Every person needs an anchor, someone or something to hold on to in order to keep progressing forward. In Night, a common anchor becomes apparent through the use of family. From the very beginning, Moishe the Beadle tells a story of a man, “Tobie, the tailor who begged to die before his sons were killed” (Wiesel 7). This man, who no one apart from Moishe knows personally, offers his life before his sons’. This shows that he lives for his family, and he would be willing to die for them as well. In Elie’s own personal experience, his parents try to prepare and shield him. He remarks that his father “went down to the cellar and buried our savings” (11), while his mother “went on tending to the many chores in the house” (11), attempting to maintain everything as normal as possible given the circumstance. His parents, anticipating the future, set up a way for their family to continue living well when they return. The burial of the money resembles a symbol of hope that they will return at all. In “Ballad of Birmingham” by Dudley Ra...
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...hat the questions asked depends on the circumstance; the more deeply one gets involved into something, the more intense the questions will be.
All of these works describe situational changes resulting in differing reactions. Possessions, losses, and questions resemble these different responses by the way a person uses them. Everything is circumstantial; if a person who lost a loved one would be compared to one who lost a favorite article of clothing, their outlook on sadness would record at entirely contradictory depths.
“A Dream Deferred.” Langston Hughes. Honors Poetry Unit Class Handout.
“Ballad Of Birmingham.” Dudley Randall. Honors Poetry Unit Class Handout.
“Riddle.” William Heyen. Honors Poetry Unit Class Handout.
Wiesel, Elie, and Marion Wiesel. Night. New York, NY: Hill and Wang, a Division of Farrar, Straus and Giroux, 2006.
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