NORA: Dear old Anna Marie, you were such a good mother to me when I was a little girl. NURSE: Well, my poor little Nora had no other mother but me. NORA: And if my little ones had no other mother, I’m sure you’d – oh what nonsense I’m talking. Go in and see them –. Now I have to – you’ll see tomorrow how beautiful I will look (55).
This excerpt from Ibsen’s play illustrates Nora showing more concern for her beauty and appearance over playing and spending time with her children. It is evident that she tries to distance herself early on in the play because her mind is already certain of her impending departure from her family. The fact that Anna Marie raised Nora suggests that Nora feels it acceptable to not mother her...
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...nt is obligated to be honest and upstanding, because a parent’s immorality is passed on to their children like a disease. She truly believes that the nanny will be a better mother and that leaving her children is in their best interest. Nora’s understanding of the meaning of freedom evolves over the course of the play. In the first act, she believes that she will be totally “free” as soon as she has repaid her debt, because she will have the opportunity to devote herself fully to her domestic responsibilities. After Krogstad blackmails her, however, she reconsiders her conception of freedom and questions whether she is happy in Torvald’s house, subjected to his orders and edicts. By the end of the play, Nora seeks a new kind of freedom. She wishes to be relieved of her familial obligations in order to pursue her own ambitions, beliefs, and identity.
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