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gender descrimination in literature
Literature and Gender
what does masculinity mean in society
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The medieval Germanic cultures described in The Nibelungenlied, Njal’s Saga and Beowulf, place a great deal of importance on using courage and prowess in battle to determine masculinity. In many ways, modern society still values the idea of expressing masculinity through physical activity. The current stereotype of a masculine man is an athlete, a man who competes in often violent sports to establish his status relative to other men. However, sports are situational activities, scheduled deviations from normal living. So, in a society that strives to be free of violence, how does the modern man establish his masculinity? It would seem that he channels his violent tendencies into socially acceptable areas or develops other indicators of masculinity.
The modern judicial system emasculates men much in the same way Skarp-Hedin was humiliated in chapter 119 of Njal’s Saga. Skarp-Hedin endured insults to his appearance, character and status, responding only with words, rather than violence, because he was aware of his status as the subordinate party in that situation. He was unable to respond in his desired manner (violence) because he needed allegiance from the chieftains who were humiliating him. He recognized their ability to choose whether to support his case as a power they held over his life. Thus, he also recognized his inability, given the situation, to react with physical force. The modern judicial system holds a similar, but greater power than this over the modern man. Such strict penalties have been established for murder and other violent crimes that modern men have realized that they are incapable of acting violently without essentially forfeiting their lives. Similar to Skarp-Hedin’s experience with the...
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...ns to masculinity have changed a great deal, but the end is the same regardless of time or place.
Works Cited
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Hatto, A. T. The Nibelungenlied. Baltimore: Penguin, 1965. Print.
Heaney, Seamus. Introduction. Beowulf: a New Verse Translation. New York: Farrar, Straus, and Giroux, 2000. Xvii. Print.
Magnusson, Magnus, and Hermann Pálsson. Njal's Saga. London: Penguin, 1960. Print.
Shakur, Tupac. "Hit 'Em Up." Rec. May 1996. Greatest Hits. Death Row Records/Interscope Records, 1998. CD.
The topics that Joe Ehrmann uses as framework for his Building Men for Others program are quite intriguing and make you really question masculinity. The first topic, rejecting false masculinity, can be interpreted a few different ways. In the book, it states: “As young boys, we’re told to be men, or to act like men” soon followed with “we’ve got all these parents say ‘be a man’ to boys that have no concept of what that means. I completely agree with the statement of Joe Ehrmann and often question the definition of ‘being a man’. Many boys and men will reject the idea of a man being anything other than being big and strong or having power. Overall instead of a true definition of a man, kids and even adults interpret it as athletic ability, sexual conquest, and economic success. The second topic Joe speaks about is the relationships that make a real man. In the book it states “the number one complaint I hear from most wives is ‘My husband has no relationships with other men.’ In other words, most
behaviors, and social conditions that we call masculinities are “hard-wired” into males through biology (see Thorhill & Palmer, 2000) and/or the heritability of human psyche (see Jung, 1959/1989; Bly, 1990). They view masculinity as static, transhistorical, cross-cultural, and cross-situational. From this perspective, gender change is either impossible, or it involves the use of powerful force to constrain what is seen as “naturally” male. (Masculine Self pg. 19)
Shakur, Tupac (Ft. Outlawz) – Hit 'Em Up." Rap Genius. N.p., n.d. Web. 21 Apr. 2014.
Beowulf. Sullivan, Alan, and Timothy Murphy, trans. Longman Anthology of British Literature. Gen. Ed. David Damrosch. 2nd compact ed. Vol. A. New York: Pearson, 2004. 32-91.
Heaney, Seamus, trans. Beowulf: A New Verse Translation. New York: Farrar, Straus, and Giroux, 2000.
We shape how masculinity works with our individual selves and with our public selves. The roles that we play on and off the courts dictate slowly mold the fluid that is understanding what masculinity actually is. Taking a new look at gendered norms on an intuition level will help create safe places where people can explore, without repercussions, a new identity, whether that identity is sexual or social, that is left up to personal choice.
“Beowulf.” Trans. Suzanne Akbari. The Norton Anthology of World Literature. 3rd ed. Vol. B. New York: W.W. Norton, 2012. 112-82. Print.
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In Kimmel’s essay “’Bros Before Hos’: The Guy Code” he argues that the influence of society on masculinity is equal to or greater than biological influences on masculinity. In the essay, Kimmel uses various surveys and interviews to validate his argument. He points to peers, coaches, and family members as the people most likely to influence the development of a man’s masculinity. When a man has his manliness questioned, he immediately makes the decision never to say or do whatever caused him to be called a wimp, or unmanly. Kimmel’s argument is somewhat effective because the readers get firsthand accounts from the interviewees but the author does not provide any statistics to support his argument.
Anonymous. “Beowulf.” Beowulf: A New Verse Translation. Seamus Heaney, trans. New York: W.W. Norton &Company Ltd. 2001. 2-213. Print.
Heaney, Seamus. Beowulf: A New Verse Translation. New York: Farrar, Straus, and Giroux, 2000. Print.
Masculinity only exists in coherence with femininity. If a culture does not treat men and women as carrier of polarized character types, at least in principal, is not able to have a conception of masculinity, like it is found in contemporary European/American culture. Attention has to be brought to “historical specificity and historical change,” because it “illustrates the social construction of masculinity, the multiplicity of ways in which masculinities can be enacted or lived and the existence and potential of change” (42). A good basis to start discussing what masculinity and femininity constitute out of, is by investigating what men and women do (or how they behave). If gender is cultural, then men and women are able to step into and inhabit masculinity as well as femininity “as a ‘cultural space’, one with its own sets of behaviors” (43). These behaviors include a number of culturally defined characteristics. Male competiveness, aggression, and emotional inarticulateness are said to have their own place in the economic system and stand for masculinity. Still widely accepted is the view that men and women differ fundamentally and that men as well as women have a distinct set of fixed traits that characterizes one as male or
Early feminist studies of gender often depicted the expression of masculinity as solely meant to subordinate women. Upon further research and understanding of gender and its role in society, gender theorists have realized that masculinity is not only a patriarchal regulation against women, but that it also has negative effects against men. Masculinity has different characteristics in different cultures, but masculinity in general presents a hierarchy of traits, with femininity as the lowest, least desirable trait. In American culture, masculinity is defined within multiple structures, such as race, class, and sexuality, where a man’s masculinity can be lessened by his traits as well as these identities. Often, normative expressions of masculinity
Shippey, T.A.. “The World of the Poem.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987..
Abrams, M.H., ed. Beowulf: The Norton Anthology of English Literature. New York: W.W. Norton & Company, Inc., 2001.