John Keats ‘Ode on a Grecian Urn’ is one of the most enduring, timeless, romantic poems of 1819. It defines ‘romanticism’ not just in the literary sense, but in a modern sense filled with passion, imagination and individuality. I will examine how the idea of romanticism is portrayed through the beauty of art and nature, in contrast with the writer’s perspective on romanticism as a melancholic emotion. Furthermore, as Keats wrote the poem during his last few years on this Earth-whilst he was ill- it is said that he felt “like a living ghost”, so it is not surprising that the poem speaker is obsessed with the ideas of immortality, survival and death which I will be further examining in relation to the poem. Throughout the poem the idea of Romanticism is shown through the different emotions and tone changes. The poem starts off in a very depressed tone, Keats uses …show more content…
Each of the five stanzas in “Grecian Urn” is ten lines long, metered in a relatively precise iambic pentameter, and divided into a two part rhyme scheme, the last three lines of which are variable. The first seven lines of each stanza follow an ABABCDE rhyme scheme, but the second occurrences of the CDE sounds do not follow the same order. In stanza one, lines seven through ten are rhymed DCE; in stanza two, CED; in stanzas three and four, CDE; and in stanza five, DCE, just as in stanza one. As in other odes, the two-part rhyme scheme (the first part made of AB rhymes, the second of CDE rhymes) creates the sense of a two-part thematic structure as well. The first four lines of each stanza roughly define the subject of the stanza, and the last six roughly explicate or develop it. (As in other odes, this is only a general rule, true of some stanzas more than others; stanzas such as the fifth do not connect rhyme scheme and thematic structure closely at
First of alll, the poem is divided into nine stanzas, where each one has four lines. In addition to that, one can spot a few enjambements for instance (l.9-10). This stylistic device has the function to support the flow of the poem. Furthermore, it is crucial to take a look at the choice of words, when analysing the language.
Keats’ poetry explores many issues and themes, accompanied by language and technique that clearly demonstrates the romantic era. His poems ‘Ode to a Nightingale’ and ‘Bright Star’ examine themes such as mortality and idealism of love. Mortality were common themes that were presented in these poems as Keats’ has used his imagination in order to touch each of the five senses. He also explores the idea that the nightingale’s song allows Keats to travel in a world of beauty. Keats draws from mythology and christianity to further develop these ideas. Keats’ wrote ‘Ode To A Nightingale’ as an immortal bird’s song that enabled him to escape reality and live only to admire the beauty of nature around him. ‘Bright Star’ also discusses the immortal as Keats shows a sense of yearning to be like a star in it’s steadfast abilities. The visual representation reveal these ideas as each image reflects Keats’ obsession with nature and how through this mindset he was able
The constant process of life and death, driven by an indestructible progression of time, explains the attitude of carpe diem expressed in three poems focused on human love being a fickle matter. Within the poems “To His Coy Mistress” by Andrew Marvell, “To the Virgins, to Make Much of Time” by Robert Herrick, and “Youth’s the Season Made for Joys” by John Gay, the concept of how a shy attitude towards the inevitable end of all life is exposed as an inherently useless view. Nevertheless, though their primary themes and ideas of this constant procession of time are obviously expressed, the manner in which they do this, through figurative language and imagery, is the main point in which each of these three poems can be contrasted and examined
Everything links back to the beginning of the poem, causing us to think that time stood still like the knight. is unsure of what to do. Throughout the poem, 'Keats' appeals to our senses. Keats also uses repeated 'O' sounds in the poem like 'alone', 'long', etc. 'moan', 'done', etc.
Blake, Wordsworth, and Keats all represent the Romantic style of literature with their unorthodox themes of nature, art, and life; and how those three points can be tied together and used for creative purposes among humankind. Art and life are counterparts; one is lacking without the other. The Romantic period was about passion; finding inspiration and beauty in things people see every day. Wordsworth found childhood memories in a familiar landscape, Blake found himself captivated by the mysteries of how the majestic tiger was created, and Keats’ urn triggered him to put his inquiries of it into poetry. Each man expressed his individual view within their works; and like many of their Romantic contemporaries, their ideas ran against the flow of their time’s societal beliefs.
