The 1920s was a decade for creativity for black Americans that were living in New York city, particularly Harlem. Here Harlem became the race capital. Essentially, “on one hand, there emerged a new generation of black thinkers who were attracted by the promise of socialism” (Locke 929). The thinking Negro, has been encouraged to share a general attitude and focus his attention or controversial issues, to see himself as a view of a social problem.
“The New Negro” brings negroes from the south together with Negros from the north after the beginning of the World War. “So, what began in terms of segregation becomes more and more, as its elements mix and react, the laboratory of great race welding”. (Locke 976) This was to become a natural bond for them of common condition rather than common consciousness. This experience will be of a new kind to finding group expression and self-determination which played a significant role during the Harlem Renaissance.
This was a time for many blacks to express themselves during the Civil War. Now, they were achieving spiritua...
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...ocke believed that “each generation, however will have its creed, and that of the present is the belief in the efficacy of collective effort, in race cooperation” (Locke 978). However, today the creed that exist is one of pain and anger like those of the “Old Negroes”.
Locke shows that “The New Negro” in the 1920’s was adapting the new way of life which was self-independence and creativity. The new Negros did not evolve over night, but they have been progressing for years. It is now that “he is contributing his share to the new social understanding” (Locke 977). Yet, in that time even now the negro segregates himself mentally. The social gain that was created great expression, but they must proceed in their unfinished task to making progress. “The New Negro” and the events during the Harlem Renaissance was a prestigious event during the African American culture.
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