Thomas Blackburn describes the two Victorian poets, Robert Browning and Alfred, Lord Tennyson as being great contemporaries (47). As such it is apt that their works should muse upon and explore similar topics and themes. Their connection is especially evident in Browning’s “My Last Duchess” and Tennyson’s “The Lady of Shalott”. The themes of entrapment and incarceration feature heavily in both of these works. Specifically, it is the entrapment and incarceration of women which pervade their respective compositions. When taking into consideration the way in which women were viewed at this juncture in history- being nothing more than “beautiful objects” (Gilbert and Gubar 54), it is quite easy to see how the literary representations of the nineteenth century woman would be responses to such confines. While “My Last Duchess” can be looked upon as an investigation of the captor, represented by the Duke; “The Lady of Shalott” can be considered an exploration into the captive, represented by the Lady that gives the poem its title. Both poems are an analysis into the Victorian woman as an incarcerated and entrapped sub-culture of a predominately patriarchal society. It is no surprise then that the methods of which these fictional women take to escape comes at the cost of their lives. The doomed Duchess of Robert Browning’s dramatic monologue, “My Last Duchess” is the embodiment of the incarcerated woman taken to the eternal extreme. The setting for this poem is the Italy of the Middle Ages, a time when women had still less freedom than in the Victorian era. Women were regarded as possessions, a form of imprisonment within itself. As Johnson states the theme of “marriage as bondage” is consistently explored throughout Browning’s early wor... ... middle of paper ... ...y 16.1 (1978): 70-87. Jospeh, Gerhard. "Tennyson's Optics: The Eagle's Gaze." PMLA 92.3 (1977): 420-428. Langbaum, Robert. The Poetry of Experience: The Dramatic Monologue in Modern Literary Tradition. New York: W.W. Norton & Company, Inc., 1957. McGhee, Richard. Marriage, Duty, & Desire in Victorian Poetry and Drama. Lawrence: The Regents Press of Kansas, 1980. Orr, Mrs. Sutherland. Handbook to Robert Browning's Works. 6th Edition. London: George Bell and Sons, 1899. Plasa, Carl. ""Cracked from Side to Side": Sexual Politics in "The Lady of Shalott"." Victorian Poetry 30.3 (1992): 247-263. Ricks, Christopher. Tennyson. London: The Macmillan Press Ltd, 1972. Showalter, Elaine and English Showalter. "Victorian Women and Menstruation." Victorian Studies 14.1 (1970): 83-89. Showalter, Elaine. "Victorian Women and Insanity." Victorian Studies 23.2 (1980): 157-181.
Ingersoll, Earl G. "Lacan, Browning, and the Murderous Voyeur: "Porphyria's Lover" and "My Last Duchess." Victorian Poetry 28 (1990): 151-157.
Armstrong, Isobel. 'A Music of Thine Own': Women's Poetry. in: Joseph Bristow, Victorian Women Poets. Emily Bronte, Elizabeth Barrett Browning, Christina Rossetti. Basingstoke and London: Macmillan Press Limited, 1995, 32-63.
Have you ever fallen in love? Have you ever developed strong feelings for another? If problems arose between the two of you, were you able to overcome them? Well certain men in Robert Browning’s works couldn’t seem to. . . “overcome” these differences with their women. Browning grew up learning from his father’s huge library. His wife was much more successful at writing than him. Eight years after her death, his career turned around for the last 20 years of his life. During this time, he wrote many short dramatic monologues such as My Last Duchess and Prophyria’s Lover. These two very intriguing and disturbing Monologues, My Last Duchess and Prophyria’s Lover, by Robert Browning, involve two very messed up men whose actions are both alike in their idea of immortalizing their woman, but different in why they chose to commit the act between the two stories, and a conclusion may be drawn from this observation.
The purpose of this essay is to analyze and compare and contrast the two paired poems “My Last Duchess” by Robert Browning and “My Ex-Husband” by Gabriel Spera to find the similarities presented within the pairs. Despite the monumental time difference between “My Last Duchess” and “My Ex-Husband”, throughout both poems you will see that somebody is wronged by someone they thought was a respectable person and this all comes about by viewing a painting on the wall or picture on a shelf.
