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Nothing gold can stay robert frost analysis
Analysis of poem "nothing gold can stay" by robert frost
Analysis of poem "nothing gold can stay" by robert frost
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Sudden Change in Category Youth and Age The Desire of freedom, the temptation of danger and nostalgia for childhood are examples of twists and turns observed going through life, but it is often at their last moment that people take the time to realize how important their surroundings are and the time passed is precious. Robert Frost poem, “nothing gold can stay” is a writing, underlining the lost in which we are confronted and the incertitude of the future. However, Sylvia Plath’s poem is pointing out more and more the unusual way she sees the world and her own life with the writing “Mirror”. With both of these poems, the reader go through the meaning of life according to both authors. Through disparate personification, imagery, and symbolism, Frost and Plath emphasize their poems themes of human vanity and the fear of aging. Plath uses an intriguing personification to start off her poem as the mirror speaks as a human saying “I am a silver” and “I have no preconception” (Plath 1). A first person narrator as if the mirror is an object that express thing from an honest observation. The stanza demonstrates the goal of the mirror from the way it described itself. The objectivity of the mirror is even more accentuated in the second line when the poet writes “whatever I see I swallow immediately”. (2) Human qualities are also given to the mirror when it …show more content…
Plath poem also use symbolism and imagery to addresses women in an effective way that the aging process is inescapable and it should be accepted since that is the only way to avoid being in discomfort over something they cannot control. On the other hand, Frost short work evokes a point in life when the golden illusions of youth have faded, but unlike Plath’s poem, is not an explicitly autobiographical. What the reader sees in Frost poem is not a private disillusion but the hard tendency of beauty of life transiting to grief of
The poem starts out with a mirror being personified “I am silver and exact. I have no preconceptions. / Whatever I see, I swallow immediately. / Just as it is unmisted by love or dislike.” The mirror changes itself based upon what it sees regardless of what it is. Ironically the same can be said about humans that their environments also change them. Humans reflect diet through physique, smoking through tarred lungs, or self-esteem from social ranking. The poem then says, “It is pink, with speckles. I have looked at it so long / I think it is a part of my heart. But it flickers.” This poem is reflecting patterns of which emotional states also transform the person. When a man spends enough time in a given area, he or she develops an emotional attachment to it. Another transformation “Now I am a lake.” This direct shift from a mirror that gives an exact copy transforms into a lake in which gives a reflection that’s murky and hard to make out. It goes on “A woman bends over me, / Searching my reaches for what she really is. / Then turns to those liars, the candles or the moon.” This section calls into question the objectivity of the previous reflections. The mirror that is now transformed into the lake and is suspicious to those that give light, which also reveals the actual object. It also could reflect that mirror is only as accurate as the observer and perception distort reality. A
A phenomenal writer’s work generates a powerful bond between their words and the reader. This is factual of Sylvia Plath’s poetry. It contains universal, timeless themes of depression and death that, in these dejected days, many people can relate to. Sylvia Plath was a confessional poet whose oppressive life led to her relatable story. She wrote many astonishing poems, such as “cut”, “Among the Narcissi”, and “A Birthday Present” that all chronicle and showcase her struggle for a release from the suppressed world she subsisted in, a world that many remain to live in today. Sylvia Plath’s poetry narrates both her distinct, individual story and yet universal tale of a woman who searches for a way out of her depressed state of mind.
The last two lines say, "So dawn goes down to day. Nothing gold can stay." Dawn is mostly when the sun first starts to rise, coloring the sky a deep orange. But the sunrise can't last forever and the golden hue of the sky leaves as morning goes by. Robert Frost makes the topic of "being perfect" seem achievable, but only for a short amount of time.
In the poem "Nothing Gold Can Stay," written by Robert Frost, metaphors for endings and beginnings, subtle religious hints at the felix cupla, and Christian symbolism form a cohesive theme that illustrates how the end of something leads to a hopeful beginning for something else. Alternate interpretations exist such as Bernetta Quinn's article, "Symbolic Landscape in Frost's "Nothing Gold Can Stay"," published in the English Journal in 1966. Quinn concedes that the religious theme is the most accepted interpretation but encourages discussion of other elements. (Quinn 1966) Judaeo Christian and nature symbolism paint a picture of transitions that are cyclic. The result of this interpretation is that fortunate beginnings replace concepts of loss and give the passage a hopeful tone.