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
Keats, John. “The Eve of St. Agnes”. The Norton Anthology of English Literature: The Romantic
Throughout Keats’s work, there are clear connections between the effect of the senses on emotion. Keats tends to apply synesthetic to his analogies with the interactions with man and the world to create different views and understandings. By doing this, Keats can arouse different emotions to the work by which he intends for the reader to determine on their own, based on how they perceive it. This is most notable in Keats’s Ode to a Nightingale, for example, “Tasting of Flora, and Country Green” (827). Keats accentuates emotion also through his relationship with poetry, and death.
Keats was inspired by spring to create his previous odes; this is because they were written in the spring of 1819. Spring is usually associated with inspiring music, because it represents a time of optimism and rebirth. “The speaker’s mentioning of the spring in the beginning of the third in Keats’s poem signals that spring is associated with the rebirth of the sun and thus with youth, whereas autumn with sunset and old age.”(Karadas 104) Thus we see the images in the third stanza are all associated with the dark. This achieved by he image of the “barred clouds” blooming and “the soft –dying day” (line 25). However, by focusing primarily on autumn and then implementing the idea of spring in the last stanza; Keats cre...
In Keats “Ode to a Nightingale” we see the sense embodied through a variety of different literary techniques and in particular his use of synaesthesia imagery. The dejected downhearted nature of the poem promotes emotion in the reader even before noting poetic devices at work. The structure of the meter is regular and adds to the depth of this poe...
From the very title we find that this “Ode” is different. It is the “Ode on a Grecian Urn,” as opposed to “Ode to a Nightingale,” or “Ode to Psyche.” The word “on” provides a little more interpretive flexibility. On one hand, the word on can be taken to mean “about” or “concerning,” suggesting that this is an ode about a Grecian Urn. This is in fact true. However, it can also suggest that this ode is taking place quite literally on the Grecian Urn—the ode itself would therefore not be Keats’ own poetry, but the actual Urn. This interpretation is backed up by in Stanza I. when Keats calls the Urn “Sylvan historian, who canst thus express / A flowery tale more sweetly than our rhyme” (lines 3-4). The urn can express the tale more sweetly because it presents the ode without the passage of time. Thus all the paintings are forever frozen and ever becoming, and any fulfillment would betray potential.
Arguably one of John Keats’ most famous poems, “Ode to a nightingale” in and of itself is an allegory on the frail, conflicting aspects of life while also standing as a commentary on the want to escape life’s problems and the unavoidability of death. Keats’ poem utilizes a heavy amount of symbolism, simile and allusion to idealize nature as a perfect, almost mystical, world that holds no problems while using imagery taken from nature, combined with alliteration and assonance, to idealize the dream of escape from the problems life often presents; more specifically, aging and our inevitable deaths by allowing the reader to feel as if they are experiencing the speaker’s experience listening to the nightingale.
For example, in the first line is him contemplating his fear that he may never live to share all of his knowledge. It is a strange fact that we, as humans, believe that we will not die; we think this until there is that one point in life that we first see death. For many, a sense of mortality does not hit until a loved one’s light suddenly goes out and all that is left is a stream of hazy memories of that person. Keats knew his flame was flickering, so he wrote down his feelings and thoughts with vigor. When people of his time read what he put down on paper, they were not ready to accept the inevitable because they only saw a man belligerent about his life. Is has been said that, “the generally conservative reviewers of the day attacked his work, with malicious zeal, as mawkish and bad-mannered, as the work of an upstart." (The Poetry Foundation) After his death at such a young age, people began to see why he was contemplating such a dark concept. Basically, Keats gives the example that although the words of today can sometimes be ignored, there may be a time in the future when those words mean the world to
This opposition shows Keats highlighting the delicate correspondence between happiness, death and melancholy having humanistic traits. In order to experience true sorrow, one must feel true joy to see the beauty of melancholy. However, Keats’s poem is not all dark imagery, for interwoven into this poem is an emerging possibility of resurrection and the chance at a new life. The speaker in this poem starts by strongly advising against the actions and as the poem continues urges a person to take different actions.
Although both “Kubla Khan,” by Samuel Coleridge and “Ode on Grecian Urn,” by John Keats are poems originating from the poets’ inspiration from historical figure, the two poems convey different messages through their respective metaphors. While Coleridge emphasizes on the process of creating a Romantic poem, Keats expresses his opinion about art by carefully examining the details of the Grecian urn.