Lipking, Lawrence I, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume 1c. New York: W.W. Norton & Co, 2006. Print.
Wolfson, Susan & Peter Manning. The Longman Anthology of British Literature: The Romantics and Their Contemporaries. V. 2A. New York: Longman, 1999.
Robert Browning’s “My Last Duchess” is a haunting poem that tells the story of a seemingly perfect wife who dies, and then is immortalized in a picture by her kind and loving husband. This seems to be the perfect family that a tragic accident has destroyed. Upon further investigation and dissection of the poem, we discover the imperfections and this perfect “dream family” is shown for what it really was, a relationship without trust.
Wolfson, Susan and Peter Manning (eds.). The Longman Anthology of British Literature: The Romantics and Their Contemporaries. Volume 2A. New York: Longman, 1999.
As the world progresses, attitudes and values constantly change, like the wind. Flowing through the depths of our inner morality and beliefs. Welcome back to another episode of Poetry Aloud, where I talk about poetry… aloud. Today I will be discussing how Victorian poets are able to illustrate this changeable nature of attitudes and values within their world through highlighting our most prevalent desires that unlock the true beast of humanity, thus exploring humanity’s transforming perspectives as society progresses. Letitia (La tee sha) Elizabeth Landon’s The Marriage Vow highlights
In contrast to Macbeth’s love for his wife, in Browning’s ‘My Last Duchess’ there is an absence of the romanticised emotion of love. The Duke refers to his wife as ‘My Last Duchess. Here the use of the possessive pronoun ‘my’ gives us the idea from the outset that the Duke saw his wife as merely a possession. The iambic pentameter of ten syllables per line used in the poem also emphasises possession by stressing ‘my’ further in the pattern. Browning’s portrayal of love is one that is absent of emotional attachment, but instead something by which he could possess and have power over her. It could be argued that there are similarities in the way that Lady Macbeth also uses the emotion of love. Being in the form of a dramatic monologue, use
In Robert Browning's "My Last Duchess," a portrait of the egocentric and power loving Duke of Ferrara is painted for us. Although the duke's monologue appears on the surface to be about his late wife, a close reading will show that the mention of his last duchess is merely a side note in his self-important speech. Browning uses the dramatic monologue form very skillfully to show us the controlling, jealous, and arrogant traits the duke possessed without ever mentioning them explicitly.
Browning’s works were the primary model for the basic form of the standard Victorian dramatic monologue which was based around a speaker, listener, and a reader. Browning’s poem “My Last Duchess” became a model for the dramatic monologue form primarily because of the strict approach he took while developing the poem. One of the aspects characteristic of this work is the authors level of consciousness. Each element in “My Last Duchess” is thoughtfully constructed with form and structure in mind. This poem is filled with dramatic principle that satisfied the Victorian period’s demand for an action and drama that were not overtly apparent in the work. In the case of “My Last Duchess” the drama of the poem is how his character, the Duke, is introduced. In dramatic monologues the character’s self is revealed through thoug...
Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.
‘Porphyria’s Lover’ and ‘My Last Duchess’ are both poems by the Victorian poet Robert Browning. In this essay I will compare these two poems to find similarities and differences.
During the Seventeenth Century, eroticism in literature was deemed outrageous and was rarely published or performed. However, a group of male poets often gathered to share their writings between one another. This group comprised of a number of renowned poets that we celebrate today including Jon Donne, Ben Jonson and Thomas Carew. Carew’s poetry is notoriously erotic, far beyond the norm of his era. Carew’s most noted erotic poem A Rapture deals with the courtship of his desire, Celia. Embedded in A Rapture are underlying meanings, mainly dealing with obsessive desire and power. Thomas Carew’s poetry encompasses both Petrarchan and Ovidian discourses of desire, more specifically the obsessive male desire and the attainment of power.