Led by pride, s shows asperity towards those that he feels have the audacity to unfairly mistreat him. When Tiresias refuses to inform him of the murderer, Oedipus answers
“What, nothing? You miserable old man! You’d drive a stone to fury. Do you still refuse? Your flinty heart set in hopeless stubbornness” (Sophocles 19). Through his questions, his anger is aroused. “Old man” (Sophocles 19) is a connotation to degrade Tiresias while the “stone” (Sophocles 19) is personified to erupt from anger due to his loathsomeness. Likewise, his heart is personified to be recreant for scheming together with a supposed assassin. After Tiresias divulges that Oedipus is guilty, Oedipus alleges, “So this is what he wants, Creon the loyal, Creon so long my friend! Stealing up to overthrow and snatch!” (Sophocles 22). Accusing Creon through his sarcastic tone, positive adjectives such as “loyal” (Sophocles 22) and “friend” (Sophocles 22) otherwise heightens a sense of betrayal. As he is unjustly surmised, chided and accused as self-cen...
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...d the possibilities are hindered by pride, and the most unexpected and impossible can occur. Frequently, people are oblivious to their own flaws by unknowingly holding the same malfeasance and chiding others. By judging others, they become the very aspect and evil that they hate. Oedipus’s anger, while incognizant about the entire plight, seems more justifiable than that of Rodrigues who continues criticizing people after having seen the entire perspective of the situation. He focuses on the narrower view rather than evaluating it as a whole. Both characters exhibit different sides of anger and pose the question, ‘what extent anger is justifiable?’ Perhaps the message that the authors’ intended to convey was that human beings are biased based on their limited point of view, and therefore fallible. This is an ongoing and innate flaw that we must learn from.
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