Of all the literary elements used in Night, foreshadowing prominently expresses theme. To foreshadow, a threat must be proposed before it arises; some early events of the holocaust display the fabricated essence of this idea in Ellie’s head. Ellie’s treacherous experience was hinted at by the first ideas of transgression against the Jews. Everything seemed fine in Elie’s life until “one day [when] all foreign Jews were expelled from Sighet” (4). The Wiesel family sat was lucky enough to avoid the first, yet the seeds of fear were planted in their minds. The innate idea of survival first surfaced from their comfortable, religious life. They did feel a threat crawling down their back, but the wheels of tension were set in motion. Soon, the first oppressors reared their ugly heads. The Hungarian police were not nearly as forceful as the coming Nazis, but instilled defensive thought in Elie’s mind: “That was when I began to hate them, and hatred remains our only link today” (19). For the first time, Elie’s survival instincts came into his...
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...ng reaching effects that bled into Wiesel’s use of the literary elements of foreshadowing, symbolism, and repetition in his writing. Foreshadowing helped explain the onset; a scar can not become a scar if there is nothing to create it. Wiesel’s application of symbolism lets the reader gaze into his own perspective and realise just how much Elie struggled to maintain what little power he could scavenge in the unforgiving circumstances that befell him. Lastly, repetition uncovers the scars of his survival. These key ideas were smoldered into his grey matter by constant abuse that even ten years of silence could not fully heal. All things considered lead the viewing audience to realise that survival and living are two completely separate human instincts. Nothing matters in survival except for survival itself; the human body neglects everything in attempts to stay alive.
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