This sculpture of an elderly woman has been the subject of different interpretations over the years, although this doesn 't change the fact that this sculpture is a portrayal of a member of society and depicts everyday life in Greece. The old woman has been originally viewed as a seller on her way to the marketplace, commonly referred to as agora, although in recent years she has been considered as an aging follower of Dionysos on her way to a festival. (Stokstad and Cothren, 2014) This art piece is a prime example of how artists in this era tried to depict and capture the pure essence of everyday life. Beauty was not portrayed through perfection but instead through imperfection, because life as we know it is never perfect. The artists also expressed themselves through the imperfections in their art. According to the Metropolitan Museum of Art, “During the Hellenistic period, artists became concerned with the accurate representation of childhood, old age, and even physical deformity. The range of subject matter was extended to include genre-like figures from the fringes of society.” (Metropol...
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...been intimately involved with the workings of the democratic city-states; now, they lived in impersonal empires governed by professional bureaucrats. In Hellenistic art and literature, this alienation expressed itself in a rejection of the collective demos and an emphasis on the individual.” (History.com, n.d.) The art of this time is exactly that, it portrays and emphasizes on the individual.
An example of a sculpture from this period is the Polykleitos, Doryphoros (Spear Bearer). It is perfect form of the male body and includes the same skills required to make the Parthenon its extents are perfectly designed, and it is also perfectly balanced in the contra posto stance. Contra posto stance means It is used in the visual arts to describe a human figure standing with most of its weight on one foot so that its shoulders and arms twist off-axis from the hips and legs.
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