Not Joseph Beuys Coyote Is A Mixed Media Sculpture Created By Jimmie Durham

Not Joseph Beuys Coyote Is A Mixed Media Sculpture Created By Jimmie Durham

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Not Joseph Beuys Coyote is a mixed media sculpture created by Jimmie Durham in 1988. The sculpture depicts a coyote skull and rear view mirror on a stick. This sculpture is a response to Joseph Beuys performance called I Like America and America Likes Me. The performance consisted of Beuys living with a coyote for four days in a gallery. Beuys acted as a shaman to the coyote. The goal of Durham’s sculpture, Not Joseph Beuys Coyote, is to use humor in order to reject the typical stereotypes that surrounded Native Americans. The typical stereotype that was displayed in Beuys ' work, and that Durham rejects, is how the coyote is seen as a spiritual being in Native work and also how Native American people are viewed as shamans. This work is similar to works such as Jaune Quick-to-See-Smith’s piece The Red Mean. The Red Mean is a also a mixed media piece that is rejecting a typical American stereotype that is place on Native Americans, but does not fit them. This piece takes Da Vinci’s Vitruvian Man and puts it on its head. Quick-to-See-Smith uses her work to show how her body does not fit in the circle. On her body, in the work, is a sticker that says “Made in the U.S.A.”. While she is an American, she does not fit into America’s preconceived notions of what is standard for a person. She is breaking a traditional Native American stereotype just as Durham did in Not Joseph Beuys Coyote. Stephen Mopope’s work Flute Player differs from Not Joseph Beuys Coyote in that it embraces Native American stereotypes through displaying a Native American dancer in traditional dance regalia.
Carl Beam’s Burying the Ruler is a multimedia piece where the artist, Carl Beam, buries a ruler in the desert. In this work, the ruler represents two things. Fi...


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... by depicting how they are used a lot in Native art. As a result of this, Native Americans became framed in an untrue way. Wendy Red Star also confronts Native American stereotypes. In her photograph series from 2006 titled Four Season, Red Star puts herself in four diorama settings that depict the four seasons. The four scenes are obviously staged and artificial. For example, in the Fall photograph, Red Star is surrounded by fake leaves on the floor and has a blow up moose behind her. Like McNeil, Red Star is depicting how the lines between truth and reality are often blurred in Native American photographs. In each of the photographs, everything around her is constructed and fake. The only thing that is real is her culture and her. She confronts Native American stereotypes by showing that Native American culture is real, but is often depicted in untrue surroundings.

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