Robert Frost's poem "Nothing Gold Can Stay" uses a metaphor of nature to explain loss and time passing. The poem explains that nature cannot hold onto leaves and flowers. Spring turns into summer, which turns into fall, and then winter. Time goes on and there is no way to stop it. Colors fade and gold things change. Each line of the poem contributes to the idea that nature and good things fade away or move on. The poet uses imagery to explain his ideas, and the color gold to show importance.
This poem might look short and simple, but it is very complicated. The theme of the poem “Nothing Gold Can Stay” by Robert Frost is a negative one, that all good things must come to an end.
In the poem Nothing Gold Can Stay the characters are Mother Nature and Eden. Robert Frost used personification to bring the characters to life. The author uses the phrase "So Eden sank to grief," to make eden alive in the poem. Frost also uses the phrase "Her early leaf's a flower;" to give Mother Nature a part as a character in the poem.
“Nature’s first green is gold/Her hardest hue to hold. /Her early leaf’s a flower; /But only so an hour./Then leaf subsides to leaf./So Eden sank to grief,/So dawn goes down to day. /Nothing gold can stay.” This poem,“Nothing Gold Can Stay, ” by Robert Frost was mentioned in the book The Outsiders. This poem shows the theme of the book. The way it does this is that some of the characters died and the poem states the golden leaves on a tree don't last for a long time. The book, The Outsiders, by S.E. Hinton is about two rival gangs that are extremely hostile to each other. The gangs’ names are the Greasers and the Socs (pronounced so-ch-es, as in Socials). The main character, whose name is Ponyboy, is also the narrator. He says that the Greasers
Nothing Gold Can Stay is the name of this Robert Frost classic. Nothing Gold Can Stay does not have an obvious meaning both in poem and title. It does not imply multiple possibilities. It doesn't strike a balance either. I think there is an antithesis, and I think it is the force that makes living things turn away from gold. There is no historical significance to Nothing Gold Can Stay.
“ Nothing Gold can Stay” ((Frost, Robert); Kennedy, X.J.; Gioia, Dana)by Robert Frost shares with the reader a message of wisdom by using examples of the changing of seasons. It gives the reader a feeling that in life there is change, and examples are given throughout the poem. Robert Frost creates a bittersweet tone through the uses the literal element of alliteration, metaphor, allusion and personification. Innocence is unrecoverable and inescapably lost.
Both poems, “Mirror” and “Piano” have subjects that are reflecting and longing for their past to return. This longing and reflecting is considered the theme of the poems. In “Piano”, D.H. Lawrence writes of the man yearning for his past. Despite all of his yearning, he eventually realizes that it will not return. The speaker says, “…I weep like a child for the past” (12). This describes the speaker’s longing for his past to return, despite knowing that this is not possible. Similarly, in “Mirror”, Sylvia Plath the poet reflects her theme of longing for the past by using the woman viewing her aging reflection in the lake waters. The mirror views the woman and says, “In me she has drowned a young girl, and in me an old woman” (17). The mirror is showing that the woman’s past of being a young girl has diminished, and what remains is the old woman she now is. Both poems share a common theme of the re...
Otto Plath’s death was a traumatic event for young Sylvia and lead to some of her later emotional troubles, consequently affecting her for the rest of her life. In the beginning of Plath’s poem, “The Colossus,” the speaker struggles in repairing the listener who has taken on ...
a look for oneself inside” as observed from the life of the elderly woman in the sonnet (153). Moreover, as the woman looks into the lake, she commemorates her attractive and pleasant figure as a young girl. As time passes, the inevitability of old age knocks on the door of the woman, readily waiting to change the sterling, rapturous lady perceived by many. One’s appearance can change; it is up to an individual to embrace it or reject it. Plath employs a shift to accentuate a change in time.
Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings.