In the novel The One Who Flew over the Cuckoo’s Nest Kesey explores the use of mechanical imagery to represent modern society. By means technology, society gains control and overpower individuality and natural compulsions. The hospital consists of the assistants and ‘Nurse Ratched’ who are described by ‘Chief Bromden’ as being made of motley machine parts. In ‘Chief Bromden’s’ dream, when ‘Blastic is disembowelled, rust, not blood, spills out’, reveals that the aids ...
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...e a part of his brain. These operations remove a man’s individuality and freedom. Kesey successfully portrays woman as overpowering and castrating as they as disabling McMurphy from sexual ability. Opposing to this, the Crucible witch trials empower several woman in the play that are previously marginalized in their society. In general, women occupy the lowest of male-dominated Salem and have very few options in life. The woman are brought up to work as servants for the men in the town until they reach of an age which they are then set to be married off and have children. Not only is Abigail so restricted, she also is a slave to John Proctor’s sexual conceptions. He manages to shed her of her innocence when he instigates adultery with her, and he provokes her jealousy when he terminates their affair. Women are portrayed as weak, innocent and selfish in this matter.
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