the fictional village of Umuofia. Okonkwo’s attempt to form an idealized self-identity and the stress he experiences in living up to its image wears his life, and eventually destroys the very identity he so desperately sought. Okonkwo’s end is analogous to the end of his tribe and its culture—Achebe refers to the Igbo peoples’ culture as the Ibo culture in his book. Furthermore, Okonkwo’s end shows the pain experienced by the change in power balances as the rulers became the ruled, with the white man colonizing Africa. The Heart of Darkness hardly needs an introduction; Joseph Conrad, its writer, wrote the novella based on his experiences as a captain on the Congo. The protagonist is Charles Marlow, whose impression of the colonized Congo basins along with its tribal inhabitants and the raiding white men amidst the deep, dark, disease-infested forests of Congo form the basis of the story. Things Fall Apart and Heart of Darkness are both based around situations that instigate the awe-inspiring, and yet horrifying confluence of races and cultures. However, while the former tells the story from the colonized peoples’ perspective, the latter tells it from the colonizers’ perspective. This paper attempts to highlight the differences and similarities in these novels by exploring the underlying themes and unusual circumstances portrayed in them.
Achebe, Chinua. "An Image of Africa: Racism in Conrad's Heart of Darkness." Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Essays in Criticism. 3rd ed. Ed. Robert Kimbrough. New York: W.W. Norton, 1988. 251-262.